Monday, March 11, 2019

Off-Broadway Theater Review: The Other Josh Cohen

David Rossmer and Steve Rosen. Photo:  Caitlin McNaney


The Other Josh Cohen
Book, Music and Lyrics by David Rossmer and Steve Rosen
Directed by Hunter Foster
Westside Theatre
Through April 28

By Lauren Yarger
What's It All About?
A quirky and fun rock musical reviewing events in the last year of the life of Josh Cohen (Steven Rosen) as told by Josh Cohen (David Rossmer). The stars are the book, music and lyric writers of this tale about a nice guy who cannot find a girlfriend and cannot catch a break. Suddenly, it seems as though luck might have come his way when he receives a large check in the mail from a long-lost relative. But this is Josh, the guy with all the bad luck. The check actually was intended for someone with the same name and so he begins a letter writing campaign to vent his frustration at the "other Josh Cohen."

What Are the Highlights?
A bouncy, catchy score and smart direction by Hunter Fosters which allows interaction between the two Joshs as well as with the ensemble transforming with wigs and costumes (Costume Designer Nikki V. Moody) into a variety of characters. Hunter creates characters and scenes as if from air and seamlessly has actors switching between action and playing instruments in this fast-paced 90 minutes. 

Filling out the cast are (amusingly credited in the Playbill as "A Lot of People," "A Bunch of People," "A Bunch of Other People," "The Rest of the People" and "At Least One More Person" -- if that makes you chuckle, you will enjoy the show -- are Jane Bruce, Louis Tucci, Cathryn Wake, Luke Darnell and Elizabeth Nestlebrode. 

What Are the Lowlights?
There is a bit of confusion at the top of the show as Josh's apartment is burglarized. the action takes place over a fairly long period of time as the audience is still entering and it is hard to know if we are supposed to be watching the action carefully or not.  It's  a small complaint.

More Information:
The Other Josh Cohen has been extended at the Westside Theatre, 407 West 43rd St., NYC through April 28.

Additional credits:
Scenic Designer Carolyn Mraz; Lighting Designer Jeff Croiter; Sound Designer Bart Fasbender; Music Supervisor Dan Lipton;; Co-Orchestrators David Rossmer and Dan Lipton. Musical Staging is by Whitney G-Bowley.

FAMILY-FRIENDLY FACTORS:
-- Language
-- Lord's name taken in vain

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Our reviews are professional reviews written without a religious bias. At the end of them, you can find a listing of language, content or theological issues that Christians might want to know about when deciding which shows to see.

** Mature indicates that the show has posted an advisory because of content. Usually this means I would recommend no one under the age of 16 attend.

Theater Critic Lauren Yarger

Theater Critic Lauren Yarger

My Bio

Lauren Yarger has written, directed and produced numerous shows and special events for both secular and Christian audiences. She co-wrote a Christian musical version of “A Christmas Carol” which played to sold-out audiences of over 3,000 in Vermont and was awarded the Vermont Bessie (theater and film awards) for “People’s Choice for Theatre.” She also has written two other dinner theaters, sketches for church services and devotions for Christian artists. Her play concept, "From Reel to Real: The Jennifer O'Neill Story" was presented as part of the League of professional Theatre Women's Julia's reading Room Series in New York in February 2018.

Yarger trained for three years in the Broadway League’s Producer Development Program, completed the Commercial Theater Institute's Producing Three-Day Intensive and other training and produced a one-woman musical about Mary Magdalene that toured nationally and closed with an off-Broadway run.

She was a Fellow at the National Critics Institute at the O'Neill Theater Center in Waterford, CT. She writes reviews of Broadway and off-Broadway theater (the only ones you can find in the US with an added Christian perspective) at http://reflectionsinthelight.blogspot.com/.

She is editor of The Connecticut Arts Connection (http://ctarts.blogspot.com), an award-winning website featuring theater and arts news for the state. She is a contributing editor for BroadwayWorld.com. She previously served as theater reviewer for the Manchester Journal-Inquirer, Connecticut theater editor for CurtainUp.com and as Connecticut and New York reviewer for American Theater Web.

She is a Co-Founder of the Connecticut Chapter of the League of Professional Theatre Women. She is a former vice preseint and voting member of The Drama Desk.

She is a freelance writer and playwright (member Dramatists Guild of America). She is a member if the The Outer Critics Circle (event manager for the annual awards ceremony), The American Theater Critics Association, The League of Professional Theatre Women and the Drama League. She served as a judge for the SDX Awards presented by the Society of Professional Journalists.

Yarger is a book reviewer for Publishers Weekly and freelances for other sites. She is a member of the National Book Critics Circle.

She also is a member of the Episcopal Actors' Guild, the NY Public Library for the Performing Arts and The O'Neill Theatre Center..

A former newspaper editor and graduate of the University of Missouri’s School of Journalism, Yarger also worked in arts management for the Bushnell Center for the Performing Arts, the Hartford Symphony Orchestra and served for nine years as the Executive Director of Masterwork Productions, Inc. She lives with her husband in West Granby, CT. They have two adult children.

Copyright

All material is copyright 2008- 2018 by Lauren Yarger. Reviews and articles may not be reprinted without permission. Contact reflectionsinthelight@gmail.com

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Key to Content Notes:

God's name taken in vain -- means God or Jesus is used in dialogue without speaking directly to or about them.

Language -- means some curse words are used. "Minor" usually means the words are not too strong or that it only occurs once or twice throughout the show.

Strong Language -- means some of the more heavy duty curse words are used.

Nudity -- means a man or woman's backside, a man's lower front or a woman's front are revealed.

Scantily clad -- means actors' private areas are technically covered, but I can see a lot of them.

Sexual Language -- means the dialogue contains sexually explicit language but there's no action.

Sexual Activity -- means a man and woman are performing sexual acts.

Adultery -- Means a married man or woman is involved sexually with someone besides their spouse. If this is depicted with sexual acts on stage, the list would include "sexual activity" as well.

Sex Outside of Marriage -- means a man and woman are involved sexually without being married. If this is depicted sexually on stage, the list would include "sexual activity" as well.

Homosexuality -- means this is in the show, but not physically depicted.

Homosexual activity -- means two persons of the same sex are embracing/kissing. If they do more than that, the list would include "sexual activity" as well.

Cross Dresser -- Means someone is dressing as the opposite sex. If they do more than that on stage the listing would include the corresponding "sexual activity" and/or "homosexual activity" as well.

Cross Gender -- A man is playing a female part or a woman is playing a man's part.

Suggestive Dancing -- means dancing contains sexually suggestive moves.

Derogatory (category added Fall 2012) Language or circumstances where women are referred to or treated in a negative and demeaning manner.

Other content matters such as torture, suicide or rape will be noted, with details revealed only as necessary in the review itself.

The term "throughout" added to any of the above means it happens many times throughout the show.

Reviewing Policy

I receive free seats to Broadway and Off-Broadway shows made available to all voting members of the Outer Critics Circle and The Drama Desk, the two professional critics organizations with journalists covering NY theater. Journalistically, I provide an unbiased review and am under no obligation to make positive statements. Sometimes shows do not make tickets available to reviewers. If these are shows my readers want to know about (I review all Broadway shows and pertinent Off-Broadway shows), I will purchase a ticket. If a personal friend is involved in a production, I'll let you know, but it won't influence a review. If I feel there is a conflict, I won't review their portion of the production.

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