Monday, June 8, 2009

2009 Tony Award Winners



Billy Eilliot, God of Carnage Win at 2009 Tonys
Billy Elliot and God of Carnage were the big winners at the 2009 Tony Awards, with most of the awards going as expected in the various other categories as well. Here's the complete list of the winners. To read a review for a show, click on the show listed at left under "Theater Reviews."

Best Musical

**Billy Elliot, The Musical
Next to Normal
Rock of Ages
Shrek The Musical

Best Book of a Musical

**Billy Elliot, The Musical Lee Hall
Next to Normal Brian Yorkey
Shrek The Musical David Lindsay-Abaire
[Title of Show] Hunter Bell

Best Original Score (Music and/or Lyrics) Written for the Theatre

Billy Elliot, The Musical
Music: Elton John
Lyrics: Lee Hall
**Next to Normal
Music: Tom KittLyrics: Brian Yorkey
9 to 5: The Musical
Music & Lyrics: Dolly Parton
Shrek The Musical
Music: Jeanine Tesori
Lyrics: David Lindsay-Abaire

Jeff Daniels and James Gandolfini in God of Carnage. Photo Boneau Bryan-Brown.

Best Play

Dividing the Estate
Author: Horton Foote
**God of Carnage
Author: Yasmina Reza
Reasons to Be Pretty
Author: Neil LaBute
33 Variations
Author: Moisés Kaufman


Best Revival of a Play

Joe Turner’s Come and Gone
Mary Stuart
**The Norman Conquests
Waiting for Godot

Best Revival of a Musical

Guys and Dolls
**Hair
Pal Joey

West Side Story

Best Special Theatrical Event

**Liza’s at The Palace
Slava’s Snowshow
Soul of Shaolin
You’re Welcome America. A Final Night with George W. Bush

Best Performance by a Leading Actor in a Play

Jeff Daniels, God of Carnage
Raúl Esparza, Speed-the-Plow
James Gandolfini, God of Carnage
**Geoffrey Rush, Exit the King
Thomas Sadoski, Reasons to Be Pretty

Best Performance by a Leading Actress in a Play

Hope Davis, God of Carnage
Jane Fonda, 33 Variations
**Marcia Gay Harden, God of Carnage
Janet McTeer, Mary Stuart
Harriet Walter, Mary Stuart

Best Performance by a Leading Actor in a Musical

**David Alvarez, Trent Kowalik, and Kiril Kulish – Billy Elliot, The Musical
Gavin Creel, Hair
Brian d’Arcy James, Shrek The Musical
Constantine Maroulis, Rock of Ages
J. Robert Spencer, Next to Normal

Best Performance by a Leading Actress in a Musical

Stockard Channing, Pal Joey
Sutton Foster, Shrek The Musical
Allison Janney, 9 to 5: The Musical
**Alice Ripley, Next to Normal
Josefina Scaglione, West Side Story

Best Performance by a Featured Actor in a Play

John Glover, Waiting for Godot
Zach Grenier, 33 Variations
Stephen Mangan, The Norman Conquests
Paul Ritter, The Norman Conquests
**Roger Robinson, Joe Turner’s Come and Gone

Best Performance by a Featured Actress in a Play

Hallie Foote, Dividing the Estate
Jessica Hynes, The Norman Conquests
Marin Ireland, Reasons to Be Pretty
**Angela Lansbury, Blithe Spirit
Amanda Root, The Norman Conquests

Best Performance by a Featured Actor in a Musical

David Bologna, Billy Elliot, The Musical
**Gregory Jbara, Billy Elliot, The Musical
Marc Kudisch, 9 to 5: The Musical
Christopher Sieber, Shrek The Musical
Will Swenson, Hair

Best Performance by a Featured Actress in a Musical

Jennifer Damiano, Next to Normal
Haydn Gwynne, Billy Elliot, The Musical
**Karen Olivo, West Side Story
Martha Plimpton, Pal Joey
Carole Shelley, Billy Elliot, The Musical

Best Scenic Design of a Play

Dale Ferguson, Exit the King
Rob Howell, The Norman Conquests
**Derek McLane, 33 Variations
Michael Yeargan, Joe Turner’s Come and Gone

Best Scenic Design of a Musical

Robert Brill, Guys and Dolls
**Ian MacNeil, Billy Elliot, The Musical
Scott Pask, Pal Joey
Mark Wendland, Next to Normal

Best Costume Design of a Play

Dale Ferguson, Exit the King
Jane Greenwood, Waiting for Godot
Martin Pakledinaz, Blithe Spirit
**Anthony Ward, Mary Stuart

Best Costume Design of a Musical

Gregory Gale, Rock of Ages
Nicky Gillibrand, Billy Elliot, The Musical
**Tim Hatley, Shrek The Musical
Michael McDonald, Hair

Best Lighting Design of a Play

David Hersey, Equus
David Lander, 33 Variations
**Brian MacDevitt, Joe Turner’s Come and Gone
Hugh Vanstone, Mary Stuart

Best Lighting Design of a Musical

Kevin Adams, Hair
Kevin Adams, Next to Normal
Howell Binkley, West Side Story
**Rick Fisher, Billy Elliot, The Musical

Best Sound Design of a Play

Paul Arditti, Mary Stuart
**Gregory Clarke, Equus
Russell Goldsmith, Exit the King
Scott Lehrer and Leon Rothenberg, Joe Turner’s Come and Gone

Best Sound Design of a Musical

Acme Sound Partners, Hair
**Paul Arditti, Billy Elliot, The Musical
Peter Hylenski, Rock of Ages
Brian Ronan, Next to Normal

Best Direction of a Play

Phyllida Lloyd, Mary Stuart
Bartlett Sher, Joe Turner’s Come and Gone
**Matthew Warchus, God of Carnage
Matthew Warchus, The Norman Conquests

