Monday, January 9, 2012

C.S. Lewis' Great Divorce Returns to Philadelphia's Lantern Theater


Anthony Lawton. Photo: Janet Embree
Philadelphia's Lantern Theater Company will present reprise performances of The Great Divorce, Anthony Lawton’s popular adaptation of the C. S. Lewis work Feb. 7-12. 

The Great Divorce tells the satiric and comic tale of hapless professor Clive and the motley band of malcontents who join him on a very curious bus ride. Journeying between Hell and Heaven, Clive crosses a wildly inventive landscape drawn by Lewis' philosophical imagination in a story filled with dazzling language and surprising insight.

Tickets are $35 for general admission or $40 for premium seating and are available online at lanterntheater.org or by calling the Lantern Box Office at (215) 829-0395. $10 student rush tickets are available 10 minutes before curtain with valid ID; cash only. Additional discounts are available for seniors and groups of 10 or more. Lantern Theater Company is located at St. Stephen's Theater, 10th and Ludlow streets in Center City Philadelphia.

“I first worked with Tony in 1997 on a production of Shakespeare's All's Well That Ends Well, and since that time he has been one of the most important artistic partners for Lantern Theater Company and for me personally,” says the Lantern’s Artistic Director, Charles McMahon. “A big part of what makes theater worthwhile is that we get to discuss very interesting ideas with very interesting people, and then find creative and compelling ways to put those ideas on stage. Tony's whole approach to theater and storytelling is to enliven the mind and heart. His work is sometimes funny and sometimes challenging and it always makes you leave the theater feeling more expansive and alive than you felt when you came in. The Lantern is dedicated to an authentic and intimate exploration of the mysteries of the human spirit, and Tony's work is right in line with that.”

Lawton has acted professionally since 1992 and has appeared on many stages throughout the Philadelphia region, including at the Lantern in The Lonesome West, Othello and The Screwtape Letters, among others. 

In 1998, Lawton founded the Mirror Theatre Company, which performs solo and small-cast plays. The mission of the Mirror is “Spiritual Theatre for a Secular Audience.” Lawton says he sees his plays as “part of an ongoing dialogue with the audience – a dialogue in which we discuss and consider that which is (or isn't!) Eternal in us.”

In discussing his inspiration for this mission, Lawton says, “When I first started studying acting, I realized that the impulse was an entirely selfish one. I was interested in attention and accolades. I wanted to offer something to audiences – to address spiritual concerns, and to foster a dialogue between orthodox and unorthodox audience members.”

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Gracewell Prodiuctions

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Our reviews are professional reviews written without a religious bias. At the end of them, you can find a listing of language, content or theological issues that Christians might want to know about when deciding which shows to see.

** Mature indicates that the show has posted an advisory because of content. Usually this means I would recommend no one under the age of 16 attend.

Theater Critic Lauren Yarger

Theater Critic Lauren Yarger

My Bio

Lauren Yarger has written, directed and produced numerous shows and special events for both secular and Christian audiences. She co-wrote a Christian musical version of “A Christmas Carol” which played to sold-out audiences of over 3,000 in Vermont and was awarded the Vermont Bessie (theater and film awards) for “People’s Choice for Theatre.” She also has written two other dinner theaters, sketches for church services and devotions for Christian artists. Her play concept, "From Reel to Real: The Jennifer O'Neill Story" was presented as part of the League of professional Theatre Women's Julia's reading Room Series in New York. Shifting from reviewing to producing, Yarger owns Gracewell Productions, which produced the Table Reading Series at the Palace Theater in Waterbury, CT. She trained for three years in the Broadway League’s Producer Development Program, completed the Commercial Theater Institute's Producing Intensive and other training and produced a one-woman musical about Mary Magdalene that toured nationally and closed with an off-Broadway run. She was a Fellow at the National Critics Institute at the O'Neill Theater Center in Waterford, CT. She wrote reviews of Broadway and Off-Broadway theater (the only ones you can find in the US with an added Christian perspective) at http://reflectionsinthelight.blogspot.com/.

She is editor of The Connecticut Arts Connection (http://ctarts.blogspot.com), an award-winning website featuring theater and arts news for the state. She was a contributing editor for BroadwayWorld.com. She previously served as theater reviewer for the Manchester Journal-Inquirer, Connecticut theater editor for CurtainUp.com and as Connecticut and New York reviewer for American Theater Web.

She is a Co-Founder of the Connecticut Chapter of the League of Professional Theatre Women. She is a former vice president and voting member of The Drama Desk.

She is a freelance writer and playwright (member Dramatists Guild of America). She is a member if the The Outer Critics Circle (producer of the annual awards ceremony) and a member of The League of Professional Theatre Women, serving as Co-Founder of the Connecticut Chapter. Yarger was a book reviewer for Publishers Weekly A former newspaper editor and graduate of the University of Missouri’s School of Journalism, Yarger also worked in arts management for the Bushnell Center for the Performing Arts, the Hartford Symphony Orchestra and served for nine years as the Executive Director of Masterwork Productions, Inc. She lives with her husband in West Granby, CT. They have two adult children.

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All material is copyright 2008- 2024 by Lauren Yarger. Reviews and articles may not be reprinted without permission. Contact reflectionsinthelight@gmail.com

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Key to Content Notes:

God's name taken in vain -- means God or Jesus is used in dialogue without speaking directly to or about them.

Language -- means some curse words are used. "Minor" usually means the words are not too strong or that it only occurs once or twice throughout the show.

Strong Language -- means some of the more heavy duty curse words are used.

Nudity -- means a man or woman's backside, a man's lower front or a woman's front are revealed.

Scantily clad -- means actors' private areas are technically covered, but I can see a lot of them.

Sexual Language -- means the dialogue contains sexually explicit language but there's no action.

Sexual Activity -- means a man and woman are performing sexual acts.

Adultery -- Means a married man or woman is involved sexually with someone besides their spouse. If this is depicted with sexual acts on stage, the list would include "sexual activity" as well.

Sex Outside of Marriage -- means a man and woman are involved sexually without being married. If this is depicted sexually on stage, the list would include "sexual activity" as well.

Homosexuality -- means this is in the show, but not physically depicted.

Homosexual activity -- means two persons of the same sex are embracing/kissing. If they do more than that, the list would include "sexual activity" as well.

Cross Dresser -- Means someone is dressing as the opposite sex. If they do more than that on stage the listing would include the corresponding "sexual activity" and/or "homosexual activity" as well.

Cross Gender -- A man is playing a female part or a woman is playing a man's part.

Suggestive Dancing -- means dancing contains sexually suggestive moves.

Derogatory (category added Fall 2012) Language or circumstances where women or people of a certain race are referred to or treated in a negative and demeaning manner.

Other content matters such as torture, suicide, or rape will be noted, with details revealed only as necessary in the review itself.

The term "throughout" added to any of the above means it happens many times throughout the show.

Reviewing Policy

I receive free seats to Broadway and Off-Broadway shows made available to all voting members of the Outer Critics Circle. Journalistically, I provide an unbiased review and am under no obligation to make positive statements. Sometimes shows do not make tickets available to reviewers. If these are shows my readers want to know about I will purchase a ticket. If a personal friend is involved in a production, I'll let you know, but it won't influence a review. If I feel there is a conflict, I won't review their portion of the production.

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