Theater Review: The Merchant of Venice with Al Pacino

Luke Forbes, Dorien Makhloghi, Nyambi Nyambi, Marianne Jean-Baptiste

and Lily Rabe. Photo by Joan Marcus

A Strange Play, Done Well, but Falling Short of Raves for Pacino

By Lauren Yarger
The big name this year in the Public Theatre’s Shakespeare in the Park production of The Merchant of Venice is Al Pacino as Jewish moneylender Shylock.

He played the part to critical acclaim in the 2004 film and he is, after all, Al Pacino, so he gives a very good performance, despite an accent that fluctuates between a Jew and something else, but I’m not sure director Daniel Sullivan coaches more out of him than anyone else might have given to the part. I kept hearing raves, even as I avoided reading reviews before seeing the show. Everyone was talking about the performance, but after seeing it, I couldn’t help but think, “Raves? Really?” Respectable, sure, but I didn't see anything that made me say, "This is the best Shylock ever!"

Maybe it’s hard to know what to expect from such a strange character in such a strange play. Shylock agrees to lend money to his hated enemy, Antonio (Byron Jennings), who seeks the money for his friend, Bassanio (Hamish Linklater), so that he can marry the beautiful heiress Portia (Lily Rabe). In return, Antonio agrees to pay with a pound of flesh if he defaults on the loan.

Meanwhile, Portia, in love with Bassanio, has her own problems. Her father’s will states that she can only marry the man who selects correctly from three small caskets, gold, silver and lead. One contains Portia’s picture and the man who selects correctly wins the girl. Attempts by the Prince of Morocco (a very funny Nyambi Nyambi) and the Prince of Gobbo (Jesse Tyler Ferguson) are unsuccessful. The process is overseen by Portia’s servant, Narissa (Marianne Jean-Baptiste – here, in truth, is the standout performance of the night. She's fabulous.) When Bassanio chooses the right box, he and Portia are wed and so are Narissa and Bassanio’s friend, Gratiano (Jesse. L. Martin).

But not all is happy in Venice. Shylock’s daughter, Jessica (Heather Lind), converts to Christianity and elopes with Lorenzo (Bill Heck) with the help of some money she steals from her father. Meanwhile, Antonio’s assets, with which he was to repay the loan, are lost at sea. Refusing to show any mercy and relishing the thought of cutting out Antonio's heart, Shylock refuses offers of cash from others to repay the loan and demands his pound of flesh. Will the knife-sharpening madman get to take his just reward from the captive Antonio or will Narissa and Portia, disguised as men (so Shakespeare) save the day?

I’ll leave you to guess if you don’t already know, or to see the play, or at least to dust off your old volume of Shakespeare to find out, but with its near torture chamber scene, its anti-Semitic

themes and Shylock’s subsequent forced conversion to Christianity, this one from the bard is a little out there.

The production is very well done, though, admittedly, it’s hard not to like anything at the Delacorte Theater with all of Central Park as the backdrop. Mark Wendlend’s very slick, moving iron-gate set steals the show, though a strange-looking electric device in the torture scene is somewhat unclear in nature and looks more like a giant teapot at first. Jess Golstein’s costumes leave us wondering what time period we’re in: the men all wear suits with long morning coats and the women’s dresses suggest 19th century, though the original play is set in the 16th century, when the Inquisition and a forced baptism might be more at home.

A very satisfying production, a good, if not rave-generating performance from Pacino and a performance that deserve raves from Jean-Baptiste combine to make this time well spent (it’s three hours, so get a sitter for the little ones).

The Merchant of Venice is running through Aug. 1 in rep at the park with The Winter’s Tale. at the Delacorte Theatre, Central Park, near 81st Street. Tickets are free and are distributed to those waiting in line at the park or through a virtual line online. Visit http://www.publictheater.org/content/view/126/219/ for more information.

Christians might also like to know:
• The scene where Shylock prepares to take his pound of flesh is a little creepy. No additional notes.

