Tuesday, August 13, 2019

Broadway Producer Pat Addiss Among Speakers at 2nd Act Series at CT''s Waterbury Palace


Presenters have been selected for the second season of 2ND ACT, the Palace Theater’s acclaimed speaker’s series that features stories by people post age 50, who are doing some extraordinary things after mid-life.

Among them are Pat Addiss, a Tony-Award-winning Broadway producer based in New York, who will kick the series off on Sept. 17 with her presentation, "Necessity is the Mother of Reinvention," and Lisa Lampanelli, a life coach formerly known for her acerbic comedic style, who will present her new show Losin’ It on the main stage of the theater on Nov.16.

The series may be purchased in its entirety, as a five-presentation option, individually or by adding on Lampanelli’s show. All presentations with the exception of Lampanelli’s include light fare pre-show and are held in the intimate space of the Poli Club on the venue’s second floor. A cash bar will be available. Tickets: www.palacetheaterct.org; 203-346-2000; Box Office, 100 East Main St., Waterbury.

Part inspirational, aspirational, experiential and comical, these after-50 life stories will ignite the audience member’s own imaginations and a desire to become part of a growing community of 2ND ACTers! As one regular attendee has commented, ‘you always leave with a nugget to ponder’. Series Creator Sheree Marcucci, marketing and public relations officer for the theater, states “we are living much longer than past generations and are expecting our later years to be as rich and vivid as possible. This series, and many like it popping up all over the country and world, attest to this- we are as a group, just not going quietly into that good night!”

The presenters, chosen by a selection committee who viewed short videos of presenter candidates, are engaging and have a personal story that will inspire others as they share how they pursued a passion, dream or championed a cause after the age of 50. 

2ND ACT SERIES PRESENTERS AND DATES:

Tuesday Sept. 17 – 6 pm
PAT ADDISS

Necessity is the Mother of Reinvention

How does a woman break into the tough world of showbiz as a Broadway Producer at an when most are looking to retire? After 30 years running her own promotions company hear Broadway producer Pat Addiss tell her gutsy story. They say that necessity is the mother of re-invention… 40 years ago putting food on the table for her children after her husband left was just the beginning of her many fascinating incarnations.


Tuesday Oct 29 – 6 pm

JILLIAN CLENTANO

The Stranger in the Mirror

Jillian is a 58-year-old transgender woman who transitioned from male to female three years ago. Growing up, the person staring back in the mirror was not her…it was a stranger. She will share her personal journey of starting life over again as her authentic self by discussing her challenges, hardships and victories. Since transitioning, she has become an advocate for the transgender community and speaks at various venues, including: conferences, universities and medical centers. She has returned to college to obtain her master's degree in psychology to become a counselor for the LGBTQ+ community, and recently finished an internship at the Yale Gender Program.


Saturday Nov 16 –8 pm

LISA LAMPANELLI’S Losin’ It!

Lisa Lampanelli’s LOSIN’ IT! is an intimate collection of humorous observations and real-life stories curated and performed by Lisa and a few of her friends. Inspired by her work with The Moth Radio Hour, Lisa has created a heartfelt theatrical evening focusing on the issues of weight, body image, and “losin’ it!” Performed in the spirit of The Vagina Monologues and Love, Loss and What I Wore, Lisa and friends enchant theatergoers with hilarious, touching anecdotes about their own weight struggles, and lively audience interaction.

“I decided stand-up comedy really wasn’t for me anymore. It wasn’t making my heart happy. So, I created LOSIN’ IT! a show using comedy to talk about weight and body issues, which are things I’ve struggled with for years," she said. "This is so much more fulfilling!”


Tuesday Dec 10 – 6pm

TANYA DETRIK

Change in the Blink of an Eye

Life can change in the blink of an eye. The secret to living life more joyously and peacefully lies in our ability to choose how we respond to situations that challenge us. Learning to shift how you view any situation is the key.

Tanya Detrik’s backstory is one of post-traumatic growth. At a moment of extreme stress she was gifted the realization that making a simple shift in her perspective catalyzed instantaneous mental and emotional relief.

