Thursday, September 10, 2009

Lynn Redgrave, J. Mark McVey & More Ask God's Blessing on Broadway Season

Lynn Redgrave, J. Mark McVey, Carol Hall (pictured at right), Project Dance, The Broadway Blessing Choir and other distinguished guests will be among the performing artists at this year's celebration to ask God's blessing on the new Broadway Season.

Masterwork Productions, Inc. is a sponsor of this year event on Monday, Sept. 14 at 7:00 pm in the Cathedral Church of Saint John the Divine.

This year’s event will include theatre reflections by actress Redgrave, Broadway veteran McVey singing “A Chance for Me” from the musical Amazing Grace: The True Story, singer/songwriter Hall performing “My Circle Of Friends” from her award-winning new CD
HALLWAYS: The Songs of Carol Hall and Project Dance, whose director Cheryl Cutlip recently was named one of Masterwork Productions "The Lights Are Bright on Broadway" award recipients.

In its 13th year, Broadway Blessing, an interfaith service, was founded by author and theater critic Retta Blaney, Broadway Blessing was conceived as a service of song and story designed to seek God's grace on the new theatre season.

The Broadway Blessing Choir under the direction of Bruce Neswick, director of music at the cathedral, will perform a number of Broadway hits followed by a “sing-a-long”.

The Very Rev. Dr. James A. Kowalski, dean, and The Rev. Thomas Miller, canon for liturgy & arts, from the Cathedral, will be joined by Rabbi Jill Hausman of Congregation Ezrath Israel / The Actors' Temple and The Rev. Mitties DeChamplain of St. Clement's Episcopal Church as participants in the 75-minute program.

Past participants have included Marian Seldes, Marcia Gay Harden, Frances Sternhagen, Boyd Gaines, Edward Herrmann, Anna Manahan, KT Sullivan, Mary-Mitchell Campbell, Tituss Burgess, Kathleen Chalfant, Billy Porter, Elizabeth Swados, Ken Prymus, Three Mo’ Tenors and Broadway Inspirational Voices.

Mr. Herrmann had this to say about it before making his second Broadway Blessing appearance: “It’s reassuring to know there are so many people out there you know that believe in God and want to take that part of their life and dedicate it to the theatre because theatre is a very spiritual endeavor. They come from every conceivable denomination, which I kind of like. It’s like a study in architecture of all these different buildings. They come from all kinds of disciplines and it’s just great to be among them. It’s an annual event, like with spring comes the first buds, now it’s fall and we’re here to bless our endeavors for the rest of the year and maybe some luck will come out of it, whether that’s internal or external.”

Broadway Blessing is free and open to people of all ages; reservations are not needed. For more information please visit http://www.stjohndivine.org/.

Broadway Blessing is made possible by the generous support of Masterwork Productions Inc., The Church of the Transfiguration (The Little Church Around the Corner), Creative Gifts Foundation, Theater Resources Unlimited (TRU) and other wonderful friends of the theater.

Gracewell Prodiuctions

Gracewell Prodiuctions
Producing Inspiring Works in the Arts
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Our reviews are professional reviews written without a religious bias. At the end of them, you can find a listing of language, content or theological issues that Christians might want to know about when deciding which shows to see.

** Mature indicates that the show has posted an advisory because of content. Usually this means I would recommend no one under the age of 16 attend.

Theater Critic Lauren Yarger

Theater Critic Lauren Yarger

My Bio

Lauren Yarger has written, directed and produced numerous shows and special events for both secular and Christian audiences. She co-wrote a Christian musical version of “A Christmas Carol” which played to sold-out audiences of over 3,000 in Vermont and was awarded the Vermont Bessie (theater and film awards) for “People’s Choice for Theatre.” She also has written two other dinner theaters, sketches for church services and devotions for Christian artists. Her play concept, "From Reel to Real: The Jennifer O'Neill Story" was presented as part of the League of professional Theatre Women's Julia's reading Room Series in New York. Shifting from reviewing to producing, Yarger owns Gracewell Productions, which produced the Table Reading Series at the Palace Theater in Waterbury, CT. She trained for three years in the Broadway League’s Producer Development Program, completed the Commercial Theater Institute's Producing Intensive and other training and produced a one-woman musical about Mary Magdalene that toured nationally and closed with an off-Broadway run. She was a Fellow at the National Critics Institute at the O'Neill Theater Center in Waterford, CT. She wrote reviews of Broadway and Off-Broadway theater (the only ones you can find in the US with an added Christian perspective) at http://reflectionsinthelight.blogspot.com/.

