Tuesday, January 13, 2009

CT Theater Hosts Food Drive to Benefit AIDS Project

For those of you who might be in the New Haven, CT area, here's a chance to make a difference while enjoying a night at the theater.

Long Wharf Theatre will hold a food drive to benefit AIDS Project New Haven during the run of Coming Home, a world premiere by Athol Fugard.

AIDS Project New Haven’s Food Pantry is currently experiencing a shortage of many necessities, and Long Wharf Theatre staff and patrons have the opportunity to offer a contribution that may make a difference for many families.

Donations will be collected in the Mainstage lobby from Jan. 14 through Feb. 8 and can be dropped off between 10 am and 5 pm and at evenings of performances Tuesdays through Sunday. Suggested items for donation include canned protein items (tuna, chicken, chili, beans, beef stews & chunky soups), canned fruits and vegetables, packaged items (cereal, nonfat dry milk, oatmeal, trail mix, granola, ramen noodles, stuffing mixes, and condiments such as salad dressings, gravy, and mayo); low-salt, healthy varieties are encouraged.

99 percent of people who use the Food Pantry are living in extreme poverty, in addition to facing chronic illness, juggling multiple doctors’ appointments, and often have few resources to feed themselves or their families. According to a Connecticut Food Bank survey of pantry clients, 42 percent had to choose between paying for food or utilities, 34 percent had to choose between food and paying rent and 30 percent had to choose between food and medical care.

For more information or to purchase tickets, call 203-787-4282 or visit www.longwharf.org.

COMING HOME by Athol Fugard runs Jan 14-Feb. 8 on the Mainstage Tuesdays at 7 pm, Wednesdays at 2 pm and 7 pm., Thursdays and Fridays at 8 pm, Saturdays at 3 pm and 8 pm, and Sundays at 2 pm and 7 pm

Symposium on AIDS in South Africa
In addition, A Yale University pediatric doctor and a documentary filmmaker will join together to discuss the scourge of AIDS in South Africa in the upcoming installment of the Long Wharf Theatre’s Symposium series.

The symposium, entitled “The big disease with the little name: South Africa, AIDS, and the healing power of stories,” will take place on Sunday, Feb. 1 following the 2pm matinee on Long Wharf Theatre’s Mainstage.

Dr. Brian Forsyth is professor of pediatrics and Yale Child Study Center at Yale University. He has provided clinical care to children with AIDS from the beginning of the epidemic in the U.S. and since 2002 has been conducting HIV-related research in South Africa. He is the principal investigator of a study in South Africa funded by the U.S. government to examine the effects of a support intervention aimed at building resilience among young children of HIV-infected mothers in South Africa.

New York based filmmaker Sarah Friedland is director, producer and editor of "Thing With No Name," a film about two HIV-positive Zulu women in rural South Africa

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Our reviews are professional reviews written without a religious bias. At the end of them, you can find a listing of language, content or theological issues that Christians might want to know about when deciding which shows to see.

** Mature indicates that the show has posted an advisory because of content. Usually this means I would recommend no one under the age of 16 attend.

Theater Critic Lauren Yarger

Theater Critic Lauren Yarger

My Bio

Lauren Yarger has written, directed and produced numerous shows and special events for both secular and Christian audiences. She co-wrote a Christian musical version of “A Christmas Carol” which played to sold-out audiences of over 3,000 in Vermont and was awarded the 2000 Vermont Bessie (theater and film awards) for “People’s Choice for Theatre.” She also has written two other dinner theaters, sketches for church services and devotions for Christian artists.

Yarger trained for three years in the Broadway League’s Producer Development Program, completed the Commercial Theater Institute's Producing Three-Day Training and produced a one-woman musical about Mary Magdalene that toured nationally and closed with an off-Broadway run.

She was a Fellow at the National Critics Institute at the O'Neill Theater Center in Waterford, CT. She writes reviews of Broadway and off-Broadway theater (the only ones you can find in the US with an added Christian perspective) at http://reflectionsinthelight.blogspot.com/.

She is editor of The Connecticut Arts Connection (http://ctarts.blogspot.com), an award-winning website featuring theater and arts news for the state. She is a contributing editor for BroadwayWorld.com and is a theater reviewer for the Manchester Journal-Inquirer. She previously served as Connecticut theater editor for CurtainUp.com and as Connecticut and New York reviewer for American Theater Web.

Yarger is a book reviewer for Publishers Weekly and freelances for other sites. She is a member of the National Book Critics Circle.

She is a freelance writer and playwright and member of The Drama Desk, The Outer Critics Circle, The American Theater Critics Association and The League of Professional Theatre Women. She served as a judge for the SDX Awards presented by the Society of Professional Journalists. She also is a member of the Connecticut Critics Circle and the CT Press Club.

A former newspaper editor and graduate of the University of Missouri’s School of Journalism, Yarger also worked in arts management for the Bushnell Center for the Performing Arts, the Hartford Symphony Orchestra and served for nine years as the Executive Director of Masterwork Productions, Inc. She lives with her husband in West Granby, CT. They have two adult children.

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All material is copyright 2008- 2017 by Lauren Yarger. Reviews and articles may not be reprinted without permission. Contact reflectionsinthelight@gmail.com

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Key to Content Notes:

God's name taken in vain -- means God or Jesus is used in dialogue without speaking directly to or about them.

Language -- means some curse words are used. "Minor" usually means the words are not too strong or that it only occurs once or twice throughout the show.

Strong Language -- means some of the more heavy duty curse words are used.

Nudity -- means a man or woman's backside, a man's lower front or a woman's front are revealed.

Scantily clad -- means actors' private areas are technically covered, but I can see a lot of them.

Sexual Language -- means the dialogue contains sexually explicit language but there's no action.

Sexual Activity -- means a man and woman are performing sexual acts.

Adultery -- Means a married man or woman is involved sexually with someone besides their spouse. If this is depicted with sexual acts on stage, the list would include "sexual activity" as well.

Sex Outside of Marriage -- means a man and woman are involved sexually without being married. If this is depicted sexually on stage, the list would include "sexual activity" as well.

Homosexuality -- means this is in the show, but not physically depicted.

Homosexual activity -- means two persons of the same sex are embracing/kissing. If they do more than that, the list would include "sexual activity" as well.

Cross Dresser -- Means someone is dressing as the opposite sex. If they do more than that on stage the listing would include the corresponding "sexual activity" and/or "homosexual activity" as well.

Cross Gender -- A man is playing a female part or a woman is playing a man's part.

Suggestive Dancing -- means dancing contains sexually suggestive moves.

Derogatory (category added Fall 2012) Language or circumstances where women are referred to or treated in a negative and demeaning manner.

Other content matters such as torture, suicide or rape will be noted, with details revealed only as necessary in the review itself.

The term "throughout" added to any of the above means it happens many times throughout the show.

Reviewing Policy

I receive free seats to Broadway and Off-Broadway shows made available to all voting members of the Outer Critics Circle and The Drama Desk, the two professional critics organizations with journalists covering NY theater. Journalistically, I provide an unbiased review and am under no obligation to make positive statements. Sometimes shows do not make tickets available to reviewers. If these are shows my readers want to know about (I review all Broadway shows and pertinent Off-Broadway shows), I will purchase a ticket. If a personal friend is involved in a production, I'll let you know, but it won't influence a review. If I feel there is a conflict, I won't review their portion of the production.

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