That discovery more than ten years ago has transformed her life, never more so than in 2019 with the death of her husband.

Her message is that it is not necessary to experience trauma in order to be inspired to see life through different lenses, and that the ability is liberating and life enhancing. See what you may have been missing.


Saturday Jan 11 - Noon

KARENNA ALEXANDER

Listen to Your Heart

2ND ACTs typically come from the heart. Karenna Alexander should know. She's a dating and relationship expert, and former matchmaker, who helps women find love. Her 2ND ACT came about after conquering dating dilemmas of her own. If you’re looking for love in all the wrong places, come hear her share the secrets of finding love in the 21st century.


Saturday Feb 1 – Noon

KATE KATCHER

Things To Do When (They Say) You Can’t

ACTOR-WRITER-DIRECTOR-TEACHER

Shortly after her 57th birthday, Kate Katcher read an NY Times article that revealed that women over 55 who fall out of the workplace will most likely not get back in. She had just fallen. With retirement not an option and no prospects, Kate turned to the one person she could rely on: herself. Over the next eleven years, she created a blog, a theatre company, pursued and acquired two University teaching jobs, served elite clients in the luxury suites of Madison Square Garden, and returned to school for a Master’s Degree. Follow her journey over hurdles and through closed doors. Performance (script in hands) of a short playlet is part of this presentation.


Tuesday Mar 3 – 6 pm

JACK LEVINE

Laughing Out Loud

Author, actor. standup comedian and improv performer Jack Levine feared being bored in retirement. So, when he finally retired as chief financial officer of a school district at 72, he decided to try the performing arts and found the journey to be awesome. Jack will use stand-up comedy, improv, comedy sketches, personal storytelling and acting to entertain as he offers insights and inspiration to his audience to try something new, creative and fun.



Tuesday Apr 21 – 6 pm

SHARON RUCHMAN

The Gift of Rudy: A Second Chance

While Sharon Ruchman has always loved music, studying voice and piano since childhood, she felt pressure to become something that she was not ready to become. Stress and anxiety took the joy out of learning until about four years ago when her great uncle’s viola from 100 years ago found its way to her. Sharon felt compelled to learn and play it, and as a result, her creative floodgates opened. Today, she’s composing everything from chamber music to tango, believing that it is never too late to do something fabulous.



Tuesday May 19 – 6 pm

DONNA PALOMBA

BE the Change

Inspired by the famous quote by Ghandi and deeply affected by her own experience, Donna wants to empower people to fight back against injustice and become the change they want to see in the world. Donna shares her personal insights into what allowed her to make the choices she did, and how she sought guidance along the way. Using her story as a case study, she explores not only the fight against sexual assault, but draws on her experience as a business woman and the challenges she faces in that role as well, to move her audience to action on behalf of themselves and the greater good.


Tuesday June 23 – 6pm

RICH CYR

Don’t Just Dream it, Live it!

RICH Cyr was born with cerebral palsy, given the last rites three times, was told that he would never walk or talk, and encountered many obstacles during his life.

In his early 50s he became a financial advisor, actor, podcaster, author, voice actor, stand-up comedian, and motivational speaker.

He is now living the life that he always dreamed of.

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Our reviews are professional reviews written without a religious bias. At the end of them, you can find a listing of language, content or theological issues that Christians might want to know about when deciding which shows to see.

** Mature indicates that the show has posted an advisory because of content. Usually this means I would recommend no one under the age of 16 attend.

Theater Critic Lauren Yarger

Theater Critic Lauren Yarger

My Bio

Lauren Yarger has written, directed and produced numerous shows and special events for both secular and Christian audiences. She co-wrote a Christian musical version of “A Christmas Carol” which played to sold-out audiences of over 3,000 in Vermont and was awarded the Vermont Bessie (theater and film awards) for “People’s Choice for Theatre.” She also has written two other dinner theaters, sketches for church services and devotions for Christian artists. Her play concept, "From Reel to Real: The Jennifer O'Neill Story" was presented as part of the League of professional Theatre Women's Julia's reading Room Series in New York in February 2018.

