Thursday, April 25, 2019

Drama Desk Nominations Are In


2019 DRAMA DESK NOMINATIONS:

Outstanding Play
Fairview, by Jackie Sibblies Drury, Soho Rep
The Ferryman, by Jez Butterworth
Lewiston/Clarkston, by Samuel D. Hunter, Rattlestick Playwrights Theater
Usual Girls, by Ming Peiffer, Roundabout Theatre Company
What the Constitution Means to Me, by Heidi Schreck, New York Theatre Workshop andBroadway
Outstanding Musical
Be More Chill
The Hello Girls, Prospect Theater Company
The Prom
Rags Parkland Sings the Songs of the Future, Ars Nova
Tootsie
Outstanding Revival of a Play
Fabulation, or the Re-Education of Undine, Signature Theatre
Henry VI: Shakespeare's Trilogy in Two Parts, National Asian American Theatre Company
Our Lady of 121st Street, Signature Theatre
Summer and Smoke, Classic Stage Company/Transport Group
The Waverly Gallery
Uncle Vanya, Hunter Theater Project

Outstanding Revival of a Musical
Carmen Jones, Classic Stage Company
Fiddler on the Roof, National Yiddish Theatre Folksbiene and Off-Broadway
Kiss Me, Kate, Roundabout Theatre Company
Merrily We Roll Along, Fiasco Theater/Roundabout Theatre Company
Oklahoma!, Bard Summerscape/St. Ann's Warehouse and Broadway
Outstanding Actor in a Play
Jeff Biehl, Life Sucks
Edmund Donovan, Lewiston/Clarkston
Raúl Esparza, The Resistible Rise of Arturo Ui
Russell Harvard, I Was Most Alive With You
Jay O. Sanders, Uncle Vanya
Outstanding Actress in a Play
Midori Francis, Usual Girls
Zainab Jah, Boesman and Lena
Elaine May, The Waverly Gallery
Laurie Metcalf, Hillary and Clinton
Heidi Schreck, What the Constitution Means to Me
Outstanding Actor in a Musical
Brooks Ashmanskas, The Prom
Andrew R. Butler, Rags Parkland Sings the Songs of the Future
Damon Daunno, Oklahoma!
Santino Fontana, Tootsie
Steven Skybell, Fiddler on the Roof
Outstanding Actress in a Musical
Stephanie J. Block, The Cher Show
Beth Leavel, The Prom
Rebecca Naomi Jones, Oklahoma!
Anika Noni Rose, Carmen Jones
Stacey Sargeant, Rags Parkland Sings the Songs of the Future
Outstanding Featured Actor in a Play
Charles Browning, Fairview
Arnie Burton, Lewiston/Clarkston
Hampton Fluker, All My Sons
Tom Glynn-Carney, The Ferryman
Brandon Uranowitz, Burn This
Outstanding Featured Actress in a Play
Harriett D. Foy, The House That Will Not Stand
Megan Hill, Eddie and Dave
Celia Keenan-Bolger, To Kill A Mockingbird
Ruth Wilson, King Lear
Alison Wright, Othello
Outstanding Featured Actor in a Musical
Corbin Bleu, Kiss Me, Kate
André De Shields, Hadestown
Sydney James Harcourt, Girl from the North Country
George Salazar, Be More Chill
Patrick Vaill, Oklahoma!
Outstanding Featured Actress in a Musical
Stephanie Hsu, Be More Chill
Leslie Kritzer, Beetlejuice
Soara-Joye Ross, Carmen Jones
Sarah Stiles, Tootsie
Ali Stroker, Oklahoma!
Mary Testa, Oklahoma!
Outstanding Director of a Play
Sarah Benson, Fairview
Stephen Daldry and Justin Martin, The Jungle
Sam Mendes, The Ferryman
Tyne Rafaeli, Usual Girls
Taylor Reynolds, Plano
Jeff Wise, Life Sucks
Outstanding Director of a Musical
Noah Brody, Merrily We Roll Along
Rachel Chavkin, Hadestown
Scott Ellis, Tootsie
Daniel Fish, Oklahoma!
Joel Grey, Fiddler on the Roof
Outstanding Choreography
presented by LaDuca Dance Shoes
Camille A. Brown, Choir Boy
Warren Carlyle, Kiss Me Kate
Denis Jones, Tootsie
Lorin Latarro, Twelfth Night
Rick and Jeff Kuperman, Alice by Heart
David Neumann, Hadestown
Outstanding Music
presented by Music Theatre International
Andrew R. Butler, Rags Parkland Sings the Songs of the Future
Joe Iconis, Be More Chill
Peter Mills, The Hello Girls
Mark Sonnenblick, Midnight at the Never Get
Shaina Taub, Twelfth Night
David Yazbek, Tootsie
Outstanding Lyrics
presented by Music Theatre International
Chad Beguelin, The Prom
