Saturday, July 20, 2019

CT Theater Review: Because of Winn Dixie at Goodspeed

Bowdie and Josie Todd  with the cast of Goodspeed Musicals’ Because of Winn Dixie, extended through Sept. 5 at The Goodspeed. Photo by Diane Sobolewski.
Because of Winn Dixie
Book and Lyrics by: Nell Benjamin, based on the Novel by: Kate DiCamillo
Music by: Duncan Sheik
Choreographer: Chris Bailey
Animal Direction: William Berloni
Director: John Rando

By Lauren Yarger
Because of Winn Dixie at Connecticut's Goodspeed Opera House restores our faith in a wholesome, fun, moving story as a viable theater offering. Can I get an "awooo!"?

This charmer, with music by Duncan Sheik (Spring Awakening) a book by Nell Benjamin (Legally Blonde, Mean Girls), based on the popular young people's novel by Kate DiCamillo is full of kids, a dog, faith, laughter, friendship and second chances. What's not to love? Especially when you see the tons of kids in the audience. In a climate where most new theater offerings (and updated revivals) feel the need to push every political and social agenda to be "woke" and justified in the "me-too" environment, it is doggone refreshing (sorry, couldn't resist) to enjoy one that focuses on everyday people with everyday issues in a positive, uplifting way. After all, when times are trying, theater should be a happy release some of the time.

And that is just what Because of Winn Dixie is.  It follows the story of 13-year-old Opal (Josie Todd), who moves to a trailer park with her preacher father (J. Robert Spencer) when her mother leaves them. The preacher has no trouble speaking in front of his new congregation, but communicating with his daughter is tougher as he won't discuss their recent loss. Opal overcomes her loneliness by saving a stray she names after the local grocery store. "Winn Dixie" (Bowdie, trained by Connecticut's Tony-Award-winning animal trainer William Berloni) becomes her constant companion and the dog wins the hearts of the congregation and community members.

They are

  • The Dewberry boys, Dunlap and Stevie (Jamie Mann and Jay Hendrix) and their single mom, Jeanne (Kacie Sheik -- yes, she is Duncan's half sister), who starts spending time with the preacher, much to Opal's disapproval
  • Slow-witted Callie and Jiggs Thomas  (Crystal Kellogg and Brian Michael Hoffman) and their little peanut of a daughter, Sweetie Pie (Sophia Massa), for whom they want a better life.
  • Millie and Carl Wilkinson (Nicole Powell  and John Edwards), who are grieving over the death of their son and who don't know how to communicate with their bookworm daughter, Amanda (Chloë Cheers), whom Opal doesn't like at all.
  • Otis (David Poe) , a guitar-playing pet store owner who is treated as an outsider in town because of his prison record.
  • Librarian Fanny Block (Isabel Keating (Franny Block)) who entertains the kids with her story times.
  • Gloria Dump (Roz Ryan ) the witch who lives in the woods and encourages the kids to add their deepest thoughts and wishes to pages storesd in the bottles hanging from her trees and representing her drinking days of past.
All of the characters are dealing with loss of some kind and the feeling that they don't fit in. Winn Dixie changes all of that, breathes some new life into them and unites them all when he disappears during a terrible storm (Lighting and Sound Design by Jeff Croiter and Jay Hilton, respectively.) Choreographer Chris Bailey wisely keeps movement on the subtle side and coordinates nicely so the storytelling isn't overshadowed.

Even if the story weren't engaging, the show would be a hit just because of Winn Dixie, or Bowdie, rather. The pooch, described as a mix between a poodle and something larger,  receives applause on entrance (the audience  is shocked by his large size) and delights as he hits all of his marks and cues perfectly.  There were a lot of "awwwww"s from the audience and even more smiles throughout the production. Here's hoping this musical ends up on Broadway and tours for a long time around a country in need of some "aaaaw" and smiles.

A few things need to happen before that can happen. While there are some nice ballads and an opportunity for Ryan to show her vocal talents -- her "Bottle Tree Blues" is one of the more entertaining numbers -- Sheik's score needs a boost. The openings of both acts are pretty weak and a number of songs seems to offers tunes that sit on the same few notes (and even still, some of them proved a stretch for some of the younger vocalists). It's a new type of musical for the composer of Spring Awakening and American Psycho, but he's up to the challenge.