Theater Review: A Winter’s Tale in Central Park

Linda Emond, Ruben Santiago-Hudson, and Jesse L. Martin

in The Winter’s Tale. Photo credit: Joan Marcus

A Cold, Harsh Tale of Jealousy with a Little Humor on the Side
By Lauren Yarger
Jealousy and grief combine with fabulous sets and some clownish humor to make A Winter’s Tale, one of two Shakepeare plays running in rep in Central Park this summer, an enjoyable night of theater, even if this isn’t one of the bard’s best plays

Ruben Santiago Hudson plays Leontes, king of Sicilia, who is filled with rage when he becomes convinced his wife, Hermoine (a very good Linda Emond) and his longtime friend and King of Bohemia, Polixenes (Jess L. Martin) have had an affair producing Hermoine’s unborn child. He imprisons her, and when she delivers a daughter, her friend, Paulina (Marianne Jean-Baptiste in a captivating performance) takes the baby to Leontes hoping he’ll accept her as his own and forgive Hermoine. Instead, the king orders Pauline’s husband, Antigonous (Geryy Bamman) to remove the girl, named Perdita, and he takes her to Bohemia where he is killed by a bear, in one of Shakespeare’s more well known scenes.

Meanwhile, Hermoine’s young son, Mamillius (Alexander Maier), becomes gravely ill after being separated from his mother and when he dies, Hermoine, in grief, follows him. To compound Laontes’ guilt, the Oracle of Apollo sends word that Hermone and Polixenes were innocent.

Fast forward 16 years and the now grown Perdita (Heather Lind), having been raised as the daughter of the shepherd who found her (Max Wright) falls in love with Bohemia’s son, Florizel (Francois Batiste). The king opposes the marriage. Will true love win? Will everyone end up dead at the end of Act 2, which so often is the case in a Shakepeare tragedy? You’ll have to sit through the three-hour-and-10-minute production to find out, but I will tell you that this one ends a little happier than most.

Much of the fun of the evening comes from the clowns: Jesse Tyler Ferguson as the shepherd’s son and Hamish Linklater as a thief and rogue .

Director Michael Greif does a nice job staging the piece on Mark Wendlend’s impressive set that includes firepots, smoke effects and a glass panel that raises up to allow for additional depth of staging and a thunderstorm behind it. He also uses puppetry by Lake Simons to fly in birds, graze some sheep and depict the bear attack. Tom Kitt’s original music sets the mood, and costumes by Clint Ramos, with some lovely flowing gowns, complete it.

The Winter’s Tale plays as part of the Public Theatre’s Shakespeare in the Park through July 31 at the Delacorte Theatre, Central Park, near 81st Street. Tickets are free and are distributed to those waiting in line at the park or through a virtual line online. Visit http://www.publictheater.org/content/view/126/219/ for more information.

Christians might also like to know:
• Nudity
• Sexual dialogue and movement
• Praying to Apollo
• Dead brought back to life

Note: While I usually applaud parents who bring children to see classical theater, I would suggest that this one, particularly with it's three-plus hour run time that starts at 8 pm, is probably not the best outing for little ones who will need to remain quiet while being up way past their bed time.

Theater Review: The Grand Manner

Nostalgic Piece is Sweet, but Not Necessarily Grand
By Lauren Yarger
A.R. Gurney’s nostalgic tribute to a real-life encounter he had backstage with Katharine Cornell, first lady of the theater, shortly after World War II as told in the world premiere of The Grand Manner, playing Off-Broadway at Lincoln Center, is sentimental and sweet, but doesn’t seem as grand as some of his other works, (Sylvia, Love Letters, The Cocktail Hour), so rich in humor, character development and snappy dialogue.

Instead, it plays out more like someone's very long story during which the mind wanders triggering guilt because it’s a worthy story, but since you don’t really know the folks involved it has a “you-had-to-be-there” feel to it that keeps you from fully appreciating it.

