Wednesday, October 31, 2012

Hurricane Reschedules Start for A Christmas Story, the Musical

JOHN BOLTON in A CHRISTMAS STORY, THE MUSICAL. photo: (c) 2011 Carol Rosegg
The producers of A Christmas Story, The Musical have announced that, due to Hurricane Sandy and its aftermath, the production has rescheduled the start of performances on Broadway at the Lunt-Fontanne Theatre until Wednesday Nov. 7 at 7 pm.

“Due to the storm, the company has lost important rehearsal time on stage,” says producer Gerald Goehring. “In order to assure that the company gets the necessary time that they need to rehearse at the Lunt-Fontanne, we have decided to reschedule our first performance. We will launch our run on Wednesday November 7, which was to be our 2nd public performance.”

All tickets purchased for the November 5 performance are eligible for exchange for a later performance date of your choice (subject to availability). If tickets were purchased at the Lunt Fontanne Box Office, please return your original tickets to the Box Office. For ticket purchases via Ticketmaster via phone or online, your credit card will be refunded automatically within 7-10 business days. For any issues, please contact the customer service information included with your tickets. Please have your Order Number/Confirmation Number handy. Original tickets need not be retained.

A Christmas Story, The Musical will arrive on Broadway at the Lunt-Fontanne Theatre just in time for the 2012 holiday season. The new musical, based on the 1983 movie perennial, will play a November 7 – December 30 holiday engagement. Opening night is Monday, November 19. Tickets are now on sale at www.AChristmasStoryTheMuscial.comor www.TicketMaster.com. 

A Christmas Story, The Musical stars Dan Lauria (Broadway’s Lombardi, TV’s “Sullivan & Son” and“The Wonder Years”) as Jean Shepherd, John Bolton (Spamalot, Contact, Titanic) as The Old Man, Tony Award nominee Erin Dilly (Nice Work if You Can Get It, Chitty Chitty Bang Bang) as Mother, Johnny Rabe as Ralphie, Zac Ballard as little brother Randy, Caroline O’Connor (Chicago, Moulin Rouge) as school teacher Miss Shields, Eddie Korbich (The Little Mermaid, The Drowsy Chaperone, Wicked) as Santa Claus and Joe West plays Ralphie at certain performances. The ensemble features Tia Altinay, John Babbo, Charissa Bertels, Grace Capeless, Zoe Considine, Andrew Cristi, Mathew deGuzman, Thay Floyd, George Franklin, Nick Gaswirth, Mark Ledbetter, Jose Luaces, Jack Mastrianni, Mara Newbery, Lindsay O’Neil, Sarah Min-Kyung Park, J.D. Rodriguez, Analise Scarpaci, Lara Seibert, Jeremy Shinder, Luke Spring, Beatrice Tulchin, Kirsten Wyatt, and Pete and Lily as the rambunctious Bumpus Hounds.

America’s #1 holiday movie came to hilarious life onstage when A Christmas Story, The Musicallaunched a tour in 2011 that culminated in a critically successful run in Chicago. The musical features a bright holiday score by composer/lyricist team Benj Pasek and Justin Paul and a witty book by Joseph Robinette based on the writings of radio humorist Jean Shepherd and the 1983 holiday film favorite. Tony Award winner John Rando(Urinetown) directs the production with Warren Carlyle(Chaplin, Follies, An Evening With Hugh Jackman) choreographing. 

A Christmas Story, The Musical features scenic design by Walt Spangler; costume design by Elizabeth Hope Clancy; lighting design by Tony Award winner Howell Binkley; sound design by Ken Travis; wig design by Tom Watson; animal training by Tony Honor recipient for Excellence in Theatre William Berloni; orchestrations by Tony nominee Larry Blank; music direction and supervision by Ian Eisendrath; associate choreographer is James Gray; dance music arrangements by Glen Kelly; vocal arrangements by Justin Paul; and casting by Stephanie Klapper CSA.

The story from a cherished movie classic that’s enchanted millions is now a musical spectacular. In 1940’s Indiana, a bespectacled boy named Ralphie has a big imagination and one wish for Christmas—a Red Ryder® BB Gun. A kooky leg lamp, outrageous pink bunny pajamas, a cranky department store Santa, and a triple-dog-dare to lick a freezing flagpole are just a few of the obstacles that stand between Ralphie and his Christmas dream. Co-produced by the film’s original Ralphie, Peter Billingsley, A Christmas Story, The Musical is holiday entertainment that captures a simpler time in America with delicious wit and a heart of gold.