Donyale Werle's sets are simple, with easy changes between the church, the library, the trailer and other locales. Lighting needs some tweaking, however as there are some awful glares and color and scene changes are telegraphed.

But if anyone can bring it together, it's Director John Rando, who has helmed another family-friendly musical on Broadway, A Christmas Story: The Musical. (He won the Tony for Urinetown). This one is worth tweaking. Kids love DiCamillo's book and the movie on which it was based. The stage musical seems the next natural incarnation of the story and can entertain audiences for years, just like that other wholesome musical starring a dog -- also trained by Berloni -- Annie.


More information:

The run has been extended through Se[t. 5 at Goodspeed, 6 Main St., East Haddam, CT. Performances are Wednesday at 2 and 7:30 pm; Thursday at 7:30 pm (with select performances at 2); Friday at 8 pm; Saturday at 3  and 8 pm and Sunday at 2 pm (with select performances at 6:30). Tickets: 860-873-8668; goodspeed.org

Additional credits:
Costumer Designer: Emily Rebholz; Wig and Hair Designer, Mark Adam Rampmeyer; Music Supervisor / Orchestrator,  Jason Hart;  Music Director, Adam Souza


Additional casting: Ryan Halsaver (Townsperson); Mackenzie Warren (Townsperson)

Open Caption Performance: Friday, July 26, 8 pm. Open-captioning is a service that displays the text of a show simultaneously with the performance without the use of any special equipment by the patron. The words are displayed on a 4-foot by 1-foot LCD screen located near the edge of the stage and are thus “open” to anyone within view.

 

Wednesday, July 3, 2019

Donna Walker-Kuhne Receives LPTW's First Rachel Crothers Leadership Award

LaChanze, André DeShields and Donna Walker-Kuhne. 
Photo: Valerie Terranova Photography

By Lauren Yarger
Marketer and Audience Developer Donna Walker-Kuhne received the first Rachel Crothers Leadership Award on June 27, presented by the League of Professional Theatre Women at an inaugural luncheon at Sardi's hosted by André DeShields.

Pop singer and Broadway star LaChanze (currently Off-Broadway in The Secret Life of Bees) performed "Feeling Good," accompanied by Marco Pagula on piano.

An award-winning marketing consultant, Walker-Kuhne is the founder of Walker International Communications Group, a boutique marketing, press and audience development agency. She is recognized as one of the country's foremost experts in audience development and she and her team specialize in multicultural marketing, group sales, multicultural press and promotional events.

The leadership award is named in honor of playwright Rachel Crothers, (Susan and God; The Three of Us) who was a champion of women's rights before women could vote. She worked to help those serving on the front during World War I and II and founded an organization that later went on to become the American Theatre Wing, which partners with the Broadway League, to present the annual Tony Awards, honoring Broadway's best each season.

The  League of Professional Theatre Women will present the newly established Crothers leadership award to a theater woman "who has distinguished herself in exemplary service and sacrifice for a common cause—a cause which leaves our society and the world a little better than the way we found it."

"We are very excited by the opportunity the League has now to award a theater woman who brings her gifts and talents to bear in addressing a national or local cause or issue affecting our fellow citizens and everyday Americans," said Yvette Heyliger, co-vice president of programming at LPTW.

The award was presented by Playwright Rehana Lew Mirza (Barriers). In addition, Marvin Lowe, a soloist with the Harlem Gospel Singers, presented "Siyahamba," a South African welcome song, and longtime LPTW member Zoe Coralink Kaplan and DeShields reminded the crowd that Crothers made famous the quote about a woman's place being in the house -- and the Senate!

Walker-Kuhne expressed her appreciation by acknowledging and thanking her mentors who taught her along the way and opened doors. Among them were famed director George C Wolfe and Arthur Mitchell, founder of the Dance Theatre of Harlem, who in 1985, while touring around the country, asked the question. "Where are the Black people?”

