Sunday, March 29, 2009

Review: Rooms a rock romance

Leslie Kritzer and Doug Kreeger. Photo by Carol Rosegg


An Effervescent Burst of Energy

By Lauren Yarger
The question “your room or mine” takes on new meaning for a couple trying to find common ground in Rooms, a rock romance featuring great performances from Leslie Kritzer and Doug Kreeger who belt out contagiously catchy tunes from Paul Scott Goodman at New World Stages Off-Broadway.

The book from Goodman (Bright Lights, Big City) and Miriam Gordon follows the relationship of a Glasgow, Scotland couple who find fame in the punk music scene of the late 1970s. Ian (Kreeger) is a moody composer, content to stay in his room with his companion: a guitar; Monica is an energetic lyricist who can’t be contained by the door on any room (a door from scenic designer Adam Koch is moved around on stage creating the rooms they are in or forming a barrier between them). Director Scott Schwartz uses space well to define the characters’ personalities and development and gives the knock out vocal performances from both performers a stage.

When the two meet, it’s instant chemistry and synergy for a personal and professional relationship. Their story of success in London and New York is walled by different life goals, Ian’s alcoholism, an unexpected pregnancy and their split up and is recounted through choreography by Matt Williams and Goodman’s lyrics and music (a catchy pop style with punk sounds featured only briefly when the couple performs as The Diabolicals: “Lilly Filth” and “Perry Comatose”).

Fame, like their relationship, is short-lived, however, and after they separate, Ian strives to get his addiction under control while Monica makes a decision about the baby and whether to follow fame as a solo act. Her song “My Choice” is probably one of the most honest, moving, pro-life songs dealing with the emotions of an unwanted pregnancy you’ll ever hear on a New York stage.

The band under the direction of music supervisor Jesse Vargas, is terrific and you’ll have trouble leaving the theater without humming the tunes and wondering when the cast recording will be available so you can listen to it all again. Kritzer, whose Broadway credits include A Catered Affair, Legally Blonde and Hairspray, has found her breakout role. Her vocal range and effervescent energy burst on the stage and fill the room with an excitement that has the audience cheering.

Rooms a rock romance plays through May 10 at New World Stages, 340 W. 50th St., New York. For tickets,
Call 212-239-6200 or visit http://www.roomsarockromance.com/.
Christiuans might also like to know:
  • Suggestive Dancing
  • Language
  • Lord's Name Taken in Vain
  • Bisexual Reference



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Our reviews are professional reviews written without a religious bias. At the end of them, you can find a listing of language, content or theological issues that Christians might want to know about when deciding which shows to see.

** Mature indicates that the show has posted an advisory because of content. Usually this means I would recommend no one under the age of 16 attend.

Theater Critic Lauren Yarger

Theater Critic Lauren Yarger

My Bio

Lauren Yarger has written, directed and produced numerous shows and special events for both secular and Christian audiences. She co-wrote a Christian musical version of “A Christmas Carol” which played to sold-out audiences of over 3,000 in Vermont and was awarded the Vermont Bessie (theater and film awards) for “People’s Choice for Theatre.” She also has written two other dinner theaters, sketches for church services and devotions for Christian artists. Her play concept, "From Reel to Real: The Jennifer O'Neill Story" was presented as part of the League of professional Theatre Women's Julia's reading Room Series in New York. Shifting from reviewing to producing, Yarger owns Gracewell Productions, which produced the Table Reading Series at the Palace Theater in Waterbury, CT. She trained for three years in the Broadway League’s Producer Development Program, completed the Commercial Theater Institute's Producing Intensive and other training and produced a one-woman musical about Mary Magdalene that toured nationally and closed with an off-Broadway run. She was a Fellow at the National Critics Institute at the O'Neill Theater Center in Waterford, CT. She wrote reviews of Broadway and Off-Broadway theater (the only ones you can find in the US with an added Christian perspective) at http://reflectionsinthelight.blogspot.com/.

She is editor of The Connecticut Arts Connection (http://ctarts.blogspot.com), an award-winning website featuring theater and arts news for the state. She was a contributing editor for BroadwayWorld.com. She previously served as theater reviewer for the Manchester Journal-Inquirer, Connecticut theater editor for CurtainUp.com and as Connecticut and New York reviewer for American Theater Web.

She is a Co-Founder of the Connecticut Chapter of the League of Professional Theatre Women. She is a former vice president and voting member of The Drama Desk.

She is a freelance writer and playwright (member Dramatists Guild of America). She is a member if the The Outer Critics Circle (producer of the annual awards ceremony) and a member of The League of Professional Theatre Women, serving as Co-Founder of the Connecticut Chapter. Yarger was a book reviewer for Publishers Weekly A former newspaper editor and graduate of the University of Missouri’s School of Journalism, Yarger also worked in arts management for the Bushnell Center for the Performing Arts, the Hartford Symphony Orchestra and served for nine years as the Executive Director of Masterwork Productions, Inc. She lives with her husband in West Granby, CT. They have two adult children.

Copyright

All material is copyright 2008- 2024 by Lauren Yarger. Reviews and articles may not be reprinted without permission. Contact reflectionsinthelight@gmail.com

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Key to Content Notes:

God's name taken in vain -- means God or Jesus is used in dialogue without speaking directly to or about them.

Language -- means some curse words are used. "Minor" usually means the words are not too strong or that it only occurs once or twice throughout the show.

Strong Language -- means some of the more heavy duty curse words are used.

Nudity -- means a man or woman's backside, a man's lower front or a woman's front are revealed.

Scantily clad -- means actors' private areas are technically covered, but I can see a lot of them.

Sexual Language -- means the dialogue contains sexually explicit language but there's no action.

Sexual Activity -- means a man and woman are performing sexual acts.

Adultery -- Means a married man or woman is involved sexually with someone besides their spouse. If this is depicted with sexual acts on stage, the list would include "sexual activity" as well.

Sex Outside of Marriage -- means a man and woman are involved sexually without being married. If this is depicted sexually on stage, the list would include "sexual activity" as well.

Homosexuality -- means this is in the show, but not physically depicted.

Homosexual activity -- means two persons of the same sex are embracing/kissing. If they do more than that, the list would include "sexual activity" as well.

Cross Dresser -- Means someone is dressing as the opposite sex. If they do more than that on stage the listing would include the corresponding "sexual activity" and/or "homosexual activity" as well.

Cross Gender -- A man is playing a female part or a woman is playing a man's part.

Suggestive Dancing -- means dancing contains sexually suggestive moves.

Derogatory (category added Fall 2012) Language or circumstances where women or people of a certain race are referred to or treated in a negative and demeaning manner.

Other content matters such as torture, suicide, or rape will be noted, with details revealed only as necessary in the review itself.

The term "throughout" added to any of the above means it happens many times throughout the show.

Reviewing Policy

I receive free seats to Broadway and Off-Broadway shows made available to all voting members of the Outer Critics Circle. Journalistically, I provide an unbiased review and am under no obligation to make positive statements. Sometimes shows do not make tickets available to reviewers. If these are shows my readers want to know about I will purchase a ticket. If a personal friend is involved in a production, I'll let you know, but it won't influence a review. If I feel there is a conflict, I won't review their portion of the production.

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