Hamilton won the award for Outstanding Production of a Musical, and its composer and star, Lin-Manual Miranda, won the Distinguished Performance Award at the 82nd annual Drama League Awards Friday, May 20.
Other awards went to
Outstang Play -- The Humans
Outstanding Revival of a Musical -- The Color Purple
Outstanding Revival of a Play -- A View From The Bridge
In addition to the competitive categories, Sheldon Harnick was honored with the Distinguished Achievement in Musical Theater Award; Deaf West Theatre was honored with the Unique Contribution to the Theater Award for their vital work; and Ivo van Hove was honored with the Founders Award for Excellence in Directing.
The ceremony and luncheon at the Marriott Marquis in Times Square was hosted by Megan Hilty and Zachary Levi.
First awarded in 1922 and formalized in 1935, The Drama League Awards are the oldest theatrical honors in America. They are the only major theatergoer awards chosen by audience members — specifically, by the thousands of Drama League members nationwide who attend Broadway and Off-Broadway productions.
The Drama League Awards honor distinguished productions, performances, and exemplary career achievements in musical theatre and directing. The first Drama League Award was presented to Katharine Cornell in 1935. Since then, the Distinguished Performance Award has been accorded to a roster of theater legends such as Neil Patrick Harris, Nathan Lane, Audra McDonald, Liam Neeson, Hugh Jackman, Patti LuPone, Glenn Close, Liev Schreiber, Sir John Gielgud, Harvey Fierstein, Cherry Jones, Alec Guinness, James Earl Jones, Julie Harris, Helen Hayes, Jeremy Irons, Mary-Louise Parker, Sir Ian McKellen, Bernadette Peters, Christopher Plummer and Chita Rivera.
2016 DRAMA LEAGUE AWARDS WINNERS
OUTSTANDING PRODUCTION OF A MUSICAL
Richard Rodgers Theatre
Book, Music and Lyrics by Lin-Manuel Miranda
Directed by Thomas Kail
Richard Rodgers Theatre
Jeffrey Seller, Sander Jacobs, Jill Furman, and
The Public Theater (Oskar Eustis, Artistic Director;
Patrick Willingham, Executive Director), producers
* * *
OUTSTANDING PRODUCTION OF A PLAY
Helen Hayes Theatre
By Stephen Karam
Directed by Joe Mantello
Scott Rudin, Barry Diller, Fox Theatricals, James L. Nederlander, Terry Allen Kramer,
Roy Furman, Daryl Roth, Jon B. Platt, Eli Bush, Broadway Across America, Jack Lane,
Barbara Whitman, Jay Alix & Una Jackman, Scott M. Delman, Sonia Friedman, Amanda Lipitz, Peter May, Stephanie P. McClelland, Lauren Stein, The Shubert Organization,
and The Roundabout Theatre Company (Todd Haimes, Artistic Director, Harold Wolpert, Managing Director, and Julia C. Levy, Executive Director), producers;
Joey Parnes, Sue Wagner, John Johnson, executive producers
* * *
OUTSTANDING REVIVAL OF A MUSICAL
The Color Purple
Bernard B. Jacobs Theatre
Book by Marsha Norman
Music and Lyrics by Brenda Russell, Allee Willis and Stephen Bray
Directed by John Doyle
Scott Sanders Productions, Roy Furman, Oprah Winfrey, David Babani, Rom Siracusa,
Caiola Productions, James Fantaci, Ted Liebowitz, Stephanie P. McClelland, James L. Nederlander,
Darren Bagert, Candy Spelling, Adam Zotovich, Eric Falkenstien/Morris Berchard, Just For Laughs Theatricals/Tanya Link Productions, Adam S. Gordon,
Jam Theatricals, Kelsey Grammer, Independent Presenters Network, Carol Fineman, Sandy Block, producers
* * *
OUTSTANDING REVIVAL OF A PLAY
A View From The Bridge
By Arthur Miller
Directed by Ivo van Hove
Scott Rudin, Lincoln Center Theater, Eli Bush. Robert G. Bartner, Roger Berlind, William Berlind,
Roy Furman, Peter May, Amanda Lipitz, Stephanie P. McClelland, Jay Alix & Una Jackman,
Scott M. Delman, Sonia Friedman, John Gore, Ruth Hendel, JFL Theatricals, Heni Koenigsberg,
Jon B. Platt, Daryl Roth, Spring Sirkin, producers
Our reviews are professional reviews written without a religious bias. At the end of them, you can find a listing of language, content or theological issues that Christians might want to know about when deciding which shows to see.