"That questioned launched my career in audience development and community engagement," Walker-Kuhne said.

Walker-Kuhne said she loves teaching and providing tools and support for the next generation of arts administrators. She challenged those coming up to "shake up society and revitalize the whole world. Create a winning life and through your art, inspire the world, inspire all of us to be our best. Advance like young lions—be ferocious, tenacious, innovative and warm-hearted."

DeSheilds, currently starring on Broadway in Hadestown, entertained the luncheon attendees with political comments, prayers and some of his popular  snippets of advice:

"Don't give up, in or over. Stay on the path until you win," he said.

For more information of the League of Professional Theatre Women, visit theatrewomen.org.

Monday, July 1, 2019

A New Path

Photo: Alexander Cy
I am still seeing a lot of Broadway and Off-Broadway shows, but I won't be formally reviewing all of them. Starting with the 2019-2020 season, I am producing and writing a number of shows. Information will be coming soon about those. If you would like to join the new mailing list, please contact

Reflectionsinthelight  at gmail.com
-- Lauren Yarger

Monday, May 13, 2019

Hadestown Tops Outer Critics Award Winners

Amber Gray and the Broadway cast of Hadestown credit Matthew Murphy

Outer Critics Circle
2018-2019 Awards
Winners are in bold with *

OUTSTANDING NEW BROADWAY PLAY
*The Ferryman
Ink
Network
To Kill a Mockingbird
What the Constitution Means to Me

OUTSTANDING NEW BROADWAY MUSICAL
Be More Chill
*Hadestown
Head Over Heels
The Prom
Tootsie

OUTSTANDING NEW OFF-BROADWAY PLAY
Fairview
The House That Will Not Stand
Lewiston / Clarkston
The Light
*White Noise

OUTSTANDING NEW OFF-BROADWAY MUSICAL
The Beast in the Jungle
Black Light
*Girl from the North Country
The Hello Girls
Midnight at the Never Get

OUTSTANDING BOOK OF A MUSICAL
(Broadway or Off-Broadway)
*Robert Horn     Tootsie
Conor McPherson     Girl from the North Country
Peter Mills and Cara Reichel     The Hello Girls
Anaïs Mitchell     Hadestown
Jeff Whitty and James Magruder     Head Over Heels

OUTSTANDING NEW SCORE (THE MARJORIE GUNNER AWARD)
(Broadway or Off-Broadway)
Matthew Sklar and Chad Beguelin      The Prom
Joe Iconis     Be More Chill
Peter Mills     The Hello Girls
*Anaïs Mitchell     Hadestown
David Yazbek     Tootsie

OUTSTANDING REVIVAL OF A PLAY
(Broadway or Off-Broadway)
*All My Sons
By the Way, Meet Vera Stark
Juno and the Paycock
Our Lady of 121st Street
The Waverly Gallery

OUTSTANDING REVIVAL OF A MUSICAL
(Broadway or Off-Broadway)
Carmen Jones
*Fiddler on the Roof (in Yiddish)
Kiss Me, Kate
Oklahoma!
Smokey Joe’s Café 


OUTSTANDING DIRECTOR OF A PLAY
(THE LUCILLE LORTEL AWARD)
Rupert Goold     Ink
*Sam Mendes     The Ferryman
Jack O’Brien     All My Sons
Bartlett Sher     To Kill a Mockingbird
Logan Vaughn     The Light

OUTSTANDING DIRECTOR OF A MUSICAL
*Rachel Chavkin     Hadestown
Scott Ellis     Tootsie
Daniel Fish     Oklahoma!
Joel Grey     Fiddler on the Roof (in Yiddish)
Cara Reichel     The Hello Girls

OUTSTANDING CHOREOGRAPHER
*Warren Carlyle     Kiss Me, Kate
Christopher Gattelli     The Cher Show
Denis Jones     Tootsie
David Neumann     Hadestown
Sergio Trujillo     Ain’t Too Proud: The Life and Times of the Temptations

