Tuesday, September 20, 2011

Theater Review: Temporal Powers

Aidan Redmond and Rosie Benton
in Temporal Powers
(© Richard Termine)
A Lost Engaging Tale of Greed and Love
By Lauren Yarger
Just what is right and wrong, and who gets to decide? Those questions weigh heavily in the balance of a troubled marriage and poverty in Temporal Powers, the second of Teresa Deevy's plays being resurrected by the fine Mint Theater Company.
Michael and Min Donovan (Aidan Redmond and Rosie Benton) find themselves living in a dilapidated hovel after being evicted from their farm in 1927 Ireland. Dependent on neighbor Moses Barron Eli James) to bring a few scraps of food and a blanket, Min turns on her husband, blaming him for taking away any chance she had at a better life when he was content to be a poor farmer. Mick feels that he has been true to himself by doing the work that was put before him and not seeking wealth.
When Mick finds a sum of money hidden in the dwelling, Min starts making plans for a new life in America. Her husband, wants to do what's right, but even after it appears that no-good Ned Cooney (Con Horgan) hid the money after robbing the post office, Min convinces Mick to consider keeping it. He seeks the advice of their ineffectual priest Father O'Brien (Robertson Carricart).
Convinced that Michael won't heed her wishes, Min plots with Cooney to take the money by force, unaware that Michael might just change what he believes is "right" because of his love for her. Helping and hindering in the process of defining "right" and "wrong" are a group of neighbors: Jim Slattery (Paul Carlin), Ned's long-suffering wife, Maggie (Bairbre Dowling) and Daisy (Fiana Toibin), Moses sharp-tongued mother who disapproves of Lizzie Brennan (Wrenn Schmidt) who has her cap set for Moses. How much has their poverty influenced their morals?
Deevy creates deep and likable characters, despite their flaws, who grapple with some very raw and real issues to which we all can relate, even now,  some nine decades after it was written (the title, after all, refers to the power of wordly situations over spiritual concerns). The Mint's Artistic Director Jonathan Bank, who also directed last year's Wife to James Whelan in the company's Deevy Project, deftly helms Temporal on Vicki R. Davis' simple set on the small stage (a side entrance proves problematic in the scheme of things, but otherwise nicely creates the hovel). There are strong performances across the board here, an we especially can't help but sputter at Toibin's creation of the annoyingly acerbic, smothering mother.
The play runs two and a half hours with two intermissions through Oct. 9 at  311 West 43rd St., NYC. Tickets are available by calling the Mint box office at 212/315-0231 or go to www.minttheater.org
Christians might also like to know:
Violence
Great play about great issues. Enjoy.
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Our reviews are professional reviews written without a religious bias. At the end of them, you can find a listing of language, content or theological issues that Christians might want to know about when deciding which shows to see.

** Mature indicates that the show has posted an advisory because of content. Usually this means I would recommend no one under the age of 16 attend.

Theater Critic Lauren Yarger

Theater Critic Lauren Yarger

My Bio

Lauren Yarger has written, directed and produced numerous shows and special events for both secular and Christian audiences. She co-wrote a Christian musical version of “A Christmas Carol” which played to sold-out audiences of over 3,000 in Vermont and was awarded the Vermont Bessie (theater and film awards) for “People’s Choice for Theatre.” She also has written two other dinner theaters, sketches for church services and devotions for Christian artists. Her play concept, "From Reel to Real: The Jennifer O'Neill Story" was presented as part of the League of professional Theatre Women's Julia's reading Room Series in New York. Shifting from reviewing to producing, Yarger owns Gracewell Productions, which produced the Table Reading Series at the Palace Theater in Waterbury, CT. She trained for three years in the Broadway League’s Producer Development Program, completed the Commercial Theater Institute's Producing Intensive and other training and produced a one-woman musical about Mary Magdalene that toured nationally and closed with an off-Broadway run. She was a Fellow at the National Critics Institute at the O'Neill Theater Center in Waterford, CT. She wrote reviews of Broadway and Off-Broadway theater (the only ones you can find in the US with an added Christian perspective) at http://reflectionsinthelight.blogspot.com/.

She is editor of The Connecticut Arts Connection (http://ctarts.blogspot.com), an award-winning website featuring theater and arts news for the state. She was a contributing editor for BroadwayWorld.com. She previously served as theater reviewer for the Manchester Journal-Inquirer, Connecticut theater editor for CurtainUp.com and as Connecticut and New York reviewer for American Theater Web.

She is a Co-Founder of the Connecticut Chapter of the League of Professional Theatre Women. She is a former vice president and voting member of The Drama Desk.

She is a freelance writer and playwright (member Dramatists Guild of America). She is a member if the The Outer Critics Circle (producer of the annual awards ceremony) and a member of The League of Professional Theatre Women, serving as Co-Founder of the Connecticut Chapter. Yarger was a book reviewer for Publishers Weekly A former newspaper editor and graduate of the University of Missouri’s School of Journalism, Yarger also worked in arts management for the Bushnell Center for the Performing Arts, the Hartford Symphony Orchestra and served for nine years as the Executive Director of Masterwork Productions, Inc. She lives with her husband in West Granby, CT. They have two adult children.

Copyright

All material is copyright 2008- 2024 by Lauren Yarger. Reviews and articles may not be reprinted without permission. Contact reflectionsinthelight@gmail.com

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Key to Content Notes:

God's name taken in vain -- means God or Jesus is used in dialogue without speaking directly to or about them.

Language -- means some curse words are used. "Minor" usually means the words are not too strong or that it only occurs once or twice throughout the show.

Strong Language -- means some of the more heavy duty curse words are used.

Nudity -- means a man or woman's backside, a man's lower front or a woman's front are revealed.

Scantily clad -- means actors' private areas are technically covered, but I can see a lot of them.

Sexual Language -- means the dialogue contains sexually explicit language but there's no action.

Sexual Activity -- means a man and woman are performing sexual acts.

Adultery -- Means a married man or woman is involved sexually with someone besides their spouse. If this is depicted with sexual acts on stage, the list would include "sexual activity" as well.

Sex Outside of Marriage -- means a man and woman are involved sexually without being married. If this is depicted sexually on stage, the list would include "sexual activity" as well.

Homosexuality -- means this is in the show, but not physically depicted.

Homosexual activity -- means two persons of the same sex are embracing/kissing. If they do more than that, the list would include "sexual activity" as well.

Cross Dresser -- Means someone is dressing as the opposite sex. If they do more than that on stage the listing would include the corresponding "sexual activity" and/or "homosexual activity" as well.

Cross Gender -- A man is playing a female part or a woman is playing a man's part.

Suggestive Dancing -- means dancing contains sexually suggestive moves.

Derogatory (category added Fall 2012) Language or circumstances where women or people of a certain race are referred to or treated in a negative and demeaning manner.

Other content matters such as torture, suicide, or rape will be noted, with details revealed only as necessary in the review itself.

The term "throughout" added to any of the above means it happens many times throughout the show.

Reviewing Policy

I receive free seats to Broadway and Off-Broadway shows made available to all voting members of the Outer Critics Circle. Journalistically, I provide an unbiased review and am under no obligation to make positive statements. Sometimes shows do not make tickets available to reviewers. If these are shows my readers want to know about I will purchase a ticket. If a personal friend is involved in a production, I'll let you know, but it won't influence a review. If I feel there is a conflict, I won't review their portion of the production.

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