Monday, January 9, 2012

Enjoy Off-Broadway Shows with 20at20

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Lillias White, Veanne Cox, Eve Plumb, Katie Lee and Nancy Dussault star in the January 2012 cast of "Love, Loss, and What I Wore" (through January 29). © Carol Rosegg
The Off Broadway Alliance will again sponsor 20at20, the bi-annual celebration of Off Broadway Jan. 18 through Feb. 6: $20 tickets for 36 Off Broadway plays and musicals are available to theatre-goers 20 minutes prior to curtain. 

Now in its sixth year, 20at20 has become one of New York’s most eagerly-anticipated promotions for budget-conscious theatre-goers. For a complete list of participating shows and venues see below or visit www.20at20.com.

This year, if you see seven Off-Broadway shows during 20at20 you can receive a voucher for a free dinner for two at an area restaurant.  Just mail your original ticket stubs (no photocopies accepted) to: 20at20 Dinner Special, 250 West 49th St., Suite 301, NY, NY10019. All entries must be postmarked by Feb. 7 to be valid.  Please include your name, phone, email, and mailing address.

Off Broadway shows participating in 20at20: 
(as of Jan. 6)

Black Angels Over Tuskegee
Actors Temple Theatre
www.blackanglesovertuskegee.com

Channeling Kevin Spacey
St. Luke’s Theatre
www.CKStheshow.com

CQ/CX
Atlantic Theatre Company
www.atlantictheatre.org

Dancing at Lughnasa
The Irish Repertory Theatre
www.irishrep.org

DANNY and SYLVIA: The Danny Kaye Musical
St. Luke’s Theatre
www.dannyandsylvia.com

Freckleface Strawberry, The Musical
The MMAC Theatre
www.frecklefacethemusical.com

Freud's Last Session
New World Stages
www.freudslastsession.com

Fuerza Bruta
The Daryl Roth Theatre
www.fuerzabrutanyc.com

How the World Began
The Peter Jay Sharp Theatre
www.howtheworldbegan.net

ICONS
The Snapple Theatre Center
www.iconsnyc.com

Ionescopade
York Theatre Company
www.yorktheatre.org

Love, Loss, and What I Wore
Westside Theatre
www.lovelossonstage.com

Million Dollar Quartet
New World Stages
www.milliondollarquartetlive.com

Miss Abigail's Guide to Dating, Mating & Marriage
Sofia's Downstairs Theatre
www.missabigailsguide.com

My Sinatra
Midtown Theater
www.mysinatra.com

Naked Boys Singing!
New World Stages
www.nakedboyssinging.com

NEWSical
The Kirk, Theatre Row
www.NEWSicalthemusical.com

Perfect Crime
The Snapple Theatre Center
www.perfect-crime.com

Pinkalicious, The Musical
Manhattan Movement and Arts Center
www.pinkaliciousthemusical.com

Psycho Therapy
Cherry Lane Theatre
www.cherrylanetheatre.org

RENT
New World Stages
www.siteforrent.com

Russian Transport
The Acorn Theatre
www.thenewgroup.org

Rutherford and Son
The Mint Theatre
www.minttheatre.org

Sam Eaton's The Quantum Eye - Mentalism and Magic Show
Theatre 80
www.TheQuantumEve.com

Silence! The Musical
9th Space Theatre at PS122
www.silencethemusical.com

Sistas: The Musical
St. Luke’s Theatre
www.sistasthemuscial.com

The Accidental Pervert
13th Street Repertory Company
www.theaccidentalpervert.com

The Amazing Max and The Box of Interesting Things
MMAC Theater
www.theamazingmax.com

The Awesome 80's Prom
Webster Hall
www.awesome80sprom.com

The Berenstain Bears LIVE!
The Marjorie S. Deane Little Theatre
www.berenstainbearslive.com

The Bully
Vital Theatre Company
www.vitaltheatre.org

The Devil's Music: The Life and Blues of Bessie Smith
St. Luke’s Theatre
www.thedevilsmusic.biz

The Fantasticks
The Snapple Theatre Center
www.fantasticksonbroadway.com

The Gazillion Bubble Show
New World Stages
www.GazillionBubbleShow.com

The Lion, the Witch and the Wardrobe
St. Luke’s Theatre
www.narniaoffbroadway.com

Traces
Union Square Theatre
www.tracesUSA.com

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My Bio

Lauren Yarger is Executive Director/Producer with Masterwork Productions, Inc. She has written, directed and produced numerous shows and special events for both secular and Christian audiences. She co-wrote a Christian musical version of “A Christmas Carol” which played to sold-out audiences of over 3,000 in Vermont and was awarded the 2000 Vermont Bessie (theater and film awards) for “People’s Choice for Theatre.” She also has written two other dinner theaters, sketches for church services and devotions for Christian artists.