Wisely, the play is 90 minutes without an intermission and the performances, directed by Mark Lamos, are fine. Bobby Steggart (who stole scenes in Ragtime and Yank! last season) plays young Pete (Gurney), who travels from his New England boarding school to New York to interview Cornell (Kate Burton) for a school project. He gains backstage access thanks to a letter of introduction from his grandmother back in Buffalo, Cornell’s hometown. Brenda Wehle plays Cornell’s assistant, Gertrude Macy, and Boyd Gaines is Cornell’s husband/director Guthrie McClintic.

Some controversy ensues when Pete reveals that McClintic has cut some of Cornell’s seductive lines from Shakespeare's Antony and Cleopatra. He doesn’t think they suit her "grand manner" and Pete doesn’t help matters when he equates Cornell age-wise with his grandmother. Some of the characters' needs and secrets are revealed (none of which are surprises at all, especially one telegraphed by costuming designer Ann Houd-Ward) and Cornell inspires Pete to become a playwright.

It’s sweet, and John Gromad provides some nice original music and sound. John Arnone’s set is pretty grand for what I presume is a "grand manner" star's green room (the chaise needs some cleaning – it’s terribly stained) but the story doesn’t stay long with you once you have left the theater.

The Grand Manner runs through Aug. 1 at the Mitzi E. Newhouse Theater, 150 West 65th St., NYC. Tickets can be purchased by calling (212) 239-6200; Outside NY: (800) 432-7250.

Christians might also like to know:
• Language
• God’s name taken in vain
• Sexual/homosexual dialogue

Our Town: Don't Miss This Phenomenal Production

The cast of Our Town. (Photo credit: Carol Rosegg)

Helen Hunt Joins the Cast as the Stage Manager

Note: David Cromer's production is the best I've ever seen of this play. His direction is phenomenal. Anyone who has ever seen or been in a production of Our Town should see the Barrow Street production. Truly, it's the one by which all others will be measured.

--Lauren Yarger

Helen Hunt joins the cast of David Cromer’s acclaimed production of Thornton Wilder’s Our Town, for four weeks only (Tuesday, July 6 to Sunday, Aug.1), at the Barrow Street Theatre, succeeding Michael McKean, who gave his final performance on Sunday evening, July 4. Ms. Hunt becomes the sixth actor to assume the iconic role in this record-breaking production.

Hunt performed the role of ‘Emily’ in the Tony Award-winning Lincoln Center Theatre production of Our Town, in which Spalding Gray was the Stage Manager. (Cromer has dedicated his production of Our Town to the memory Spalding Gray). Hunt’s last Broadway appearances were in Yazmena Reza’s Life (x) 3, and as ‘Viola’ in Lincoln Center Theater’s production of Twelfth Night.

The New York production of Our Town began performances on February 17, 2009, and went on to win the Lucille Lortel Award for Outstanding Production and Outstanding Direction and Obie Award for Outstanding Director.

The performance schedule is as follows: Tuesday – Friday at 7:30 pm, Saturday at 2:30 and 7:30 p.m., Sunday at 2:30 and 7:30 pm. Tickets are priced at $69 & $49.50 and are available through SmartTix (212) 868-4444, http://www.smarttix.com/, or at the Barrow Street Theatre box office (open at 1 pm daily). Student tickets at $20 are available on the day of performance only at the box office. Tickets now on sale through Sept. 12, 2010.

Barrow Street Theatre is located at 27 Barrow St. at 7th Avenue South in the heart of Greenwich Village, NYC. Nearby subway stops are the 1 at Christopher Street (walk 1 block South on 7th Avenue to Barrow) and the A, C, E, B, D, F and V at West 4th (walk West on 4th Street, left on Barrow).

The Lights are Bright on Broadway!