Yarger trained for three years in the Broadway League’s Producer Development Program, completed the Commercial Theater Institute's Producing Three-Day Intensive and other training and produced a one-woman musical about Mary Magdalene that toured nationally and closed with an off-Broadway run.

She was a Fellow at the National Critics Institute at the O'Neill Theater Center in Waterford, CT. She writes reviews of Broadway and off-Broadway theater (the only ones you can find in the US with an added Christian perspective) at http://reflectionsinthelight.blogspot.com/.

She is editor of The Connecticut Arts Connection (http://ctarts.blogspot.com), an award-winning website featuring theater and arts news for the state. She is a contributing editor for BroadwayWorld.com. She previously served as theater reviewer for the Manchester Journal-Inquirer, Connecticut theater editor for CurtainUp.com and as Connecticut and New York reviewer for American Theater Web.

She is a Co-Founder of the Connecticut Chapter of the League of Professional Theatre Women. She is a former vice preseint and voting member of The Drama Desk.

She is a freelance writer and playwright (member Dramatists Guild of America). She is a member if the The Outer Critics Circle (event manager for the annual awards ceremony), The American Theater Critics Association, The League of Professional Theatre Women and the Drama League. She served as a judge for the SDX Awards presented by the Society of Professional Journalists.

Yarger is a book reviewer for Publishers Weekly and freelances for other sites. She is a member of the National Book Critics Circle.

She also is a member of the Episcopal Actors' Guild, the NY Public Library for the Performing Arts and The O'Neill Theatre Center..

A former newspaper editor and graduate of the University of Missouri’s School of Journalism, Yarger also worked in arts management for the Bushnell Center for the Performing Arts, the Hartford Symphony Orchestra and served for nine years as the Executive Director of Masterwork Productions, Inc. She lives with her husband in West Granby, CT. They have two adult children.

Copyright

All material is copyright 2008- 2018 by Lauren Yarger. Reviews and articles may not be reprinted without permission. Contact reflectionsinthelight@gmail.com

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Key to Content Notes:

God's name taken in vain -- means God or Jesus is used in dialogue without speaking directly to or about them.

Language -- means some curse words are used. "Minor" usually means the words are not too strong or that it only occurs once or twice throughout the show.

Strong Language -- means some of the more heavy duty curse words are used.

Nudity -- means a man or woman's backside, a man's lower front or a woman's front are revealed.

Scantily clad -- means actors' private areas are technically covered, but I can see a lot of them.

Sexual Language -- means the dialogue contains sexually explicit language but there's no action.

Sexual Activity -- means a man and woman are performing sexual acts.

Adultery -- Means a married man or woman is involved sexually with someone besides their spouse. If this is depicted with sexual acts on stage, the list would include "sexual activity" as well.

Sex Outside of Marriage -- means a man and woman are involved sexually without being married. If this is depicted sexually on stage, the list would include "sexual activity" as well.

Homosexuality -- means this is in the show, but not physically depicted.

Homosexual activity -- means two persons of the same sex are embracing/kissing. If they do more than that, the list would include "sexual activity" as well.

Cross Dresser -- Means someone is dressing as the opposite sex. If they do more than that on stage the listing would include the corresponding "sexual activity" and/or "homosexual activity" as well.

Cross Gender -- A man is playing a female part or a woman is playing a man's part.

Suggestive Dancing -- means dancing contains sexually suggestive moves.

Derogatory (category added Fall 2012) Language or circumstances where women are referred to or treated in a negative and demeaning manner.

Other content matters such as torture, suicide or rape will be noted, with details revealed only as necessary in the review itself.

The term "throughout" added to any of the above means it happens many times throughout the show.

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I receive free seats to Broadway and Off-Broadway shows made available to all voting members of the Outer Critics Circle and The Drama Desk, the two professional critics organizations with journalists covering NY theater. Journalistically, I provide an unbiased review and am under no obligation to make positive statements. Sometimes shows do not make tickets available to reviewers. If these are shows my readers want to know about (I review all Broadway shows and pertinent Off-Broadway shows), I will purchase a ticket. If a personal friend is involved in a production, I'll let you know, but it won't influence a review. If I feel there is a conflict, I won't review their portion of the production.

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