Monday, March 14, 2011

Quick Hit Theater Review: Cactus Flower

Maxwell Caulfield, Jenni Barber, Lois Robbins and Anthony Reimer. Photo: Carol Rosegg

Cactus Flower Off-Broadway

Through April 24 at the Westside Theatre, 407 West 43rd St., NYC

Writer: Abe Barrows, based on a play by Barillet and Gredy Director: Michael Bush Summary: Dentist Julian Winston (Maxwell Caufield) pretends he's married so that his girlfriend, Toni (Jenni Barber), won't expect commitment. When she almost takes her life because she can't have Julian, writer-neighbor Igor (Jeremy Borg) saves her and the act forces Julian into action. He'll divorce his wife, he tells Toni. There's just one problem. Toni wants to meet her to make sure there are no hard feelings. Julian turns to his devoted nurse Stephanie (Lois Robbins), who secretly has feelings for the dentist herself, to pose as his wife. As the farce continues, Julian enlists his pal Harvey (Anthony Reimer) to pretend to be his "wife's" new love interest. Meanwhile, patient Senor Sanchez (John Herrara) courts Stephanie, Harvey's girlfriend (Emily Walton) is confused (and we can't blame her) and vampy Mrs. Durant (Robin Skye) flashes her pearly whites at the dentist in the hope that something besides a patient-doctor relationship might develop between them. Highlights: • Tunes from the 1960s are used while sets are being changed. They're fun with audience members singing along -- and wishing they would continue instead of cutting away for the next scene with Toni putting a banana in the oven or being afraid of an electric razor... • Two scenes where the crowd meets at a club are well done. We're treated to some fun dance moves from the era and Robins and Reimer are amusing as a couple trying to show affection definitely not felt by the characters.

Lowlights: • The script is incredibly dated. What might have been considered whimsical and funny back in the pre-women-lib era comes off rather sexist and non-farcical in 2011 (there's a reason why this play hasn't been revived before). Wig designer Edward J. Wilson gives Barber a Goldie Hawn hairdo (Hawn won won an Oscar for the role of Toni in the film version), but we're not fooled. The cast tries hard to put some feeling into their roles, but the Novocaine of the deadened script proves too strong, especially at two and a half hours with an intermission. (Was there really a time when it was accepted that women were this stupid?)




Christians might also like to know: • God’s name taken in vain

--Lauren Yarger
Posted by at

No comments:

Post a Comment

Subscribe to: Post Comments (Atom)

Gracewell Prodiuctions

Gracewell Prodiuctions
Producing Inspiring Works in the Arts
Custom Search
Our reviews are professional reviews written without a religious bias. At the end of them, you can find a listing of language, content or theological issues that Christians might want to know about when deciding which shows to see.

** Mature indicates that the show has posted an advisory because of content. Usually this means I would recommend no one under the age of 16 attend.

Theater Critic Lauren Yarger

Theater Critic Lauren Yarger

My Bio

Lauren Yarger has written, directed and produced numerous shows and special events for both secular and Christian audiences. She co-wrote a Christian musical version of “A Christmas Carol” which played to sold-out audiences of over 3,000 in Vermont and was awarded the Vermont Bessie (theater and film awards) for “People’s Choice for Theatre.” She also has written two other dinner theaters, sketches for church services and devotions for Christian artists. Her play concept, "From Reel to Real: The Jennifer O'Neill Story" was presented as part of the League of professional Theatre Women's Julia's reading Room Series in New York. Shifting from reviewing to producing, Yarger owns Gracewell Productions, which produced the Table Reading Series at the Palace Theater in Waterbury, CT. She trained for three years in the Broadway League’s Producer Development Program, completed the Commercial Theater Institute's Producing Intensive and other training and produced a one-woman musical about Mary Magdalene that toured nationally and closed with an off-Broadway run. She was a Fellow at the National Critics Institute at the O'Neill Theater Center in Waterford, CT. She wrote reviews of Broadway and Off-Broadway theater (the only ones you can find in the US with an added Christian perspective) at http://reflectionsinthelight.blogspot.com/.

She is editor of The Connecticut Arts Connection (http://ctarts.blogspot.com), an award-winning website featuring theater and arts news for the state. She was a contributing editor for BroadwayWorld.com. She previously served as theater reviewer for the Manchester Journal-Inquirer, Connecticut theater editor for CurtainUp.com and as Connecticut and New York reviewer for American Theater Web.

She is a Co-Founder of the Connecticut Chapter of the League of Professional Theatre Women. She is a former vice president and voting member of The Drama Desk.

She is a freelance writer and playwright (member Dramatists Guild of America). She is a member if the The Outer Critics Circle (producer of the annual awards ceremony) and a member of The League of Professional Theatre Women, serving as Co-Founder of the Connecticut Chapter. Yarger was a book reviewer for Publishers Weekly A former newspaper editor and graduate of the University of Missouri’s School of Journalism, Yarger also worked in arts management for the Bushnell Center for the Performing Arts, the Hartford Symphony Orchestra and served for nine years as the Executive Director of Masterwork Productions, Inc. She lives with her husband in West Granby, CT. They have two adult children.

Copyright

All material is copyright 2008- 2024 by Lauren Yarger. Reviews and articles may not be reprinted without permission. Contact reflectionsinthelight@gmail.com

Search

Key to Content Notes:

God's name taken in vain -- means God or Jesus is used in dialogue without speaking directly to or about them.

Language -- means some curse words are used. "Minor" usually means the words are not too strong or that it only occurs once or twice throughout the show.

Strong Language -- means some of the more heavy duty curse words are used.

Nudity -- means a man or woman's backside, a man's lower front or a woman's front are revealed.

Scantily clad -- means actors' private areas are technically covered, but I can see a lot of them.

Sexual Language -- means the dialogue contains sexually explicit language but there's no action.

Sexual Activity -- means a man and woman are performing sexual acts.

Adultery -- Means a married man or woman is involved sexually with someone besides their spouse. If this is depicted with sexual acts on stage, the list would include "sexual activity" as well.

Sex Outside of Marriage -- means a man and woman are involved sexually without being married. If this is depicted sexually on stage, the list would include "sexual activity" as well.

Homosexuality -- means this is in the show, but not physically depicted.

Homosexual activity -- means two persons of the same sex are embracing/kissing. If they do more than that, the list would include "sexual activity" as well.

Cross Dresser -- Means someone is dressing as the opposite sex. If they do more than that on stage the listing would include the corresponding "sexual activity" and/or "homosexual activity" as well.

Cross Gender -- A man is playing a female part or a woman is playing a man's part.

Suggestive Dancing -- means dancing contains sexually suggestive moves.

Derogatory (category added Fall 2012) Language or circumstances where women or people of a certain race are referred to or treated in a negative and demeaning manner.

Other content matters such as torture, suicide, or rape will be noted, with details revealed only as necessary in the review itself.

The term "throughout" added to any of the above means it happens many times throughout the show.

Reviewing Policy

I receive free seats to Broadway and Off-Broadway shows made available to all voting members of the Outer Critics Circle. Journalistically, I provide an unbiased review and am under no obligation to make positive statements. Sometimes shows do not make tickets available to reviewers. If these are shows my readers want to know about I will purchase a ticket. If a personal friend is involved in a production, I'll let you know, but it won't influence a review. If I feel there is a conflict, I won't review their portion of the production.

All Posts on this Blog