Max McLean, Kia Corthron Receive "The Lights are Bright on Broadway Awards"
Max McLean, star of "The Screwtape Letters" and Kia Corthron, author of the play "A Cool Dip in the Barren Saharan Crick" received Masterwork Productions' 2010 "The Lights are Bright on Broadway" awards, presented to individuals and organizations making a difference in the Broadway community through their faith.

McLean, above, was joined on stage at the Westside Theatre, where The Screwtape Letters currently is playing, by co-star Karen Eleanor Wight, right, who plays his assistant demon Toadpipe in the production (co-adapted by McLean with Director Jeffrey Fiske) of the C.S. Lewis book. The award was presented by Masterwork Executive Director Lauren Yarger, left.

Corthron, pictured below, was honored at Playwrights Horizons, where her play ran earlier this season and was honored for its positive depiction of main character Abebe, an African preacher in training, and the sharing of his faith.

Doing My Part to Stimulate the Economy -- One Tourist at a Time

By Lauren Yarger
Tourists flock to the Big Apple every year to take in its wonderful sights, and hopefully, some great theater too. That season is upon us, as schools let out and the Fourth of July is right around the corner.

There was a time when I would have picked you out as a tourist (yes, you look like a tourist – whether you are visiting from another country or just another state) and said, “Oh, no. A tourist.” Once, I advocated making Broadway open to visitors, but banning them from Seventh Avenue and requiring ID cards for New Yorkers (and by this term I mean those who live and work there) for access just so I could walk unobstructed when needing to be in the touristy parts of the city. New Yorkers have a reputation for being unfriendly, but I personally know this isn't the case. Most New Yorkers are more than willing to assist you if you try just a little not to be annoying.

Tourists often get in the way and make us late for appointments. Rather than avoiding you as an annoyance, however, I have come to realize that we need you. The economy is in the pits -- New York’s in particular -- so the city, and the Broadway and the theater communities, need tourism to keep thriving.

Thus, I’m willing to bite my tongue, show a little patience and try to be helpful. In print, I’ve shared information about what shows to see and a special tour of Little Italy to entertain you (and get you to spend money) while you’re here. I also have been helpful in person. Recently I redirected a group of international travelers who had been waiting, for a few days I believe, for a B train that never was coming to that station. I also aided a woman who was stuck in the turnstile at the subway, also for days I believe, after having caught the handle of her suitcase in the turning mechanism. I’d like some credit, please, for going out of my way to help those visiting the city, even though I once might have had more fun giving them directions to 42nd Street that in reality, would have put them on a quick ferry to Jersey.

So, in the spirit of continuing that good will, and knowing that all New Yorkers are not as patient as I am and that there are some who indeed will take great pleasure in putting you on a ferry, I offer the following tips in the hopes that getting this information first hand from a person familiar with navagating the city's streets will enable you to be less annoying, have a more enjoyable stay in the city and spend a lot of money while you are there (and I suspect that most of these tips will apply in any major city you might like to visit and probably will give my fellow New Yorkers a few laughs of recognition.) Please note that none of these tips apply to the elderly, mobility impaired or to parents leading small children around. You do what you need to do to navigate. Everyone else, listen:

Tip #1: You are not the only person walking in New York today.

Oh, I know you think you are because you do things a person aware of other people on the planet wouldn’t do, but I’m here to help. Perhaps you are visiting from somewhere where you can walk along the streets of your town or village without meeting anyone else, but in New York, there are about a million other people walking along with you. The best advice I can give you is STEP OUT OF THE WAY!

Top #2: Go. Don’t stop.

New York has many interesting, breath-taking and downright bizarre sights. You will see very tall buildings, bright lights, celebrities, men dressed like women, women dressed like men and some people not completely dressed. If you see one of these things, your impulse will be to stop and gape, point them out to your tourist friends or take a photo of them. If you decide to do any of those things, first STEP OUT OF THE WAY! Never stop in the middle of pedestrian traffic or someone will put you on a ferry.

Tip #3: These rules are made for walking.