OUTSTANDING SCENIC DESIGN
(Play or Musical)
Beowulf Boritt     Bernhardt/Hamlet
Bunny Christie     Ink
Rachel Hauck     Hadestown
Rob Howell     The Ferryman
*David Korins     Beetlejuice

OUTSTANDING COSTUME DESIGN
(Play or Musical)
Rob Howell     The Ferryman
*Bob Mackie     The Cher Show
William Ivey Long     Beetlejuice
William Ivey Long     Tootsie
Arianne Phillips     Head Over Heels

OUTSTANDING LIGHTING DESIGN
(Play or Musical)
Neil Austin     Ink
Stacey Derosier     Lewiston / Clarkston
*Bradley King     Hadestown
Jason Lyons     Sugar in Our Wounds
Peter Mumford     King Kong

OUTSTANDING PROJECTION DESIGN
(Play or Musical)
*Peter England     King Kong
Alex Basco Koch     Be More Chill
Peter Nigrini     Beetlejuice
Jeff Sugg     All My Sons
Tal Yarden     Network

OUTSTANDING SOUND DESIGN
(Play or Musical)
John Gromada     All My Sons
*Peter Hylenski     King Kong
Drew Levy     Oklahoma!
Eric Sleichim     Network
Nevin Steinberg and Jessica Paz     Hadestown

OUTSTANDING ORCHESTRATIONS
Michael Chorney and Todd Sickafoose     Hadestown
Simon Hale     Girl from the North Country
Joseph Joubert     Carmen Jones
*Daniel Kluger     Oklahoma!
Harold Wheeler     Ain’t Too Proud: The Life and Times of the Temptations

OUTSTANDING ACTOR IN A PLAY
McKinley Belcher III     The Light
*Bryan Cranston     Network
Daveed Diggs     White Noise
Bill Irwin     On Beckett
Jeremy Pope     Choir Boy

OUTSTANDING ACTRESS IN A PLAY
Glenn Close     Mother of the Maid
Edie Falco     The True
Glenda Jackson     King Lear
Mandi Masden     The Light
*Elaine May     The Waverly Gallery

OUTSTANDING ACTOR IN A MUSICAL
Brooks Ashmanskas     The Prom
Reeve Carney     Hadestown
Damon Daunno     Oklahoma!
*Santino Fontana     Tootsie
Steven Skybell     Fiddler on the Roof (in Yiddish)

OUTSTANDING ACTRESS IN A MUSICAL
*Stephanie J. Block     The Cher Show
Kelli O’Hara     Kiss Me, Kate
Beth Leavel     The Prom
Anika Noni Rose     Carmen Jones
Mare Winningham     Girl from the North Country

OUTSTANDING FEATURED ACTOR IN A PLAY
Bertie Carvel     Ink
John Clay III     Choir Boy
Hugh Dancy     Apologia
John Procaccino     Downstairs
*Benjamin Walker     All My Sons

OUTSTANDING FEATURED ACTRESS IN A PLAY
Joan Allen     The Waverly Gallery
Stephanie Berry     Sugar in Our Wounds
Fionnula Flanagan     The Ferryman
Harriett D. Foy     The House That Will Not Stand
*Celia Keenan-Bolger     To Kill a Mockingbird

OUTSTANDING FEATURED ACTOR IN A MUSICAL
John Behlmann     Tootsie
*André De Shields     Hadestown
Reg Rogers     Tootsie
George Salazar     Be More Chill
Ephraim Sykes     Ain’t Too Proud: The Life and Times of the Temptations

OUTSTANDING FEATURED ACTRESS IN A MUSICAL
*Amber Gray     Hadestown
Leslie Kritzer     Beetlejuice
Bonnie Milligan     Head Over Heels
Sarah Stiles     Tootsie
Ali Stroker     Oklahoma!

OUTSTANDING SOLO PERFORMANCE
*Mike Birbiglia     The New One
Maddie Corman     Accidentally Brave
Jake Gyllenhaal     A Life
Carey Mulligan     Girls & Boys
Renée Taylor     My Life on a Diet

JOHN GASSNER PLAYWRITING AWARD
(Presented for an American play, preferably by a new playwright)
Jeremy O. