Monday, April 26, 2010

'Memphis' and 'The Royal Family' Lead Outer Critics Nominations

Memphis and The Royal Family led the nominations for this year's Outer Critics Awards with seven each. Sutton and Hunter Foster annouced the nominations this morning
in a ceremony I attended at Manhattan’s historic Algonquin Hotel.

The winners of the following categories will be announced on Monday, May 17 and the annual awards ceremony will be held on Thursday, May 27 at Sardi’s. Below is a full list of the nominations. To read a review of a show, scroll down at left under "2009-2010 Season Reviews." Shows listed under "Next Reviews Up" will have a review posted shortly.
--Lauren Yarger


Outer Critics Circle
2009-2010 Award Nominations

OUTSTANDING NEW BROADWAY PLAY
Next Fall
Red
Superior Donuts
Time Stands Still

OUTSTANDING NEW BROADWAY MUSICAL
American Idiot
Come Fly Away
Fela!
Memphis
Sondheim on Sondheim

OUTSTANDING NEW OFF-BROADWAY PLAY
Clybourne Park
The Orphans’ Home Cycle
The Pride
The Temperamentals

OUTSTANDING NEW OFF-BROADWAY MUSICAL
Bloody Bloody Andrew Jackson
The Scottsboro Boys
Tin Pan Alley Rag
Yank!

OUTSTANDING NEW SCORE
(Broadway or Off-Broadway)
Bloody Bloody Andrew Jackson
Memphis
The Scottsboro Boys
Yank!

OUTSTANDING REVIVAL OF A PLAY
(Broadway or Off-Broadway)
Fences
Lend Me a Tenor
The Royal Family
A View From the Bridge

OUTSTANDING REVIVAL OF A MUSICAL
(Broadway or Off-Broadway)
La Cage aux Folles
Finian’s Rainbow
A Little Night Music
Promises, Promises

OUTSTANDING DIRECTOR OF A PLAY
Doug Hughes The Royal Family
Kenny Leon Fences
Stanley Tucci Lend Me a Tenor
Michael Wilson The Orphans’ Home Cycle

OUTSTANDING DIRECTOR OF A MUSICAL
Christopher Ashley Memphis
Terry Johnson La Cage aux Folles
Susan Stroman The Scottsboro Boys
Alex Timbers Bloody Bloody Andrew Jackson

OUTSTANDING CHOREOGRAPHER
Rob Ashford Promises, Promises
Bill T. Jones Fela!
Susan Stroman The Scottsboro Boys
Sergio Trujillo Memphis

OUTSTANDING SET DESIGN
(Play or Musical)
John Lee Beatty The Royal Family
Beowulf Boritt Sondheim on Sondheim
Phelim McDermott & Julian Crouch The Addams Family
Donyale Werle Bloody Bloody Andrew Jackson

OUTSTANDING COSTUME DESIGN
(Play or Musical)
Jane Greenwood Present Laughter
Martin Pakledinaz Lend Me a Tenor
Matthew Wright La Cage aux Folles
Catherine Zuber The Royal Family

OUTSTANDING LIGHTING DESIGN
(Play or Musical)
Kevin Adams American Idiot
Kevin Adams The Scottsboro Boys
Ken Billington Sondheim on Sondheim
Justin Townsend Bloody Bloody Andrew Jackson

OUTSTANDING ACTOR IN A PLAY
Bill Heck The Orphans’ Home Cycle
Jude Law Hamlet
Liev Schreiber A View From the Bridge
Christopher Walken A Behanding in Spokane
Denzel Washington Fences

OUTSTANDING ACTRESS IN A PLAY
Nina Arianda Venus in Fur
Laura Benanti In the Next Room, or the vibrator play
Viola Davis Fences
Laura Linney Time Stands Still
Jan Maxwell The Royal Family

OUTSTANDING ACTOR IN A MUSICAL
Brandon Victor Dixon The Scottsboro Boys
Sean Hayes Promises, Promises
Douglas Hodge La Cage aux Folles
Chad Kimball Memphis
Nathan Lane The Addams Family

OUTSTANDING ACTRESS IN A MUSICAL
Kate Baldwin Finian’s Rainbow
Barbara Cook Sondheim on Sondheim
Montego Glover Memphis
Bebe Neuwirth The Addams Family
Catherine Zeta-Jones A Little Night Music

OUTSTANDING FEATURED ACTOR IN A PLAY
James DeMarse The Orphans’ Home Cycle
Jon Michael Hill Superior Donuts
David Pittu Equivocation
Noah Robbins Brighton Beach Memoirs
Reg Rogers The Royal Family

OUTSTANDING FEATURED ACTRESS IN A PLAY
Hallie Foote The Orphans’ Home Cycle
Rosemary Harris The Royal Family
Marin Ireland A Lie of the Mind
Jan Maxwell Lend Me a Tenor
Alicia Silverstone Time Stands Still

OUTSTANDING FEATURED ACTOR IN A MUSICAL
Kevin Chamberlin The Addams Family
Christopher Fitzgerald Finian’s Rainbow
Levi Kreis Million Dollar Quartet
Dick Latessa Promises, Promises
Bobby Steggert Ragtime

OUTSTANDING FEATURED ACTRESS IN A MUSICAL
Carolee Carmello The Addams Family
Katie Finneran Promises, Promises
Angela Lansbury A Little Night Music
Cass Morgan Memphis
Terri White Finian’s Rainbow

OUTSTANDING SOLO PERFORMANCE
Jim Brochu Zero Hour
Carrie Fisher Wishful Drinking
Judith Ivey The Lady With All the Answers
Anna Deavere Smith Let Me Down Easy

JOHN GASSNER AWARD
(Presented for an American play, preferably by a new playwright)
John Logan Red
Jon Marans The Temperamentals
Geoffrey Nauffts Next Fall
Bruce Norris Clybourne Park

Celebrating its 60th season of bestowing awards of excellence in the field of theater, the Outer Critics Circle, is an association with members affiliated with more than 90 newspapers, magazines, radio and television stations and theater publications in America and abroad.
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Gracewell Prodiuctions

Gracewell Prodiuctions
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Our reviews are professional reviews written without a religious bias. At the end of them, you can find a listing of language, content or theological issues that Christians might want to know about when deciding which shows to see.