Follow them or you will fall down or cause someone else to fall down or be responsible for a collision.
• Always walk perpendicularly to the street. If you suddenly cut a diagonal to get to a store or a tourist site, you’ll knock a bunch of us down. Make a diagonal approach by taking a few steps forwards and a few steps over until you reach your destination. Also, generally speaking, follow the same rules for driving while walking. Walk on the right side of the sidewalk. Pass left.
• Never walk backwards. You are not the only one on the sidewalk (see Tip #1). You will definitely crash into someone and if it’s a New Yorker, they definitely will be annoyed.
• Don’t walk while trying to take a photo. First STEP OUT OF THE WAY, then take your shot.
• Walk fast – about three times faster than you ever have in your life. There are people behind you (see tip #1) and if they are New Yorkers, they walk faster than you. Slow walkers either get run over or annoy those who are trying to pass. If you are wondering whether you are walking too slowly, here’s a guide to check:
 Are you from New York? If the answer is no, you are walking too slowly.
 Glance behind you (don’t walk backwards, see above) while continuing to walk, (see Tip #2). Are people piled up, dominoed on the ground behind you or looking at you with hatred in their eyes? If so, you’re walking too slowly.
• Never cross the street when you don’t have the “walk” signal – unless there are no cars coming. In New York, if vehicular traffic is clear, pedestrians cross, regardless of whether the light is green. This differs from other cities, like say Washington, where I amusedly watched crowds waiting on the corner for the little count down signal telling them they had permission to cross, despite the fact that there were no cars any where in sight. This happened even at the corner of the White House, where barricades prevent any cars from driving through the intersection, but where people waited for the light to cross any way. Perhaps wasteful bureaucratic procedure is catching there. Or maybe nothing gets done in Washington because everyone is still waiting to cross the street. I’m not sure, but I guarantee you, it’s different in New York. If you’re unsure about whether you should cross STEP OUT OF THE WAY! And stay out of the curb cuts. People wheeling carts and using wheel chairs, for example, needed to cross at those spots.
• Never walk hand in hand or wrap your arms around each other unless you’re prepared to do so single file. Linking together horizontally forms a wall around which those behind you can’t get past. If you crave closeness, STEP OUT OF THE WAY!
• If it’s raining and you need to use an umbrella, remember, you’re not the only one walking on the sidewalk (see tip #1). You’ll need to angle your umbrella to prevent catching it on anyone else’s. Two umbrellas held straight up will collide as you pass. If you are not adept at manipulating umbrellas in traffic, don’t use one or STEP OUT OF THE WAY! Take shelter by spending some money at a coffee shop or restaurant until the clouds part.

Tip #4: You can get there from here.

If you are lost and need to check your I-Phone GPS, street signs or one of the many maps you are carrying for directions, STEP OUT O F THE WAY! No one behind you will suddenly stop because you are lost. The subway system can be very confusing. Check out routes BEFORE you get on a train and check for service changes, especially on the weekend (that’s how those poor international tourists came to be waiting for three days for the phantom B train). If you’re not sure whether you’re on the right train STEP OUT OF THE WAY so people who do need that train can get on. If you end up at Grand Central Terminal and you see a person running, STEP OUT OF THE WAY. This person is running to catch a train and you will be in the way while you are attempting to take a photo of the constellations painted on the ceiling. (see tip # 3 about STEPPING OUT OF THE WAY while taking photos.) I’m a kind person, but I will mow you , your elderly grandmother and your camera down if you get between me and the 10:22 to New Haven.

Tip #5: Have a great time and see lots of theater while you are in the city.

Buy full –priced tickets online before you come to the city to guarantee seats. For discounts online, visit http://www.givenik.com/index.php/Masterworks. Discounts also are available the day of the show at the TKTS Booth at Times Square. Broadway is the best there is when it comes to theater and Off-Broadway has some terrific offerings too (see tips for which shows to see here).

Tip #6: When all else fails, STEP OUT OF THE WAY!

Tip #7: Some great places to visit when you’re not seeing theater (no they don’t pay me to include them here. I just have had good personal experience and customer service at these places, so I feel comfortable recommending them to you):

RESTAURANTS
• Sardi’s – 234 West 44th St. Don’t miss an opportunity to dine amidst all of the caricatures of celebrities hanging on the walls. Right in the heart of the theater district. http://www.sardis.com/htmldocs/cms/
• Excellent food (the eggplant parm is to die for) at two locations: 83rd Street at Second Avenue and 147 West 43rd in Times Square. http://www.tonysnyc.com/
• Langan’s, 140 west 47th Street. Varied menu and reasonable prices with excellent service. http://www.langans.com/
• Playwright’s Tavern, 202 West 49th. TVs will keep you up on the latest sporting events. http://www.playwrighttavern.com/. Or try the Celtic Playwrights, 732 8th Avenue, for an Irish twist. http://www.playwrightcelticpubnyc.com/

HOTELS
• The Westin at 43rd Street and 8th Avenue. http://www.westinny.com/. Reasonably priced, central to the theater district. Friendly, accommodating staff.
• The Michelangelo, 152 West 51st Street. A little more pricey, but they often have some really great packages and offers. http://www.michelangelohotel.com/. Walk to Rockefeller Center.
• The Mayfair New York Hotel, 242 West 49th. One of the best kept secrets. This hotel has small rooms, best suited to one person (or two), very reasonably priced, right in the heart of the theater district. http://www.mayfairnewyork.com/

What to See When You’re in New York? My Top Broadway and Off-Broadway Picks

So Many Shows; But We’re in the Know
By Lauren Yarger
So many of you ask me what you should see when you’re in the city, that I thought it probably was time, just before the summer vacation rush starts, to let you know!

I know you’re looking for quality programs that are appropriate for you and your family. Knowing that a show has won awards or has a Hollywood star in it might not be enough information for you to decide whether that’s the one you want to see, and with ticket prices what they are, you don’t want to leave it to chance. For the shows mentioned in this article, I’ve included the content issues to help you make an informed decision. Not every show is right for every person. For a full review of the show, click on the show’s underlined title (note: some of these longer-running shows opened before we started reviewing, so there isn’t additional information for those).

Thanks to all of you who subscribe to our reviews here at http:reflectionsinthelight.blogspot.com, the only source for a review with added information from a Christian perspective. You can see reviews for Broadway and Off-Broadway shows as well as a list of all shows playing on Broadway and a schedule for touring shows by scrolling down at left or below, so take a look at all the site has to offer and tell your friends about it! Discounted tickets to friends of Masterwork Productions for many of the shows are available at http://www.givenik.com/index.php/Masterworks.

Now for my top picks:

There are some great newer shows that I highly recommend.

1. Memphis at the Sam S. Shubert Theatre, 225 West 44th St.

I really loved this musical (winner of the 2010 Tony award for Best Musical) and the performances of its two stars, Montego Glover and Chad Kimball. It’s the story of an interracial romance in 1950s Memphis at the start of rock & roll. The catchy score is by Bon Jovi’s David Bryan. The story (book by Joe DiPietro) is full of heart, humor and heat (both the score and the book won Tonys too).
Christians might also like to know:
• Language
• Sex outside of marriage

2. Million Dollar Quartet at the Nederlander Theatre, 208 West 41st St.

This jam session is more like a revue than a typical Broadway musical and features the music of Elvis Presley, Jerry Lee Lewis, Johnny Cash and Carl Perkins in the recreation of a real-life recording session with the four legends. Highlighting the show is Levi Kreis (2010 Tony award for featured actor in a musical) as Lewis who does some amazing gymnastics on the piano.
Christians might also like to know:
• No content notes

