Theater Review: Completeness
Scientific, Emotional Components of Relationships Crash in a Nice All-in-One Bundle
By Lauren Yarger
A computer geek and a molecular biologist partner on an algorithm and suddenly romance is in bloom, along with yeast populations in a petri dish in Itamra Moses' new play Completeness in its new York premiere at Playwrights Horizons.
Molly (Aubrey Dollar) talks (in very technical and complex language) about mapping DNA through studying bait and prey and Elliot (Karl Miller) shares his passion for one day solving the mathematically unsolvable "salesman problem," involving probabilities for the routes of a traveling salesman. Their circuits meld, thanks to the playwright's skill at creating likable, real characters and putting them into a situation filled with humor and human emotion.
Neither has a good track record with relationships. Molly's ex and the head of her department at the university, Don (Brian Avers), doesn't understand why she suddenly won't take his calls and when he realizes he's been replaced in her affections by Elliott, he might just pull the funding for her research. Meanwhile, Elliott just got out of a serious relationship with Lauren (Meredith Forlenza) and is sure he probably will have a hard time committing to Molly too.
The two find themselves reverting to past behaviors: she uses bait and prey to mask hurt, then is hurt to find that she can't wipe the slate clean of anything to mask; he fails, then fails to understand why he fails in a tribute to the unsolvable salesman problem. All of that is an allegory for the algorithm they write together. The system overloads as they search for a solution and there is a crash, very nicely staged (David Zinn; scenic and costume design; Russell H. Champa; Rocco DiSanti, projection and video design; Bray Poor, original music and sound).
Pam MacKinnon deftly directs and helps Forlenza and Avers make stunning transformations into other characters who interact with the couple. Moses shows skill at using dialogue that is distinctive for each character and wraps up a neat all-in-one package of interesting topic, real characters and multi-layered plot.
The limited edition of this New York premiere runs Off-Broadway at Playwrights Horizons, (416 West 42nd St., through Sunday, Sept. 25. For subscription and ticket information to all Playwrights Horizons productions, call Ticket Central at (212) 279-4200, Noon to 8 pm daily, or purchase online at www.playwrighthorizons.orgs.
Our reviews are professional reviews written without a religious bias. At the end of them, you can find a listing of language, content or theological issues that Christians might want to know about when deciding which shows to see.
** Mature indicates that the show has posted an advisory because of content. Usually this means I would recommend no one under the age of 16 attend.
My Bio
Lauren Yarger has written, directed and produced numerous shows and special events for both secular and Christian audiences. She co-wrote a Christian musical version of “A Christmas Carol” which played to sold-out audiences of over 3,000 in Vermont and was awarded the Vermont Bessie (theater and film awards) for “People’s Choice for Theatre.” She also has written two other dinner theaters, sketches for church services and devotions for Christian artists. Her play concept, "From Reel to Real: The Jennifer O'Neill Story" was presented as part of the League of professional Theatre Women's Julia's reading Room Series in New York.
Shifting from reviewing to producing, Yarger owns Gracewell Productions, which produced the Table Reading Series at the Palace Theater in Waterbury, CT. She trained for three years in the Broadway League’s Producer Development Program, completed the Commercial Theater Institute's Producing Intensive and other training and produced a one-woman musical about Mary Magdalene that toured nationally and closed with an off-Broadway run.
She was a Fellow at the National Critics Institute at the O'Neill Theater Center in Waterford, CT. She wrote reviews of Broadway and Off-Broadway theater (the only ones you can find in the US with an added Christian perspective) at
http://reflectionsinthelight.blogspot.com/.
She is editor of The Connecticut Arts Connection (
http://ctarts.blogspot.com), an award-winning website featuring theater and arts news for the state. She was a contributing editor for BroadwayWorld.com. She previously served as theater reviewer for the Manchester Journal-Inquirer, Connecticut theater editor for CurtainUp.com and as Connecticut and New York reviewer for American Theater Web.
She is a Co-Founder of the Connecticut Chapter of the League of Professional Theatre Women. She is a former vice president and voting member of The Drama Desk.
She is a freelance writer and playwright (member Dramatists Guild of America). She is a member if the The Outer Critics Circle (producer of the annual awards ceremony) and a member of The League of Professional Theatre Women, serving as Co-Founder of the Connecticut Chapter.
Yarger was a book reviewer for Publishers Weekly A former newspaper editor and graduate of the University of Missouri’s School of Journalism, Yarger also worked in arts management for the Bushnell Center for the Performing Arts, the Hartford Symphony Orchestra and served for nine years as the Executive Director of Masterwork Productions, Inc. She lives with her husband in West Granby, CT. They have two adult children.
Copyright
All material is copyright 2008- 2024 by Lauren Yarger. Reviews and articles may not be reprinted without permission. Contact reflectionsinthelight@gmail.com
Key to Content Notes:
God's name taken in vain -- means God or Jesus is used in dialogue without speaking directly to or about them.
Language -- means some curse words are used. "Minor" usually means the words are not too strong or that it only occurs once or twice throughout the show.
Strong Language -- means some of the more heavy duty curse words are used.
Nudity -- means a man or woman's backside, a man's lower front or a woman's front are revealed.
Scantily clad -- means actors' private areas are technically covered, but I can see a lot of them.
Sexual Language -- means the dialogue contains sexually explicit language but there's no action.
Sexual Activity -- means a man and woman are performing sexual acts.
Adultery -- Means a married man or woman is involved sexually with someone besides their spouse. If this is depicted with sexual acts on stage, the list would include "sexual activity" as well.
Sex Outside of Marriage -- means a man and woman are involved sexually without being married. If this is depicted sexually on stage, the list would include "sexual activity" as well.
Homosexuality -- means this is in the show, but not physically depicted.
Homosexual activity -- means two persons of the same sex are embracing/kissing. If they do more than that, the list would include "sexual activity" as well.
Cross Dresser -- Means someone is dressing as the opposite sex. If they do more than that on stage the listing would include the corresponding "sexual activity" and/or "homosexual activity" as well.
Cross Gender -- A man is playing a female part or a woman is playing a man's part.
Suggestive Dancing -- means dancing contains sexually suggestive moves.
Derogatory (category added Fall 2012) Language or circumstances where women
or people of a certain race are referred to or treated in a negative and demeaning manner.
Other content matters such as torture, suicide, or rape will be noted, with details revealed only as necessary in the review itself.
The term "throughout" added to any of the above means it happens many times throughout the show.
Reviewing Policy
I receive free seats to Broadway and Off-Broadway shows made available to all voting members of the Outer Critics Circle. Journalistically, I provide an unbiased review and am under no obligation to make positive statements. Sometimes shows do not make tickets available to reviewers. If these are shows my readers want to know about I will purchase a ticket. If a personal friend is involved in a production, I'll let you know, but it won't influence a review. If I feel there is a conflict, I won't review their portion of the production.
No comments:
Post a Comment