Andrew R. Butler, Rags Parkland Sings the Songs of the Future
Joe Iconis, Be More Chill
Peter Mills, The Hello Girls
David Yazbek, Tootsie
Outstanding Book of a Musical
presented by Music Theatre International
Scott Brown and Anthony King, Beetlejuice
Andrew R. Butler, Rags Parkland Sings the Songs of the Future
Robert Horn, Tootsie
Bob Martin and Chad Beguelin, The Prom
Dominique Morisseau, Ain't Too Proud
Outstanding Orchestrations
Larry Blank, Fiddler on the Roof
Simon Hale, Girl from the North Country
Daniel Kluger, Oklahoma!
Charlie Rosen, Be More Chill
Daryl Waters, The Cher Show
Outstanding Music in a Play
Paul Castles and Jongbin Jung, Wild Goose Dreams
Justin Ellington, Mrs. Murray's Menagerie
Justin Ellington, The House That Will Not Stand
Nick Powell, The Lehman Trilogy
Jason Michael Webb and Fitz Patton, Choir Boy
Outstanding Set Design of a Play
Miriam Buether, The Jungle
Es Devlin, Girls & Boys
Maruti Evans, The Peculiar Patriot
Mimi Lien, Fairview
Matt Saunders, "Daddy"
Outstanding Set Design for a Musical
presented by Hudson Scenic
Rachel Hauck, Hadestown
Laura Jellinek, Oklahoma!
Laura Jellinek, Rags Parkland Sings the Songs of the Future
David Korins, Beetlejuice
Rae Smith, Girl from the North Country
Outstanding Costume Design for a Play
Dede M. Ayite, By the Way, Meet Vera Stark
Dede M. Ayite, If Pretty Hurts Ugly Must Be a Muhfucka
Ásta Bennie Hostetter, Mrs. Murray's Menagerie
Toni-Leslie James, Bernhardt/Hamlet
Nicole Slaven, Henry VI: Shakespeare's Trilogy in Two Parts
Outstanding Costume Design for a Musical
William Ivey Long, Beetlejuice
William Ivey Long, Tootsie
Bobby Frederick Tilly II, Be More Chill
Michael Krass, Hadestown
Bob Mackie, The Cher Show
Paloma Young, Alice by Heart
Outstanding Lighting Design for a Play
Amith Chandrashaker, Boesman and Lena
Amith Chandrashaker, Fairview
Jiyoun Chang, Slave Play
Jon Clark, The Jungle
Simon Cleveland, Spaceman
Yi Zhao, The House That Will Not Stand
Outstanding Lighting Design for a Musical
presented by Production Resource Group
Adam Honoré, Carmen Jones
Bradley King, Hadestown
Jamie Roderick, Midnight at the Never Get
Barbara Samuels, Rags Parkland Sings the Songs of the Future
Scott Zielinski, Oklahoma!
Outstanding Projection Design
Peter England, King Kong
Katherine Freer, By the Way, Meet Vera Stark
Luke Halls, The Lehman Trilogy
Alex Basco Koch, Be More Chill
Peter Nigrini, Beetlejuice
Joshua Thorson, Oklahoma!
Outstanding Sound Design in a Play
Tyler Kieffer, Plano
Fitz Patton, Choir Boy
Nick Powell, The Ferryman
Jane Shaw, I Was Most Alive with You
Mikaal Sulaiman, Fairview
Outstanding Sound Design in a Musical
Simon Baker, Girl from the North Country
Drew Levy, Oklahoma!
Brian Ronan, Tootsie
Nevin Steinberg and Jessica Paz, Hadestown
Mikaal Sulaiman, Rags Parkland Sings the Songs of the Future
Outstanding Wig and Hair Design
Campbell Young Associates, Gary: A Sequel to Titus Andronicus  
Cookie Jordan, Eddie and Dave
Paul Huntley, Tootsie
Charles G. LaPointe, Beetlejuice
Charles G. LaPointe, The Cher Show
Outstanding Solo Performance
Mike Birbiglia, The New One
Carey Mulligan, Girls & Boys
Liza Jessie Peterson, The Peculiar Patriot, National Black Theatre/Hi-Arts
Erin Treadway, Spaceman, Loading Dock Theatre
Phoebe Waller-Bridge, Fleabag
Unique Theatrical Experience
All is Calm: The Christmas Truce of 1914

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Our reviews are professional reviews written without a religious bias. At the end of them, you can find a listing of language, content or theological issues that Christians might want to know about when deciding which shows to see.

** Mature indicates that the show has posted an advisory because of content. Usually this means I would recommend no one under the age of 16 attend.