** Mature indicates that the show has posted an advisory because of content. Usually this means I would recommend no one under the age of 16 attend.
Lauren Yarger has written, directed and produced numerous shows and special events for both secular and Christian audiences. She co-wrote a Christian musical version of “A Christmas Carol” which played to sold-out audiences of over 3,000 in Vermont and was awarded the 2000 Vermont Bessie (theater and film awards) for “People’s Choice for Theatre.” She also has written two other dinner theaters, sketches for church services and devotions for Christian artists.
Yarger trained for three years in the Broadway League’s Producer Development Program, completed the Commercial Theater Institute's Producing Three-Day Training and produced a one-woman musical about Mary Magdalene that toured nationally and closed with an off-Broadway run.
She was a Fellow at the National Critics Institute at the O'Neill Theater Center in Waterford, CT. She writes reviews of Broadway and off-Broadway theater (the only ones you can find in the US with an added Christian perspective) at http://reflectionsinthelight.blogspot.com/.
She is editor of The Connecticut Arts Connection (http://ctarts.blogspot.com), an award-winning website featuring theater and arts news for the state. She is a contributing editor for BroadwayWorld.com and is a theater reviewer for the Manchester Journal-Inquirer. She previously served as Connecticut theater editor for CurtainUp.com and as Connecticut and New York reviewer for American Theater Web.
Yarger is a book reviewer for Publishers Weekly and freelances for other sites. She is a member of the National Book Critics Circle.
She is a freelance writer and playwright and member of The Drama Desk, The Outer Critics Circle, The American Theater Critics Association and The League of Professional Theatre Women. She served as a judge for the SDX Awards presented by the Society of Professional Journalists. She also is a member of the Connecticut Critics Circle and the CT Press Club.
A former newspaper editor and graduate of the University of Missouri’s School of Journalism, Yarger also worked in arts management for the Bushnell Center for the Performing Arts, the Hartford Symphony Orchestra and served for nine years as the Executive Director of Masterwork Productions, Inc. She lives with her husband in West Granby, CT. They have two adult children.
All material is copyright 2008, 2009, 2010, 2011, 2012, 2013, 2014 by Lauren Yarger. Reviews and articles may not be reprinted without permission. Contact firstname.lastname@example.org
Key to Content Notes:
God's name taken in vain -- means God or Jesus is used in dialogue without speaking directly to or about them.
Language -- means some curse words are used. "Minor" usually means the words are not too strong or that it only occurs once or twice throughout the show.
Strong Language -- means some of the more heavy duty curse words are used.
Nudity -- means a man or woman's backside, a man's lower front or a woman's front are revealed.
Scantily clad -- means actors' private areas are technically covered, but I can see a lot of them.
Sexual Language -- means the dialogue contains sexually explicit language but there's no action.
Sexual Activity -- means a man and woman are performing sexual acts.
Adultery -- Means a married man or woman is involved sexually with someone besides their spouse. If this is depicted with sexual acts on stage, the list would include "sexual activity" as well.
Sex Outside of Marriage -- means a man and woman are involved sexually without being married. If this is depicted sexually on stage, the list would include "sexual activity" as well.
Homosexuality -- means this is in the show, but not physically depicted.
Homosexual activity -- means two persons of the same sex are embracing/kissing. If they do more than that, the list would include "sexual activity" as well.
Cross Dresser -- Means someone is dressing as the opposite sex. If they do more than that on stage the listing would include the corresponding "sexual activity" and/or "homosexual activity" as well.
Cross Gender -- A man is playing a female part or a woman is playing a man's part.
Suggestive Dancing -- means dancing contains sexually suggestive moves.
Derogatory (category added Fall 2012) Language or circumstances where women are referred to or treated in a negative and demeaning manner.
Other content matters such as torture, suicide or rape will be noted, with details revealed only as necessary in the review itself.
The term "throughout" added to any of the above means it happens many times throughout the show.
I receive free seats to Broadway and Off-Broadway shows made available to all voting members of the Outer Critics Circle and The Drama Desk, the two professional critics organizations with journalists covering NY theater. Journalistically, I provide an unbiased review and am under no obligation to make positive statements. Sometimes shows do not make tickets available to reviewers. If these are shows my readers want to know about (I review all Broadway shows and pertinent Off-Broadway shows), I will purchase a ticket. If a personal friend is involved in a production, I'll let you know, but it won't influence a review. If I feel there is a conflict, I won't review their portion of the production.