LISTINGS INFORMATION

A Christmas Story, The Musical plays a limited holiday engagement on Broadway, November 7 – December 30 at the Lunt-Fontanne Theatre (205 West 46thStreet). Opening night is Monday, November 19 at 6pm. See the performance schedule below. Tickets are $49 - $159 may be purchased at TicketMaster.com,(877) 250-2929, or in person at the Lunt-Fontanne Theater Box Office. Group Tickets (12+) range from $39 - $159 and are available by calling Group Sales Box Office/Broadway.com, 1-800-BROADWAY. Please visit www.AChristmasStoryTheMusical.comfor more information.
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Gracewell Prodiuctions

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Our reviews are professional reviews written without a religious bias. At the end of them, you can find a listing of language, content or theological issues that Christians might want to know about when deciding which shows to see.

** Mature indicates that the show has posted an advisory because of content. Usually this means I would recommend no one under the age of 16 attend.

Theater Critic Lauren Yarger

Theater Critic Lauren Yarger

My Bio

Lauren Yarger has written, directed and produced numerous shows and special events for both secular and Christian audiences. She co-wrote a Christian musical version of “A Christmas Carol” which played to sold-out audiences of over 3,000 in Vermont and was awarded the Vermont Bessie (theater and film awards) for “People’s Choice for Theatre.” She also has written two other dinner theaters, sketches for church services and devotions for Christian artists. Her play concept, "From Reel to Real: The Jennifer O'Neill Story" was presented as part of the League of professional Theatre Women's Julia's reading Room Series in New York. Shifting from reviewing to producing, Yarger owns Gracewell Productions, which produced the Table Reading Series at the Palace Theater in Waterbury, CT. She trained for three years in the Broadway League’s Producer Development Program, completed the Commercial Theater Institute's Producing Intensive and other training and produced a one-woman musical about Mary Magdalene that toured nationally and closed with an off-Broadway run. She was a Fellow at the National Critics Institute at the O'Neill Theater Center in Waterford, CT. She wrote reviews of Broadway and Off-Broadway theater (the only ones you can find in the US with an added Christian perspective) at http://reflectionsinthelight.blogspot.com/.

She is editor of The Connecticut Arts Connection (http://ctarts.blogspot.com), an award-winning website featuring theater and arts news for the state. She was a contributing editor for BroadwayWorld.com. She previously served as theater reviewer for the Manchester Journal-Inquirer, Connecticut theater editor for CurtainUp.com and as Connecticut and New York reviewer for American Theater Web.

She is a Co-Founder of the Connecticut Chapter of the League of Professional Theatre Women. She is a former vice president and voting member of The Drama Desk.

She is a freelance writer and playwright (member Dramatists Guild of America). She is a member if the The Outer Critics Circle (producer of the annual awards ceremony) and a member of The League of Professional Theatre Women, serving as Co-Founder of the Connecticut Chapter. Yarger was a book reviewer for Publishers Weekly A former newspaper editor and graduate of the University of Missouri’s School of Journalism, Yarger also worked in arts management for the Bushnell Center for the Performing Arts, the Hartford Symphony Orchestra and served for nine years as the Executive Director of Masterwork Productions, Inc. She lives with her husband in West Granby, CT. They have two adult children.

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All material is copyright 2008- 2024 by Lauren Yarger. Reviews and articles may not be reprinted without permission. Contact reflectionsinthelight@gmail.com

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Key to Content Notes:

God's name taken in vain -- means God or Jesus is used in dialogue without speaking directly to or about them.

Language -- means some curse words are used. "Minor" usually means the words are not too strong or that it only occurs once or twice throughout the show.

Strong Language -- means some of the more heavy duty curse words are used.

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Scantily clad -- means actors' private areas are technically covered, but I can see a lot of them.

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Sex Outside of Marriage -- means a man and woman are involved sexually without being married. If this is depicted sexually on stage, the list would include "sexual activity" as well.

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Homosexual activity -- means two persons of the same sex are embracing/kissing. If they do more than that, the list would include "sexual activity" as well.

Cross Dresser -- Means someone is dressing as the opposite sex. If they do more than that on stage the listing would include the corresponding "sexual activity" and/or "homosexual activity" as well.

Cross Gender -- A man is playing a female part or a woman is playing a man's part.

Suggestive Dancing -- means dancing contains sexually suggestive moves.

Derogatory (category added Fall 2012) Language or circumstances where women or people of a certain race are referred to or treated in a negative and demeaning manner.

Other content matters such as torture, suicide, or rape will be noted, with details revealed only as necessary in the review itself.

The term "throughout" added to any of the above means it happens many times throughout the show.

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I receive free seats to Broadway and Off-Broadway shows made available to all voting members of the Outer Critics Circle. Journalistically, I provide an unbiased review and am under no obligation to make positive statements. Sometimes shows do not make tickets available to reviewers. If these are shows my readers want to know about I will purchase a ticket. If a personal friend is involved in a production, I'll let you know, but it won't influence a review. If I feel there is a conflict, I won't review their portion of the production.

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