Best Direction of a Musical

**Stephen Daldry, Billy Elliot, The Musical
Michael Greif, Next to Normal
Kristin Hanggi, Rock of Ages
Diane Paulus, Hair

Best Choreography

Karole Armitage, Hair
Andy Blankenbuehler, 9 to 5: The Musical
**Peter Darling, Billy Elliot, The Musical
Randy Skinner, Irving Berlin’s White Christmas

Best Orchestrations (tie for winner)

Larry Blank, Irving Berlin’s White Christmas
**Martin Koch, Billy Elliot, The Musical
**Michael Starobin and Tom Kitt, Next to Normal
Danny Troob and John Clancy, Shrek The Musical


Special Tony Award for Lifetime Achievement in the Theatre
Jerry Herman

Regional Theatre Tony Award
Signature Theatre, Arlington, Va.

Isabelle Stevenson Award
Phyllis Newman

Tony Honor for Excellence in the Theatre
Shirley Herz

** indicates winner in the category


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Our reviews are professional reviews written without a religious bias. At the end of them, you can find a listing of language, content or theological issues that Christians might want to know about when deciding which shows to see.

** Mature indicates that the show has posted an advisory because of content. Usually this means I would recommend no one under the age of 16 attend.

Theater Critic Lauren Yarger

Theater Critic Lauren Yarger

My Bio

Lauren Yarger has written, directed and produced numerous shows and special events for both secular and Christian audiences. She co-wrote a Christian musical version of “A Christmas Carol” which played to sold-out audiences of over 3,000 in Vermont and was awarded the 2000 Vermont Bessie (theater and film awards) for “People’s Choice for Theatre.” She also has written two other dinner theaters, sketches for church services and devotions for Christian artists.

Yarger trained for three years in the Broadway League’s Producer Development Program, completed the Commercial Theater Institute's Producing Three-Day Training and produced a one-woman musical about Mary Magdalene that toured nationally and closed with an off-Broadway run.

She was a Fellow at the National Critics Institute at the O'Neill Theater Center in Waterford, CT. She writes reviews of Broadway and off-Broadway theater (the only ones you can find in the US with an added Christian perspective) at http://reflectionsinthelight.blogspot.com/.

She is editor of The Connecticut Arts Connection (http://ctarts.blogspot.com), an award-winning website featuring theater and arts news for the state. She is a contributing editor for BroadwayWorld.com and is a theater reviewer for the Manchester Journal-Inquirer. She previously served as Connecticut theater editor for CurtainUp.com and as Connecticut and New York reviewer for American Theater Web.

Yarger is a book reviewer for Publishers Weekly and freelances for other sites. She is a member of the National Book Critics Circle.

She is a freelance writer and playwright and member of The Drama Desk, The Outer Critics Circle, The American Theater Critics Association and The League of Professional Theatre Women. She served as a judge for the SDX Awards presented by the Society of Professional Journalists. She also is a member of the Connecticut Critics Circle and the CT Press Club.

A former newspaper editor and graduate of the University of Missouri’s School of Journalism, Yarger also worked in arts management for the Bushnell Center for the Performing Arts, the Hartford Symphony Orchestra and served for nine years as the Executive Director of Masterwork Productions, Inc. She lives with her husband in West Granby, CT. They have two adult children.

Copyright

All material is copyright 2008- 2017 by Lauren Yarger. Reviews and articles may not be reprinted without permission. Contact reflectionsinthelight@gmail.com

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Key to Content Notes:

God's name taken in vain -- means God or Jesus is used in dialogue without speaking directly to or about them.

Language -- means some curse words are used. "Minor" usually means the words are not too strong or that it only occurs once or twice throughout the show.

Strong Language -- means some of the more heavy duty curse words are used.

Nudity -- means a man or woman's backside, a man's lower front or a woman's front are revealed.

Scantily clad -- means actors' private areas are technically covered, but I can see a lot of them.

Sexual Language -- means the dialogue contains sexually explicit language but there's no action.

Sexual Activity -- means a man and woman are performing sexual acts.

Adultery -- Means a married man or woman is involved sexually with someone besides their spouse. If this is depicted with sexual acts on stage, the list would include "sexual activity" as well.

Sex Outside of Marriage -- means a man and woman are involved sexually without being married. If this is depicted sexually on stage, the list would include "sexual activity" as well.

Homosexuality -- means this is in the show, but not physically depicted.

Homosexual activity -- means two persons of the same sex are embracing/kissing. If they do more than that, the list would include "sexual activity" as well.

Cross Dresser -- Means someone is dressing as the opposite sex. If they do more than that on stage the listing would include the corresponding "sexual activity" and/or "homosexual activity" as well.

Cross Gender -- A man is playing a female part or a woman is playing a man's part.

Suggestive Dancing -- means dancing contains sexually suggestive moves.

Derogatory (category added Fall 2012) Language or circumstances where women are referred to or treated in a negative and demeaning manner.

Other content matters such as torture, suicide or rape will be noted, with details revealed only as necessary in the review itself.

The term "throughout" added to any of the above means it happens many times throughout the show.

Reviewing Policy

I receive free seats to Broadway and Off-Broadway shows made available to all voting members of the Outer Critics Circle and The Drama Desk, the two professional critics organizations with journalists covering NY theater. Journalistically, I provide an unbiased review and am under no obligation to make positive statements. Sometimes shows do not make tickets available to reviewers. If these are shows my readers want to know about (I review all Broadway shows and pertinent Off-Broadway shows), I will purchase a ticket. If a personal friend is involved in a production, I'll let you know, but it won't influence a review. If I feel there is a conflict, I won't review their portion of the production.

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