Monday, March 29, 2010

Theater Review: All About Me with Michael Feinstein and Dame Edna

Michael Feinstein and Dame Edna
It's Not All About Either of Them, Unfortunately
By Lauren Yarger
All About Me is a pairing of the delightful Michael Feinstein and Dame Edna (a.k.a Barry Humphries) on a Broadway stage. What’s not to like? Well, quite a bit.

First, there is the clumsy script from Christopher Durang (with Humphries) which contrives to have the two personalities feuding over just who is the star of this show. It’s a corny nightclub act at best, hardly worthy of the $125+ Broadway ticket price. The real tragedy is that the ridiculous forced feud eats into time allowed (it's only 90 minutes long) for what we really want to see: Michael Feinstein and Dame Edna doing what they do best.

While Edna sings a couple of typically humorous songs like “The Dingo Ate My Baby” and pokes fun at a few audience members, the song selections for Feinstein are odd and we only get to enjoy a couple of the American songbook standards we’d like to hear (Rob Bowman is the music supervisor). Do we really need to hear him sing “A Lot of Living to Do” when the memories of its being sung on the same stage just a few months ago during the disastrous revival of Bye Bye Birdie still echo instead of, well, anything else by Gershwin, for example?

The script could use some updating as well: Edna pokes fun at Stephen Sondheim while failing to mention that the Henry Miller’s Theater, where she’s performing, soon will be named for him. Annoyingly, the Playbills are designed so that only one of the stars is featured, depending on which one you happen to receive.

If you can put aside the disappointments, however, All About Me still offers entertainment (either one of the stars on a stage equals entertainment, after all). There’s a nice-sounding band on stage (Bowman conducts), two muscled dancers (Gregory Butler and John Paul Mateo) backing up Edna and a stage manager (Francesca Russell) to referee the competition between the stars and who belts out a tune of her own. Oh, and there are sparkly outrageous gowns (for Edna, not Feinstein, possums) and of course, lots of gladiolas.

Catch All About Me at the Henry Miller’s Theatre, 124 West 43rd St., NYC, originally scheduled to run through July 18, has just announced it will close April 4. For tickets, call (212) 239-6200 or outside NY/NJ/CT: (800) 432-7250.

Christians might also like to know:
• Racy humor
• The show posts a Mature Advisory
• Reincarnation philosophy stated

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Our reviews are professional reviews written without a religious bias. At the end of them, you can find a listing of language, content or theological issues that Christians might want to know about when deciding which shows to see.

** Mature indicates that the show has posted an advisory because of content. Usually this means I would recommend no one under the age of 16 attend.

Theater Critic Lauren Yarger

Theater Critic Lauren Yarger

My Bio

Lauren Yarger has written, directed and produced numerous shows and special events for both secular and Christian audiences. She co-wrote a Christian musical version of “A Christmas Carol” which played to sold-out audiences of over 3,000 in Vermont and was awarded the Vermont Bessie (theater and film awards) for “People’s Choice for Theatre.” She also has written two other dinner theaters, sketches for church services and devotions for Christian artists. Her play concept, "From Reel to Real: The Jennifer O'Neill Story" was presented as part of the League of professional Theatre Women's Julia's reading Room Series in New York in February 2018.

Yarger trained for three years in the Broadway League’s Producer Development Program, completed the Commercial Theater Institute's Producing Three-Day Intensive and other training and produced a one-woman musical about Mary Magdalene that toured nationally and closed with an off-Broadway run.

She was a Fellow at the National Critics Institute at the O'Neill Theater Center in Waterford, CT. She writes reviews of Broadway and off-Broadway theater (the only ones you can find in the US with an added Christian perspective) at

She is editor of The Connecticut Arts Connection (, an award-winning website featuring theater and arts news for the state. She is a contributing editor for She previously served as theater reviewer for the Manchester Journal-Inquirer, Connecticut theater editor for and as Connecticut and New York reviewer for American Theater Web.

She is a Co-Founder of the Connecticut Chapter of the League of Professional Theatre Women. She is a former vice preseint and voting member of The Drama Desk.

She is a freelance writer and playwright (member Dramatists Guild of America). She is a member if the The Outer Critics Circle (event manager for the annual awards ceremony), The American Theater Critics Association, The League of Professional Theatre Women and the Drama League. She served as a judge for the SDX Awards presented by the Society of Professional Journalists.

Yarger is a book reviewer for Publishers Weekly and freelances for other sites. She is a member of the National Book Critics Circle.

She also is a member of the Episcopal Actors' Guild, the NY Public Library for the Performing Arts and The O'Neill Theatre Center..

A former newspaper editor and graduate of the University of Missouri’s School of Journalism, Yarger also worked in arts management for the Bushnell Center for the Performing Arts, the Hartford Symphony Orchestra and served for nine years as the Executive Director of Masterwork Productions, Inc. She lives with her husband in West Granby, CT. They have two adult children.


All material is copyright 2008- 2018 by Lauren Yarger. Reviews and articles may not be reprinted without permission. Contact


Key to Content Notes:

God's name taken in vain -- means God or Jesus is used in dialogue without speaking directly to or about them.

Language -- means some curse words are used. "Minor" usually means the words are not too strong or that it only occurs once or twice throughout the show.

Strong Language -- means some of the more heavy duty curse words are used.

Nudity -- means a man or woman's backside, a man's lower front or a woman's front are revealed.

Scantily clad -- means actors' private areas are technically covered, but I can see a lot of them.

Sexual Language -- means the dialogue contains sexually explicit language but there's no action.

Sexual Activity -- means a man and woman are performing sexual acts.

Adultery -- Means a married man or woman is involved sexually with someone besides their spouse. If this is depicted with sexual acts on stage, the list would include "sexual activity" as well.

Sex Outside of Marriage -- means a man and woman are involved sexually without being married. If this is depicted sexually on stage, the list would include "sexual activity" as well.

Homosexuality -- means this is in the show, but not physically depicted.

Homosexual activity -- means two persons of the same sex are embracing/kissing. If they do more than that, the list would include "sexual activity" as well.

Cross Dresser -- Means someone is dressing as the opposite sex. If they do more than that on stage the listing would include the corresponding "sexual activity" and/or "homosexual activity" as well.

Cross Gender -- A man is playing a female part or a woman is playing a man's part.

Suggestive Dancing -- means dancing contains sexually suggestive moves.

Derogatory (category added Fall 2012) Language or circumstances where women are referred to or treated in a negative and demeaning manner.

Other content matters such as torture, suicide or rape will be noted, with details revealed only as necessary in the review itself.

The term "throughout" added to any of the above means it happens many times throughout the show.

Reviewing Policy

I receive free seats to Broadway and Off-Broadway shows made available to all voting members of the Outer Critics Circle and The Drama Desk, the two professional critics organizations with journalists covering NY theater. Journalistically, I provide an unbiased review and am under no obligation to make positive statements. Sometimes shows do not make tickets available to reviewers. If these are shows my readers want to know about (I review all Broadway shows and pertinent Off-Broadway shows), I will purchase a ticket. If a personal friend is involved in a production, I'll let you know, but it won't influence a review. If I feel there is a conflict, I won't review their portion of the production.

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