3. American Idiot at the St. James Theatre, 246 West 44th St.

It’s Green Day’s multi-platinum album come to life. It’s cutting edge, full of punk music, great dancing, and all manner of objectionable stuff – and it’s really good. Emerging from a “Boulevard of Broken Dreams” is a terrific redeeming message. If “Jesus of Suburbia” is someone your kids know or can relate to, this show might be a great conversation starter.
Christians might also like to know:
• Language throughout
• Drug use depicted throughout
• US flag displayed upside down
• Sexually suggestive move
• Sexual activity
• Scantily clad actors
• Show posts a mature theme

4. Next to Normal at the Booth Theatre, 222 West 45th St.

A musical about mental illness? The idea didn’t excite me, but all that changed with the first chord of Tom Kitt’s electrifying score (which won the 2009 Tony). He and lyricist Brian Yorkey won the 2010 Pulitzer Prize for this stand-out musical about a family coping with the mother’s bi-polar depression. It really makes you think and feel while entertaining you.
Christians might also like to know:
• Show posts a Mature Advisory
• Language
• Suicide (act not show; blood after seen)
• Sex outside of marriage
• Show posts a Mature Advisory

5. Fences at the Cort Theatre, 138 West 48th St.
This Pulitzer-Prize-winning segment of August Wilson’s 10-play cycle about the lives of African Americans in Pittsburgh is a winner (literally -- it won the 2010 Tony for best revival of a play and best acting trophies for its stars Denzel Washington and Viola Davis). Tickets are hard to find for this sold-out show which end its run July 11, but if you can get them, go!
Christians might also like to know:
• Sexual dialogue
• God’s name taken in vain

I also get weekly (even daily) inquiries about shows that have been running a while. Here’s what I think of them:

LONGER RUNNING SHOWS:

Wicked at the Gershwin Theatre, 222 West 51st St.

I really loved this prequel to the story of "The Wizard of Oz." I hadn't read the book on which it is based, "The Life and Times of the Wicked Witch of the West," by Gregory Maguire, so I found this tale of the early friendship between Glenda and Elphaba, the young witches of the East and West. to be a fresh and clever twist on the traditional story. The music and lyrics by Stephen Schwartz (Pippin, Godspell) are great and there are some terrific themes of forgiveness and revenge, of reaching out in kindness, friendship, loyalty and about the danger of jumping to Christians might also like to know:
•There is magic- the girls meet at a magic school, there is chanting of spells and the use of magic to transform people into other things.
•There's some intimacy between two characters outside of marriage-- you know it happens, but it's not played out in any detail.

Phantom of the Opera at the Majestic Theatre, 247 West 44th St.

Andrew Llyod-Weber’s beautiful score tells the tale of a young ingénue and her mysterious music teacher who lives in the labyrinth below the Paris Opera House. The special effects, sets, costumes and beautiful songs like “All I Ask of You,” “Wishing You Were Somehow Here Again” and “The Music of the Night” still delight even after 20 years on Broadway. A sequel to the story is set for Broadway next season.
Christians might also like to know:
• No content notes.

West Side Story at the Palace Theatre, 1564 Broadway

Catch the revival on Broadway (or the upcoming tour) directed by Arthur Laurents, who wrote the original book. The choreography is terrific, as is the score by Leonard Bernstein with lyrics by Stephen Sondheim.
Christians might also like to know:
• Lord’s name taken in vain
• Attempted rape
• Sex outside of marriage (although they perform their own ceremony…)
• One of the characters cross dresses
• Suggestive dancing

Jersey Boys at the August Wilson Theatre, 245 West 52nd St.