** Mature indicates that the show has posted an advisory because of content. Usually this means I would recommend no one under the age of 16 attend.

Theater Critic Lauren Yarger

Theater Critic Lauren Yarger

My Bio

Lauren Yarger has written, directed and produced numerous shows and special events for both secular and Christian audiences. She co-wrote a Christian musical version of “A Christmas Carol” which played to sold-out audiences of over 3,000 in Vermont and was awarded the Vermont Bessie (theater and film awards) for “People’s Choice for Theatre.” She also has written two other dinner theaters, sketches for church services and devotions for Christian artists. Her play concept, "From Reel to Real: The Jennifer O'Neill Story" was presented as part of the League of professional Theatre Women's Julia's reading Room Series in New York. Shifting from reviewing to producing, Yarger owns Gracewell Productions, which produced the Table Reading Series at the Palace Theater in Waterbury, CT. She trained for three years in the Broadway League’s Producer Development Program, completed the Commercial Theater Institute's Producing Intensive and other training and produced a one-woman musical about Mary Magdalene that toured nationally and closed with an off-Broadway run. She was a Fellow at the National Critics Institute at the O'Neill Theater Center in Waterford, CT. She wrote reviews of Broadway and Off-Broadway theater (the only ones you can find in the US with an added Christian perspective) at http://reflectionsinthelight.blogspot.com/.

She is editor of The Connecticut Arts Connection (http://ctarts.blogspot.com), an award-winning website featuring theater and arts news for the state. She was a contributing editor for BroadwayWorld.com. She previously served as theater reviewer for the Manchester Journal-Inquirer, Connecticut theater editor for CurtainUp.com and as Connecticut and New York reviewer for American Theater Web.

She is a Co-Founder of the Connecticut Chapter of the League of Professional Theatre Women. She is a former vice president and voting member of The Drama Desk.

She is a freelance writer and playwright (member Dramatists Guild of America). She is a member if the The Outer Critics Circle (producer of the annual awards ceremony) and a member of The League of Professional Theatre Women, serving as Co-Founder of the Connecticut Chapter. Yarger was a book reviewer for Publishers Weekly A former newspaper editor and graduate of the University of Missouri’s School of Journalism, Yarger also worked in arts management for the Bushnell Center for the Performing Arts, the Hartford Symphony Orchestra and served for nine years as the Executive Director of Masterwork Productions, Inc. She lives with her husband in West Granby, CT. They have two adult children.

Copyright

All material is copyright 2008- 2024 by Lauren Yarger. Reviews and articles may not be reprinted without permission. Contact reflectionsinthelight@gmail.com

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Key to Content Notes:

God's name taken in vain -- means God or Jesus is used in dialogue without speaking directly to or about them.

Language -- means some curse words are used. "Minor" usually means the words are not too strong or that it only occurs once or twice throughout the show.

Strong Language -- means some of the more heavy duty curse words are used.

Nudity -- means a man or woman's backside, a man's lower front or a woman's front are revealed.

Scantily clad -- means actors' private areas are technically covered, but I can see a lot of them.

Sexual Language -- means the dialogue contains sexually explicit language but there's no action.

Sexual Activity -- means a man and woman are performing sexual acts.

Adultery -- Means a married man or woman is involved sexually with someone besides their spouse. If this is depicted with sexual acts on stage, the list would include "sexual activity" as well.

Sex Outside of Marriage -- means a man and woman are involved sexually without being married. If this is depicted sexually on stage, the list would include "sexual activity" as well.

Homosexuality -- means this is in the show, but not physically depicted.

Homosexual activity -- means two persons of the same sex are embracing/kissing. If they do more than that, the list would include "sexual activity" as well.

Cross Dresser -- Means someone is dressing as the opposite sex. If they do more than that on stage the listing would include the corresponding "sexual activity" and/or "homosexual activity" as well.

Cross Gender -- A man is playing a female part or a woman is playing a man's part.

Suggestive Dancing -- means dancing contains sexually suggestive moves.

Derogatory (category added Fall 2012) Language or circumstances where women or people of a certain race are referred to or treated in a negative and demeaning manner.

Other content matters such as torture, suicide, or rape will be noted, with details revealed only as necessary in the review itself.

The term "throughout" added to any of the above means it happens many times throughout the show.

Reviewing Policy

I receive free seats to Broadway and Off-Broadway shows made available to all voting members of the Outer Critics Circle. Journalistically, I provide an unbiased review and am under no obligation to make positive statements. Sometimes shows do not make tickets available to reviewers. If these are shows my readers want to know about I will purchase a ticket. If a personal friend is involved in a production, I'll let you know, but it won't influence a review. If I feel there is a conflict, I won't review their portion of the production.

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