Monday, October 18, 2010

Theater Review: Mrs. Warren’s Profession

Cherry Jones in Mrs. Warren's Profession
(Photo: Joan Marcus)

Play Fails to Procure Interest, but Cherry Jones on Stage Always is a Treat
By Lauren Yarger
George Bernard Shaw’s Mrs. Warren’s Profession was a shocker at the turn of the century when it prompted protests and threats of arrest because the aforementioned “profession” is that of a brothel madam. In 2010, however, the Broadway production is a yawner, despite a welcome return to the New York stage by Tony Award winner Cherry Jones in the title role.

It’s a shame Roundabout Theatre Company couldn’t have selected a better script, not only for Jones, but for director Doug Hughes, who helmed Jones’ award-winning performance in Doubt. Besides a few scenes where Mrs. Warren gets to show some emotion, there is little here to make use of the actress’s abundant depth of talent. Disappointing, too, is the casting of a weak Sally Hawkins making her Broadway review as Mrs. Warren’s daughter, Vivie, who is shocked to discover how her estranged mother has provided for her needs all these years. The actress expresses all of her emotions in a monotone shout.

Fueling various subplots are a variety of male characters who all factor into Mrs. Warren's past and profession: Mr. Praed (Edward Hibbert), Sir George Crofts (Mark Harelik), Frank Gardner (Adam Driver) and his father, the Rev. Samuel Gardner (Michael Siberry).

When the most interesting things about a play are its sets and costumes, it’s obvious that whatever else is happening isn’t holding interest. Lovely interiors and exteriors of an English country estate and an office are nicely executed by always excellent designer Scott Pask (nicely lighted by Kenneth Posner) and costumes are the work of the talented Catherine Zuber.

Questions like “Who will be upset by what Mrs. Warren does for a living?,” “Will Vivie and her mother find a way to reconcile their relationship?" and “Who is Vivie’s father?” aren’t as thought provoking as others to which the mind wanders like, “How did Cherry Jones’ agent ever let her do this show?,” “Why do they keep moving all of the chairs around?,” and “What in the world is that strange modern art on the curtain supposed to be any way?” The latter was the main topic of conversation among audience members near me at intermission and to my knowledge, no one had an answer.

The production also has the feel of a rehearsal, rather than a finished product. Here's hoping Jones will return after this run in another show that makes more use of her talent.

Mrs. Warren’s Profession runs through Nov. 28 at the American Airlines Theatre, 227 West 42nd St., NYC. For tickets, call 212-719-1300.

Christians might also like to know:
 Well, obviously, Mrs. Warren deals in prostitution.

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Our reviews are professional reviews written without a religious bias. At the end of them, you can find a listing of language, content or theological issues that Christians might want to know about when deciding which shows to see.

** Mature indicates that the show has posted an advisory because of content. Usually this means I would recommend no one under the age of 16 attend.

Theater Critic Lauren Yarger

Theater Critic Lauren Yarger

My Bio

Lauren Yarger has written, directed and produced numerous shows and special events for both secular and Christian audiences. She co-wrote a Christian musical version of “A Christmas Carol” which played to sold-out audiences of over 3,000 in Vermont and was awarded the 2000 Vermont Bessie (theater and film awards) for “People’s Choice for Theatre.” She also has written two other dinner theaters, sketches for church services and devotions for Christian artists.

Yarger trained for three years in the Broadway League’s Producer Development Program, completed the Commercial Theater Institute's Producing Three-Day Training and produced a one-woman musical about Mary Magdalene that toured nationally and closed with an off-Broadway run.

She was a Fellow at the National Critics Institute at the O'Neill Theater Center in Waterford, CT. She writes reviews of Broadway and off-Broadway theater (the only ones you can find in the US with an added Christian perspective) at

She is editor of The Connecticut Arts Connection (, an award-winning website featuring theater and arts news for the state. She is a contributing editor for and is a theater reviewer for the Manchester Journal-Inquirer. She previously served as Connecticut theater editor for and as Connecticut and New York reviewer for American Theater Web.

Yarger is a book reviewer for Publishers Weekly and freelances for other sites. She is a member of the National Book Critics Circle.

She is a freelance writer and playwright and member of The Drama Desk, The Outer Critics Circle, The American Theater Critics Association and The League of Professional Theatre Women. She served as a judge for the SDX Awards presented by the Society of Professional Journalists. She also is a member of the Connecticut Critics Circle and the CT Press Club.

A former newspaper editor and graduate of the University of Missouri’s School of Journalism, Yarger also worked in arts management for the Bushnell Center for the Performing Arts, the Hartford Symphony Orchestra and served for nine years as the Executive Director of Masterwork Productions, Inc. She lives with her husband in West Granby, CT. They have two adult children.


All material is copyright 2008- 2017 by Lauren Yarger. Reviews and articles may not be reprinted without permission. Contact


Key to Content Notes:

God's name taken in vain -- means God or Jesus is used in dialogue without speaking directly to or about them.

Language -- means some curse words are used. "Minor" usually means the words are not too strong or that it only occurs once or twice throughout the show.

Strong Language -- means some of the more heavy duty curse words are used.

Nudity -- means a man or woman's backside, a man's lower front or a woman's front are revealed.

Scantily clad -- means actors' private areas are technically covered, but I can see a lot of them.

Sexual Language -- means the dialogue contains sexually explicit language but there's no action.

Sexual Activity -- means a man and woman are performing sexual acts.

Adultery -- Means a married man or woman is involved sexually with someone besides their spouse. If this is depicted with sexual acts on stage, the list would include "sexual activity" as well.

Sex Outside of Marriage -- means a man and woman are involved sexually without being married. If this is depicted sexually on stage, the list would include "sexual activity" as well.

Homosexuality -- means this is in the show, but not physically depicted.

Homosexual activity -- means two persons of the same sex are embracing/kissing. If they do more than that, the list would include "sexual activity" as well.

Cross Dresser -- Means someone is dressing as the opposite sex. If they do more than that on stage the listing would include the corresponding "sexual activity" and/or "homosexual activity" as well.

Cross Gender -- A man is playing a female part or a woman is playing a man's part.

Suggestive Dancing -- means dancing contains sexually suggestive moves.

Derogatory (category added Fall 2012) Language or circumstances where women are referred to or treated in a negative and demeaning manner.

Other content matters such as torture, suicide or rape will be noted, with details revealed only as necessary in the review itself.

The term "throughout" added to any of the above means it happens many times throughout the show.

Reviewing Policy

I receive free seats to Broadway and Off-Broadway shows made available to all voting members of the Outer Critics Circle and The Drama Desk, the two professional critics organizations with journalists covering NY theater. Journalistically, I provide an unbiased review and am under no obligation to make positive statements. Sometimes shows do not make tickets available to reviewers. If these are shows my readers want to know about (I review all Broadway shows and pertinent Off-Broadway shows), I will purchase a ticket. If a personal friend is involved in a production, I'll let you know, but it won't influence a review. If I feel there is a conflict, I won't review their portion of the production.

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