This is the story of Frankie Valli and the Four Seasons featuring many of their most popular tunes. This Tony-Award-winning musical has been packing them in on Broadway, as well as tours across the country on tour. It’s better than the average “jukebox musical” because of the really good book written by Marshall Brickman and Rick Elice, direction by Des McAnuff and choreography by Sergio Trujillo.
Christians might also like to know:
• Language – LOTS and LOTS of it
• Scantily clad actresses
• Sexually suggestive situations

Billy Elliot at the Imperial Theatre, 249 West 45th Street

The story of striking coal miners and the son of one who struggles to fit in while pursuing his love of ballet taken from the movie of the same name. The dancing in this 2009 Tony award Winner is terrific, but the story contains some elements that would make me hesitate about taking kids younger than high school age (and maybe not under 16) even though it doesn't post a Mature Advisory.
Christians might also like to know:
• Language
• Sexual terms
• Mom is a ghost
• An added personal note: I was distressed by 10 and 11 year olds (and younger) using explicit sexual terms, foul language and cross dressing.

OFF BROADWAY

Don’t forget that some of the best theater New York has to offer takes place Off-Broadway (and the tickets are a lot cheaper).

Here are my top recommendations:

1. Our Town at the Barrow Street Theatre, 27 Barrow St. (Off 7th Avenue South)

If you have to pick just one show to see, make this it one. Never have I been so transported (thanks to the masterful direction by David Cromer) by a theatrical experience. I’m not in love with this classic three-act by Thornton Wilder – maybe because it’s produced so often and so badly – so I waited a while before venturing down to the Village to see it. I was blown away. This is the production by which all others should be measured. Unbelievably moving and satisfying with a terrific message about not taking any minute of your life for granted.
Christians might also like to know:
•No notes

2. Zero Hour at the Actors Temple Theatre, 339 West 47th St., between 8th and 9th avenues

Jim Brochu’s stunning portrayal of actor Zero Mostel. I'm not a fan of most one-man shows, but this one is different. A fabulous performance and fascinating information about the life of the actor who brought Fiddler on the Roof to Life.
Christians might also like to know:
• Language
• Sexual dialogue

3. The 39 Steps at New World Stages, Stage 1, 340 West 50th St. between 8th and 9th avenues
A recreation of the classic 1935 Alfred Hitchcock movie by the same name. While the film was all espionage thriller, this show is mostly parody and slapstick comedy. All of the famous elements of the film, including the chase on top of a speeding train are in there, as well as references to Hitchcock’s other famous movies and a trademark cameo appearance by the director. I saw this show on Broadway before its transfer Off-Broadway and before I was reviewing, so I don’t have notes about specific content issues, but I don’t remember any. I just remember thinking it was one of the most delightful things I’d seen on stage in a long time.

4. The Screwtape Letters at the Westside Theatre (Upstairs), 407 West 43rd St.

Max McLean stars as Screwtape, a demon who gives instructions in spiritual warfare to his nephew, Wormwood, through a series of letters he dictates to a helper demon, Toadpipe. This adaptation (by McLean and director Jeffrey Fiske) captures the heart and wit of author C.S. Lewis in an entertaining, yet thought-provoking performance. McLean is a recipient of the 2010 Masterwork productions, Inc. “The Lights Are Bright on Broadway” award given to individuals and organizations making a difference in the Broadway community through their faith for this performance.
Christians might also like to know:
• No content notes

5. The Fantasticks at the Snapple Theater Center/ The Jerry Orbach Theater, 210 West 50th St. at Broadway

This revival, directed by Tom Jones, who wrote the original book and lyrics (score is by Harvey Schmidt), is another “how-it-should-be-done” production. Its simplicity is endearing, as are the classic tunes “Try to Remember” and “Soon It’s Gonna Rain” and “They Were You,” among others accompanied only on piano and harp. A sweet tale of a girl and a boy in love.
Christians might also like to know:
• God’s name taken in vain.

6. Shakespeare in the Park at the Delacorte Theater, Central Park at 80th Street

Don’t miss a chance to see some great FREE theater through Aug. 1. The Public Theatre presents two works in repertory this year: The Winter’s Tale and The Merchant of Venice with Al Pacino (possibly headed to Broadway). For information on the schedule and tickets, visit http://www.publictheater.org/content/view/126/219/