Thursday, June 27, 2013

Quick Hit Theater Review: Reasons to Be Happy

Josh Hamilton and Jenna Fischer in a scene from MCC Theater’s Reasons to Be Happy © Joan Marcus
Reasons to Be Happy
By Neil LaBute
Directed by Neil LaBute
MCC Theater Company
at the Lucille Lortel Theater

What's It All About?
It's the continuation of the story of the two couples we met in LaBute's Reasons to Be Pretty: Greg (Josh Hamilton) and Steph (Jenna Fischer of TV's "The Office") and Carly (Leslie Bibb) and Ken (Fred Weller of TV's "In Plain Sight"). It is three years after Greg and Steph have divorced. She's remarried, but isn't happy when she finds out he is seeing her best friend, Carly. Carly's ex, Kent, isn't happy either. He is still dealing with anger issues and seeing someone else, but refers to Carly as his wife. She's really falling for Greg, though. He is thoughtful and trustworthy -- two characteristics she never enjoyed in her relationship with Kent, who barely shows interest in their daughter. Steph decides she wants to give her marriage with Greg another shot, however, dumps her husband and waits for Greg to break the news to Carly. At first Greg agrees, but complications give him second thoughts.

What are the Highlights:
One of the few instances of a playwright doing a decent job of directing his own work. Blaring, heavy-metal music (Robert Kaplowitz, sound design) helps change the scenes -- and reminds us that hurt, anger and pain lie just under the surface of these relationships. I hadn't realized until the curtain went up on this piece how much I was interested to find out what had happened to these couples. There's room for third final chapter too: Reasons to be 50 and I hope La Bute writes it.

Loved the set (Neil Patel, design), which switches from the break room at the plant where Carly still works (Kent makes deliveries from another plant now and Greg, who used to work at the plant and who now is a substitute teacher, picks her up there) and other locations.

What are the Lowlights?
None. Catch it before it closes.

More info:
Reasons to Be Happy has been extended through June 29 at the Lucille Lortel Theatre, 121 Christopher St., NYC. Performances: June 27-28 at 8 pm and June 29th at 2 and 8 pm. Tickets: $69-$89: www.mcctheater.org; 212-352-3101.

Christians might also like to know:
-- God's name taken in vain
-- Abortion
-- Language
-- Sexual dialogue
Posted by at

No comments:

Post a Comment

Subscribe to: Post Comments (Atom)

Gracewell Prodiuctions

Gracewell Prodiuctions
Producing Inspiring Works in the Arts
Custom Search
Our reviews are professional reviews written without a religious bias. At the end of them, you can find a listing of language, content or theological issues that Christians might want to know about when deciding which shows to see.

** Mature indicates that the show has posted an advisory because of content. Usually this means I would recommend no one under the age of 16 attend.

Theater Critic Lauren Yarger

Theater Critic Lauren Yarger

My Bio

Lauren Yarger has written, directed and produced numerous shows and special events for both secular and Christian audiences. She co-wrote a Christian musical version of “A Christmas Carol” which played to sold-out audiences of over 3,000 in Vermont and was awarded the Vermont Bessie (theater and film awards) for “People’s Choice for Theatre.” She also has written two other dinner theaters, sketches for church services and devotions for Christian artists. Her play concept, "From Reel to Real: The Jennifer O'Neill Story" was presented as part of the League of professional Theatre Women's Julia's reading Room Series in New York. Shifting from reviewing to producing, Yarger owns Gracewell Productions, which produced the Table Reading Series at the Palace Theater in Waterbury, CT. She trained for three years in the Broadway League’s Producer Development Program, completed the Commercial Theater Institute's Producing Intensive and other training and produced a one-woman musical about Mary Magdalene that toured nationally and closed with an off-Broadway run. She was a Fellow at the National Critics Institute at the O'Neill Theater Center in Waterford, CT. She wrote reviews of Broadway and Off-Broadway theater (the only ones you can find in the US with an added Christian perspective) at http://reflectionsinthelight.blogspot.com/.

She is editor of The Connecticut Arts Connection (http://ctarts.blogspot.com), an award-winning website featuring theater and arts news for the state. She was a contributing editor for BroadwayWorld.com. She previously served as theater reviewer for the Manchester Journal-Inquirer, Connecticut theater editor for CurtainUp.com and as Connecticut and New York reviewer for American Theater Web.

She is a Co-Founder of the Connecticut Chapter of the League of Professional Theatre Women. She is a former vice president and voting member of The Drama Desk.

She is a freelance writer and playwright (member Dramatists Guild of America). She is a member if the The Outer Critics Circle (producer of the annual awards ceremony) and a member of The League of Professional Theatre Women, serving as Co-Founder of the Connecticut Chapter. Yarger was a book reviewer for Publishers Weekly A former newspaper editor and graduate of the University of Missouri’s School of Journalism, Yarger also worked in arts management for the Bushnell Center for the Performing Arts, the Hartford Symphony Orchestra and served for nine years as the Executive Director of Masterwork Productions, Inc. She lives with her husband in West Granby, CT. They have two adult children.

Copyright

All material is copyright 2008- 2024 by Lauren Yarger. Reviews and articles may not be reprinted without permission. Contact reflectionsinthelight@gmail.com

Search

Key to Content Notes:

God's name taken in vain -- means God or Jesus is used in dialogue without speaking directly to or about them.

Language -- means some curse words are used. "Minor" usually means the words are not too strong or that it only occurs once or twice throughout the show.

Strong Language -- means some of the more heavy duty curse words are used.

Nudity -- means a man or woman's backside, a man's lower front or a woman's front are revealed.

Scantily clad -- means actors' private areas are technically covered, but I can see a lot of them.

Sexual Language -- means the dialogue contains sexually explicit language but there's no action.

Sexual Activity -- means a man and woman are performing sexual acts.

Adultery -- Means a married man or woman is involved sexually with someone besides their spouse. If this is depicted with sexual acts on stage, the list would include "sexual activity" as well.

Sex Outside of Marriage -- means a man and woman are involved sexually without being married. If this is depicted sexually on stage, the list would include "sexual activity" as well.

Homosexuality -- means this is in the show, but not physically depicted.

Homosexual activity -- means two persons of the same sex are embracing/kissing. If they do more than that, the list would include "sexual activity" as well.

Cross Dresser -- Means someone is dressing as the opposite sex. If they do more than that on stage the listing would include the corresponding "sexual activity" and/or "homosexual activity" as well.

Cross Gender -- A man is playing a female part or a woman is playing a man's part.

Suggestive Dancing -- means dancing contains sexually suggestive moves.

Derogatory (category added Fall 2012) Language or circumstances where women or people of a certain race are referred to or treated in a negative and demeaning manner.

Other content matters such as torture, suicide, or rape will be noted, with details revealed only as necessary in the review itself.

The term "throughout" added to any of the above means it happens many times throughout the show.

Reviewing Policy

I receive free seats to Broadway and Off-Broadway shows made available to all voting members of the Outer Critics Circle. Journalistically, I provide an unbiased review and am under no obligation to make positive statements. Sometimes shows do not make tickets available to reviewers. If these are shows my readers want to know about I will purchase a ticket. If a personal friend is involved in a production, I'll let you know, but it won't influence a review. If I feel there is a conflict, I won't review their portion of the production.

All Posts on this Blog