Monday, April 23, 2018

Off-Broadway Theater Review: This Flat Earth

Lynda Gravátt (above) and Ella Kennedy Davis. Photo: Joan Marcus
This Flat Earth
By Lindsey Ferrentino
Directed by Rebecca Taichman
Playwrights Horizons
Through April 29

By Lauren Yarger
What's It all About?
The world premiere of a new play by Lindsey Ferrentino, directed by Tony Award winner Rebecca Taichman, that takes a look at the after-effects on members of a community where a number of school children died in a shooting.

Julie (a dynamic Ella Kennedy Davis) and her pal, Zander (Ian Saint-Germain) feel awkward around each other, but it's not just because they are exploring whether they have romantic feelings for each other. The last time Zander put his arms around Julie, it was to help protect her from the shootings in their school while the two hid in a closet. They survived, but nine of their classmates didn't, including Noel, whose mom, Lisa (Cassie Beck) makes them VERY uncomfortable. Everyone is trying to go as if the tragedy never happened. Julie is blindsided by the realization that it has happened before at other schools and probably will happen again. The situation is made even more tenuous when Lisa clashes with Julie's dad, Dan (Lucas Papaelias). Julie turns to her mysterious upstairs neighbor, Cloris (Lynda Gravátt) for counsel. Can't any of the grownups do anything right? Can't they fix anything?

What Are the Highlights?
Davis gives a powerhouse performance. She's a little kid forced to grow up. We understand why she jumps at every sound and is afraid to leave the house.

What Are the Lowlights?
Characters are underdeveloped. They and the story seem to exist only to forward an anti-gun agenda. Julie's constant screams of "Are you there?" become tiresome. The play reiterates current cultural unrest about gun violence in schools, and stirs angst, but doesn't go much beyond that if you are looking for answers.

More information:
The production also features Grammy-nominated cellist Christine Kim who is seated in the house.

This Flat Earth plays through April 29 at Playwrights Horizons, 416 West 42nd St., NYC. playwrightshorizons.org

Additional credits:
Scenic Design by Dane Laffrey, Costume Design by Paloma Young, Lighting Design by Christopher Akerlind,  Sound Design by Mikhail Fiksel.

FAMILY-FRIENDLY FACTORS:
-- Language

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Our reviews are professional reviews written without a religious bias. At the end of them, you can find a listing of language, content or theological issues that Christians might want to know about when deciding which shows to see.

** Mature indicates that the show has posted an advisory because of content. Usually this means I would recommend no one under the age of 16 attend.

Theater Critic Lauren Yarger

Theater Critic Lauren Yarger

My Bio

Lauren Yarger has written, directed and produced numerous shows and special events for both secular and Christian audiences. She co-wrote a Christian musical version of “A Christmas Carol” which played to sold-out audiences of over 3,000 in Vermont and was awarded the Vermont Bessie (theater and film awards) for “People’s Choice for Theatre.” She also has written two other dinner theaters, sketches for church services and devotions for Christian artists. Her play "From Reel to Real: The Jennifer O'Neill Story" was presented as part of the League of professional Theatre Women's Julia's reading Room Series in New York in February 2018.

Yarger trained for three years in the Broadway League’s Producer Development Program, completed the Commercial Theater Institute's Producing Three-Day Training and produced a one-woman musical about Mary Magdalene that toured nationally and closed with an off-Broadway run.

She was a Fellow at the National Critics Institute at the O'Neill Theater Center in Waterford, CT. She writes reviews of Broadway and off-Broadway theater (the only ones you can find in the US with an added Christian perspective) at http://reflectionsinthelight.blogspot.com/.

She is editor of The Connecticut Arts Connection (http://ctarts.blogspot.com), an award-winning website featuring theater and arts news for the state. She is a contributing editor for BroadwayWorld.com. She previously served as theater reviewer for the Manchester Journal-Inquirer, Connecticut theater editor for CurtainUp.com and as Connecticut and New York reviewer for American Theater Web.

She is a Co-Founder of the Connecticut Chapter of the League of Professional Theatre Women.

Yarger is a book reviewer for Publishers Weekly and freelances for other sites. She is a member of the National Book Critics Circle.

She is a freelance writer and playwright and member of The Drama Desk, The Outer Critics Circle, The American Theater Critics Association and The League of Professional Theatre Women. She served as a judge for the SDX Awards presented by the Society of Professional Journalists. She also is a member of the Connecticut Critics Circle. and the Episcopal Actors' Guild.

A former newspaper editor and graduate of the University of Missouri’s School of Journalism, Yarger also worked in arts management for the Bushnell Center for the Performing Arts, the Hartford Symphony Orchestra and served for nine years as the Executive Director of Masterwork Productions, Inc. She lives with her husband in West Granby, CT. They have two adult children.

Copyright

All material is copyright 2008- 2018 by Lauren Yarger. Reviews and articles may not be reprinted without permission. Contact reflectionsinthelight@gmail.com

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Key to Content Notes:

God's name taken in vain -- means God or Jesus is used in dialogue without speaking directly to or about them.

Language -- means some curse words are used. "Minor" usually means the words are not too strong or that it only occurs once or twice throughout the show.

Strong Language -- means some of the more heavy duty curse words are used.

Nudity -- means a man or woman's backside, a man's lower front or a woman's front are revealed.

Scantily clad -- means actors' private areas are technically covered, but I can see a lot of them.

Sexual Language -- means the dialogue contains sexually explicit language but there's no action.

Sexual Activity -- means a man and woman are performing sexual acts.

Adultery -- Means a married man or woman is involved sexually with someone besides their spouse. If this is depicted with sexual acts on stage, the list would include "sexual activity" as well.

Sex Outside of Marriage -- means a man and woman are involved sexually without being married. If this is depicted sexually on stage, the list would include "sexual activity" as well.

Homosexuality -- means this is in the show, but not physically depicted.

Homosexual activity -- means two persons of the same sex are embracing/kissing. If they do more than that, the list would include "sexual activity" as well.

Cross Dresser -- Means someone is dressing as the opposite sex. If they do more than that on stage the listing would include the corresponding "sexual activity" and/or "homosexual activity" as well.

Cross Gender -- A man is playing a female part or a woman is playing a man's part.

Suggestive Dancing -- means dancing contains sexually suggestive moves.

Derogatory (category added Fall 2012) Language or circumstances where women are referred to or treated in a negative and demeaning manner.

Other content matters such as torture, suicide or rape will be noted, with details revealed only as necessary in the review itself.

The term "throughout" added to any of the above means it happens many times throughout the show.

Reviewing Policy

I receive free seats to Broadway and Off-Broadway shows made available to all voting members of the Outer Critics Circle and The Drama Desk, the two professional critics organizations with journalists covering NY theater. Journalistically, I provide an unbiased review and am under no obligation to make positive statements. Sometimes shows do not make tickets available to reviewers. If these are shows my readers want to know about (I review all Broadway shows and pertinent Off-Broadway shows), I will purchase a ticket. If a personal friend is involved in a production, I'll let you know, but it won't influence a review. If I feel there is a conflict, I won't review their portion of the production.

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