She is editor of The Connecticut Arts Connection (http://ctarts.blogspot.com), an award-winning website featuring theater and arts news for the state. She was a contributing editor for BroadwayWorld.com. She previously served as theater reviewer for the Manchester Journal-Inquirer, Connecticut theater editor for CurtainUp.com and as Connecticut and New York reviewer for American Theater Web.

She is a Co-Founder of the Connecticut Chapter of the League of Professional Theatre Women. She is a former vice president and voting member of The Drama Desk.

She is a freelance writer and playwright (member Dramatists Guild of America). She is a member if the The Outer Critics Circle (producer of the annual awards ceremony) and a member of The League of Professional Theatre Women, serving as Co-Founder of the Connecticut Chapter. Yarger was a book reviewer for Publishers Weekly A former newspaper editor and graduate of the University of Missouri’s School of Journalism, Yarger also worked in arts management for the Bushnell Center for the Performing Arts, the Hartford Symphony Orchestra and served for nine years as the Executive Director of Masterwork Productions, Inc. She lives with her husband in West Granby, CT. They have two adult children.

Copyright

All material is copyright 2008- 2024 by Lauren Yarger. Reviews and articles may not be reprinted without permission. Contact reflectionsinthelight@gmail.com

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Key to Content Notes:

God's name taken in vain -- means God or Jesus is used in dialogue without speaking directly to or about them.

Language -- means some curse words are used. "Minor" usually means the words are not too strong or that it only occurs once or twice throughout the show.

Strong Language -- means some of the more heavy duty curse words are used.

Nudity -- means a man or woman's backside, a man's lower front or a woman's front are revealed.

Scantily clad -- means actors' private areas are technically covered, but I can see a lot of them.

Sexual Language -- means the dialogue contains sexually explicit language but there's no action.

Sexual Activity -- means a man and woman are performing sexual acts.

Adultery -- Means a married man or woman is involved sexually with someone besides their spouse. If this is depicted with sexual acts on stage, the list would include "sexual activity" as well.

Sex Outside of Marriage -- means a man and woman are involved sexually without being married. If this is depicted sexually on stage, the list would include "sexual activity" as well.

Homosexuality -- means this is in the show, but not physically depicted.

Homosexual activity -- means two persons of the same sex are embracing/kissing. If they do more than that, the list would include "sexual activity" as well.

Cross Dresser -- Means someone is dressing as the opposite sex. If they do more than that on stage the listing would include the corresponding "sexual activity" and/or "homosexual activity" as well.

Cross Gender -- A man is playing a female part or a woman is playing a man's part.

Suggestive Dancing -- means dancing contains sexually suggestive moves.

Derogatory (category added Fall 2012) Language or circumstances where women or people of a certain race are referred to or treated in a negative and demeaning manner.

Other content matters such as torture, suicide, or rape will be noted, with details revealed only as necessary in the review itself.

The term "throughout" added to any of the above means it happens many times throughout the show.

Reviewing Policy

I receive free seats to Broadway and Off-Broadway shows made available to all voting members of the Outer Critics Circle. Journalistically, I provide an unbiased review and am under no obligation to make positive statements. Sometimes shows do not make tickets available to reviewers. If these are shows my readers want to know about I will purchase a ticket. If a personal friend is involved in a production, I'll let you know, but it won't influence a review. If I feel there is a conflict, I won't review their portion of the production.

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