Tracie Bennett in "End of the Rainbow" (c) Carol Rosegg |
By Lauren Yarger
Soft floral patterns and architecture reminiscent of a time gone by are a sad metaphor for the drug-addicted, out-of-control Judy Garland (Tracie Bennett) who occupies the luxurious suite in London's Ritz Hotel in Broadway's End of the Rainbow.
There isn't any rainbow in Peter Quilter's play describing the last months of the star's career. It's all grey skies as the entertainer tries to hold on while doing shows at The Talk of the Town. Her performances there deteriorate, as does her personal life, blurred by an addiction to drugs and alcohol. She clings to younger fifth husband Mickey Deans (Tom Pelphrey) who at first tries to keep her clean, but who eventually supplies what she needs to be able to perform -- and earn the much-need paychecks that will, among other things, keep them in the hotel suite for which she hasn't paid.
Also trying to help is longtime friend and pianist Anthony (Michael Cumpsty) who doesn't like Mickey. Judy won't accept his advice, or the marriage of convenience he offers as an alternative.
Terry Johnson's taut direction allows Bennett to channel Judy Garland without making her a caricature (and don't be surprised if Bennett walks away with this year's Best Actress Tony). The actress creates a Judy we recognize through mannerisms, songs (a number are used with accompaniment by piano or a band concealed and revealed as needed by the hotel set) and look (Dudley also designs the costumes). It's a portrait of a sad, lonely person caught in a downward spiral. Such a great talent; such a waste.
Jay Russell nicely plays a few minor parts, including a humorous BBC correspondent who interviews Judy, to round out the able cast.
The End of the Rainbow plays at the Belasco Theatre, 111 West 44th st., NYC. Discounted tickets for our readers are available by clicking here.
Christians might also like to know:
-- Sexual dialogue
-- God's name taken in vain
-- Drug usage
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