Wednesday, June 10, 2009

Twelfth Night in the Park with Hathaway, Esparza, McDonald Begins Previews

The Public Theater's star-studded production of Twelfth Night under the stars in Central Park begins previews tonight.

Directed by Dan Sullivan, the Shakespeare in the Park production stars Michael Cumpsty, Clifton Duncan, Raúl Esparza, Herb Foster, Leslie Harrison, Anne Hathaway, Slate Holmgren, Kevin Kelly, David Kenner, Hamish Linklater, Dorien Makhloghi, Audra McDonald, David Pittu, Ray Rizzo, Jay O. Sanders, Stark Sands, Baylen Thomas, Zach Villa, Jon Patrick Walker, Julie White Charles Borland, Andrew Crowe, Steve Curtis, Christopher Layer, Robin LeMon and Julie Sharbutt

Twelfth Night will run June 10-July 12 at the Delacorte Theater in Central Park with an official press opening on Thursday, June 25 at 8 pm. Bank of America returns as lead sponsor of Shakespeare in the Park 2009. For additional information about Shakespeare in the Park, visit The Public Theater website at www.publictheater.org

Twelfth Night , one of Shakespeare’s most beloved romantic comedies, is a time-honored story of cross-dressing and mistaken identity that follows the romantic adventures of Viola and her identical twin Sebastian, both shipwrecked in the enchanted dukedom of Illyria.

This summer, The Public Theater will again offer a limited number of free tickets through a Virtual Line, available at www.publictheater.org. The process will be the same as last year where on the day of a show, users can log on to the virtual line anytime between midnight and 1 pm to register for tickets for that evening’s performance. After 1 pm that same day, users can log on to see if they have received tickets through the Virtual Line, which they can then claim at the Delacorte Theater Box Office between 4:30 and 7:30 pm. A valid photo ID is required for all Virtual Line pick-ups at the box office. The Public Theater will also be implementing a Senior Virtual Line this year which functions the same way as the regular virtual line but registrants must be 65 or older to be eligible.

Summer Supporter tickets for the show are available for a tax-deductible contribution of $170. These reserved seats are only available for a limited time to ensure that the highest number of free seats will be available to distribute to the general public on the day of the show. Summer Supporter tickets help to underwrite production expenses. Supporter tickets are available at The Public Theater Box Office at 425 Lafayette Street or online at www.publictheater.org.

Twelfth Night will feature original music by symphonic folk-rock band Hem, scenic design by John Lee Beatty, costume design by Jane Greenwood, lighting design by Peter Kaczorowski, sound design by Acme Sound Partners, fight direction by Rick Sordelet, and choreography by Mimi Lieber.

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Our reviews are professional reviews written without a religious bias. At the end of them, you can find a listing of language, content or theological issues that Christians might want to know about when deciding which shows to see.

** Mature indicates that the show has posted an advisory because of content. Usually this means I would recommend no one under the age of 16 attend.

Theater Critic Lauren Yarger

Theater Critic Lauren Yarger

My Bio

Lauren Yarger has written, directed and produced numerous shows and special events for both secular and Christian audiences. She co-wrote a Christian musical version of “A Christmas Carol” which played to sold-out audiences of over 3,000 in Vermont and was awarded the 2000 Vermont Bessie (theater and film awards) for “People’s Choice for Theatre.” She also has written two other dinner theaters, sketches for church services and devotions for Christian artists.

Yarger trained for three years in the Broadway League’s Producer Development Program, completed the Commercial Theater Institute's Producing Three-Day Training and produced a one-woman musical about Mary Magdalene that toured nationally and closed with an off-Broadway run.

She was a Fellow at the National Critics Institute at the O'Neill Theater Center in Waterford, CT. She writes reviews of Broadway and off-Broadway theater (the only ones you can find in the US with an added Christian perspective) at http://reflectionsinthelight.blogspot.com/.

She is editor of The Connecticut Arts Connection (http://ctarts.blogspot.com), an award-winning website featuring theater and arts news for the state. She is a contributing editor for BroadwayWorld.com and is a theater reviewer for the Manchester Journal-Inquirer. She previously served as Connecticut theater editor for CurtainUp.com and as Connecticut and New York reviewer for American Theater Web.

Yarger is a book reviewer for Publishers Weekly and freelances for other sites. She is a member of the National Book Critics Circle.

She is a freelance writer and playwright and member of The Drama Desk, The Outer Critics Circle, The American Theater Critics Association and The League of Professional Theatre Women. She served as a judge for the SDX Awards presented by the Society of Professional Journalists. She also is a member of the Connecticut Critics Circle and the CT Press Club.

A former newspaper editor and graduate of the University of Missouri’s School of Journalism, Yarger also worked in arts management for the Bushnell Center for the Performing Arts, the Hartford Symphony Orchestra and served for nine years as the Executive Director of Masterwork Productions, Inc. She lives with her husband in West Granby, CT. They have two adult children.

Copyright

All material is copyright 2008- 2017 by Lauren Yarger. Reviews and articles may not be reprinted without permission. Contact reflectionsinthelight@gmail.com

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Key to Content Notes:

God's name taken in vain -- means God or Jesus is used in dialogue without speaking directly to or about them.

Language -- means some curse words are used. "Minor" usually means the words are not too strong or that it only occurs once or twice throughout the show.

Strong Language -- means some of the more heavy duty curse words are used.

Nudity -- means a man or woman's backside, a man's lower front or a woman's front are revealed.

Scantily clad -- means actors' private areas are technically covered, but I can see a lot of them.

Sexual Language -- means the dialogue contains sexually explicit language but there's no action.

Sexual Activity -- means a man and woman are performing sexual acts.

Adultery -- Means a married man or woman is involved sexually with someone besides their spouse. If this is depicted with sexual acts on stage, the list would include "sexual activity" as well.

Sex Outside of Marriage -- means a man and woman are involved sexually without being married. If this is depicted sexually on stage, the list would include "sexual activity" as well.

Homosexuality -- means this is in the show, but not physically depicted.

Homosexual activity -- means two persons of the same sex are embracing/kissing. If they do more than that, the list would include "sexual activity" as well.

Cross Dresser -- Means someone is dressing as the opposite sex. If they do more than that on stage the listing would include the corresponding "sexual activity" and/or "homosexual activity" as well.

Cross Gender -- A man is playing a female part or a woman is playing a man's part.

Suggestive Dancing -- means dancing contains sexually suggestive moves.

Derogatory (category added Fall 2012) Language or circumstances where women are referred to or treated in a negative and demeaning manner.

Other content matters such as torture, suicide or rape will be noted, with details revealed only as necessary in the review itself.

The term "throughout" added to any of the above means it happens many times throughout the show.

Reviewing Policy

I receive free seats to Broadway and Off-Broadway shows made available to all voting members of the Outer Critics Circle and The Drama Desk, the two professional critics organizations with journalists covering NY theater. Journalistically, I provide an unbiased review and am under no obligation to make positive statements. Sometimes shows do not make tickets available to reviewers. If these are shows my readers want to know about (I review all Broadway shows and pertinent Off-Broadway shows), I will purchase a ticket. If a personal friend is involved in a production, I'll let you know, but it won't influence a review. If I feel there is a conflict, I won't review their portion of the production.

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