Saturday, December 20, 2008

Review: Slava's Snowshow


Audience Participation Gone Amok

Clowns with floppy hats and feet, an ocean of fog, a giant spider web, huge bouncing balls and an indoor snowstorm are a few of the elements that combine to entertain in Slava's Snowshow at the Helen Hayes Theatre. When audience members suddenly get wet, have clowns walk over them and their seats, get stuck in web (actually very sticky)and get clobbered by kids trying to hit balls, however, fun turns to annoyance in interaction gone amok (at least one guy left in disgust during the show I attended).

Created by Russian clown Slava Polunin, who shares lead clown Yellow's role with Robert Saralp and Derek Scott, Slava's Snowshow is performed to recorded music in front of designer Victor Plotknov's worn-looking, blue-quilted, star dotted set with numerous special effects including fog, bubbles, umbrellas that rain on the audience, confetti and flashing lights.


There's kid giggle-inducing stuff in the routines: a shark fin chases the clowns through fog; a clown talks in squeeky nonsensical gibberish on very large plush phones. Unlike the far superior Wintuk from Cirque de Soleil, however, there's not much story for the kids to follow and what happens on stage really isn't all that exciting. Slava has some fun in it, to be sure, but it feels more like a kid's birthday party stretched on too long instead of a Broadway show.

A 30-minute intermission, during which children run up and down the aisles throwing snow (paper from a previous run of the snow machine) is about as long as either of the show's two acts. The concluding snowstorm involves a lot of pieces of paper blown out on to the audience while a blinding light keeps you from being able to see much of anything. Then, in a last effort to create pandamonium, large balls are sent out into the audience. Folks hit them to keep them afloat for an unbelievably long time, all while kids are running around trying to get them and striking audience members in the head when they miss. It's audience participation against your will and gone amok.

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Our reviews are professional reviews written without a religious bias. At the end of them, you can find a listing of language, content or theological issues that Christians might want to know about when deciding which shows to see.

** Mature indicates that the show has posted an advisory because of content. Usually this means I would recommend no one under the age of 16 attend.

Theater Critic Lauren Yarger

Theater Critic Lauren Yarger

My Bio

Lauren Yarger has written, directed and produced numerous shows and special events for both secular and Christian audiences. She co-wrote a Christian musical version of “A Christmas Carol” which played to sold-out audiences of over 3,000 in Vermont and was awarded the 2000 Vermont Bessie (theater and film awards) for “People’s Choice for Theatre.” She also has written two other dinner theaters, sketches for church services and devotions for Christian artists.

Yarger trained for three years in the Broadway League’s Producer Development Program, completed the Commercial Theater Institute's Producing Three-Day Training and produced a one-woman musical about Mary Magdalene that toured nationally and closed with an off-Broadway run.

She was a Fellow at the National Critics Institute at the O'Neill Theater Center in Waterford, CT. She writes reviews of Broadway and off-Broadway theater (the only ones you can find in the US with an added Christian perspective) at http://reflectionsinthelight.blogspot.com/.

She is editor of The Connecticut Arts Connection (http://ctarts.blogspot.com), an award-winning website featuring theater and arts news for the state. She is a contributing editor for BroadwayWorld.com and is a theater reviewer for the Manchester Journal-Inquirer. She previously served as Connecticut theater editor for CurtainUp.com and as Connecticut and New York reviewer for American Theater Web.

Yarger is a book reviewer for Publishers Weekly and freelances for other sites. She is a member of the National Book Critics Circle.

She is a freelance writer and playwright and member of The Drama Desk, The Outer Critics Circle, The American Theater Critics Association and The League of Professional Theatre Women. She served as a judge for the SDX Awards presented by the Society of Professional Journalists. She also is a member of the Connecticut Critics Circle and the CT Press Club.

A former newspaper editor and graduate of the University of Missouri’s School of Journalism, Yarger also worked in arts management for the Bushnell Center for the Performing Arts, the Hartford Symphony Orchestra and served for nine years as the Executive Director of Masterwork Productions, Inc. She lives with her husband in West Granby, CT. They have two adult children.

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All material is copyright 2008- 2017 by Lauren Yarger. Reviews and articles may not be reprinted without permission. Contact reflectionsinthelight@gmail.com

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Key to Content Notes:

God's name taken in vain -- means God or Jesus is used in dialogue without speaking directly to or about them.

Language -- means some curse words are used. "Minor" usually means the words are not too strong or that it only occurs once or twice throughout the show.

Strong Language -- means some of the more heavy duty curse words are used.

Nudity -- means a man or woman's backside, a man's lower front or a woman's front are revealed.

Scantily clad -- means actors' private areas are technically covered, but I can see a lot of them.

Sexual Language -- means the dialogue contains sexually explicit language but there's no action.

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Sex Outside of Marriage -- means a man and woman are involved sexually without being married. If this is depicted sexually on stage, the list would include "sexual activity" as well.

Homosexuality -- means this is in the show, but not physically depicted.

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Cross Gender -- A man is playing a female part or a woman is playing a man's part.

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