Theater Critic Lauren Yarger

Theater Critic Lauren Yarger

My Bio

Lauren Yarger has written, directed and produced numerous shows and special events for both secular and Christian audiences. She co-wrote a Christian musical version of “A Christmas Carol” which played to sold-out audiences of over 3,000 in Vermont and was awarded the Vermont Bessie (theater and film awards) for “People’s Choice for Theatre.” She also has written two other dinner theaters, sketches for church services and devotions for Christian artists. Her play concept, "From Reel to Real: The Jennifer O'Neill Story" was presented as part of the League of professional Theatre Women's Julia's reading Room Series in New York in February 2018.

Yarger trained for three years in the Broadway League’s Producer Development Program, completed the Commercial Theater Institute's Producing Three-Day Intensive and other training and produced a one-woman musical about Mary Magdalene that toured nationally and closed with an off-Broadway run.

She was a Fellow at the National Critics Institute at the O'Neill Theater Center in Waterford, CT. She writes reviews of Broadway and off-Broadway theater (the only ones you can find in the US with an added Christian perspective) at http://reflectionsinthelight.blogspot.com/.

She is editor of The Connecticut Arts Connection (http://ctarts.blogspot.com), an award-winning website featuring theater and arts news for the state. She is a contributing editor for BroadwayWorld.com. She previously served as theater reviewer for the Manchester Journal-Inquirer, Connecticut theater editor for CurtainUp.com and as Connecticut and New York reviewer for American Theater Web.

She is a Co-Founder of the Connecticut Chapter of the League of Professional Theatre Women. She is a former vice preseint and voting member of The Drama Desk.

She is a freelance writer and playwright (member Dramatists Guild of America). She is a member if the The Outer Critics Circle (event manager for the annual awards ceremony), The American Theater Critics Association, The League of Professional Theatre Women and the Drama League. She served as a judge for the SDX Awards presented by the Society of Professional Journalists.

Yarger is a book reviewer for Publishers Weekly and freelances for other sites. She is a member of the National Book Critics Circle.

She also is a member of the Episcopal Actors' Guild, the NY Public Library for the Performing Arts and The O'Neill Theatre Center..

A former newspaper editor and graduate of the University of Missouri’s School of Journalism, Yarger also worked in arts management for the Bushnell Center for the Performing Arts, the Hartford Symphony Orchestra and served for nine years as the Executive Director of Masterwork Productions, Inc. She lives with her husband in West Granby, CT. They have two adult children.

Copyright

All material is copyright 2008- 2018 by Lauren Yarger. Reviews and articles may not be reprinted without permission. Contact reflectionsinthelight@gmail.com

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Key to Content Notes:

God's name taken in vain -- means God or Jesus is used in dialogue without speaking directly to or about them.

Language -- means some curse words are used. "Minor" usually means the words are not too strong or that it only occurs once or twice throughout the show.

Strong Language -- means some of the more heavy duty curse words are used.

Nudity -- means a man or woman's backside, a man's lower front or a woman's front are revealed.

Scantily clad -- means actors' private areas are technically covered, but I can see a lot of them.

Sexual Language -- means the dialogue contains sexually explicit language but there's no action.

Sexual Activity -- means a man and woman are performing sexual acts.

Adultery -- Means a married man or woman is involved sexually with someone besides their spouse. If this is depicted with sexual acts on stage, the list would include "sexual activity" as well.

Sex Outside of Marriage -- means a man and woman are involved sexually without being married. If this is depicted sexually on stage, the list would include "sexual activity" as well.

Homosexuality -- means this is in the show, but not physically depicted.

Homosexual activity -- means two persons of the same sex are embracing/kissing. If they do more than that, the list would include "sexual activity" as well.

Cross Dresser -- Means someone is dressing as the opposite sex. If they do more than that on stage the listing would include the corresponding "sexual activity" and/or "homosexual activity" as well.

Cross Gender -- A man is playing a female part or a woman is playing a man's part.

Suggestive Dancing -- means dancing contains sexually suggestive moves.

Derogatory (category added Fall 2012) Language or circumstances where women are referred to or treated in a negative and demeaning manner.

Other content matters such as torture, suicide or rape will be noted, with details revealed only as necessary in the review itself.

The term "throughout" added to any of the above means it happens many times throughout the show.

Reviewing Policy

I receive free seats to Broadway and Off-Broadway shows made available to all voting members of the Outer Critics Circle and The Drama Desk, the two professional critics organizations with journalists covering NY theater. Journalistically, I provide an unbiased review and am under no obligation to make positive statements. Sometimes shows do not make tickets available to reviewers. If these are shows my readers want to know about (I review all Broadway shows and pertinent Off-Broadway shows), I will purchase a ticket. If a personal friend is involved in a production, I'll let you know, but it won't influence a review. If I feel there is a conflict, I won't review their portion of the production.

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