Yarger trained for three years in the Broadway League’s Producer Development Program, completed the Commercial Theater Institute's Producing Three-Day Training and produced a one-woman musical about Mary Magdalene that toured nationally and closed with an off-Broadway run.

In 2008 she was a Fellow at the National Critics Institute at the O'Neill Theater Center in Waterford, CT. She writes reviews of Broadway and off-Broadway theater with an added Christian perspective for Masterwork Productions at http://reflectionsinthelight.blogspot.com/. She is editor of The Connecticut Arts Connection (http://ctarts.blogspot.com), an award-winning website featuring theater and arts news for the state. She is a contributing editor for BroadwayWorld.com and previously served as Connecticut theater editor for CurtainUp and as Connecticut and New York reviewer for American Theater Web.

Yarger is a book reviewer for Publishers Weekly and freelances for other sites. She is a member of the National Book Critics Circle.

She is a freelance writer and playwright and member of The Drama Desk, The Outer Critics Circle, The American Theater Critics Association and The League of Professional Theatre Women. She is a judge for the SDX Awards presented by the Society of Professional Journalists. She also is a member of the CT Press Club, the Connecticut SPJ and the Connecticut Critics Circle.

A former newspaper editor and graduate of the University of Missouri’s School of Journalism, Yarger also worked in arts management for the Bushnell Center for the Performing Arts and the Hartford Symphony Orchestra. She lives with her husband in West Granby, CT. They have two adult children.

Copyright

All material is copyright 2008, 2009, 2010, 2011, 2012 by Lauren Yarger. Reviews and articles may not be reprinted without permission. Contact reflectionsinthelight@gmail.com

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Key to Content Notes:

God's name taken in vain -- means God or Jesus is used in dialogue without speaking directly to or about them.
Language -- means some curse words are used. "Minor" usually means the words are not too strong or that it only occurs once or twice throughout the show.
Strong Language -- means some of the more heavy duty curse words are used.
Nudity -- means a man or woman's backside, a man's lower front or a woman's front are revealed.
Scantily clad -- means actors' private areas are technically covered, but I can see a lot of them.
Sexual Language -- means the dialogue contains sexually explicit language but there's no action.
Sexual Activity -- means a man and woman are performing sexual acts.
Adultery -- Means a married man or woman is involved sexually with someone besides their spouse. If this is depicted with sexual acts on stage, the list would include "sexual activity" as well.
Sex Outside of Marriage -- means a man and woman are involved sexually without being married. If this is depicted sexually on stage, the list would include "sexual activity" as well.
Homosexuality -- means this is in the show, but not physically depicted.
Homosexual activity -- means two persons of the same sex are embracing/kissing. If they do more than that, the list would include "sexual activity" as well.
Cross Dresser -- Means someone is dressing as the opposite sex. If they do more than that on stage the listing would include the corresponding "sexual activity" and/or "homosexual activity" as well.
Cross Gender -- A man is playing a female part or a woman is playing a man's part.
Suggestive Dancing -- means dancing contains sexually suggestive moves.

Other content matters such as torture, suicide or rape will be noted, with details revealed only as necessary in the review itself.

The term "throughout" added to any of the above means it happens many times throughout the show.

Our Reviewing Policy

Our reviewer Lauren Yarger receives free tickets to Broadway and Off-Broadway shows made available to all voting members of the Outer Critics Circle and The Drama Desk, the two professional critics organizations with journalists covering NY theater. Journalistically, she provides an unbiased review and is under no obligation to make positive statements. Sometimes shows do not make tickets available to reviewers. If these are shows our readers want to know about (we review all Broadway shows and pertinent Off-Broadway shows), Masterworks purchases a ticket.

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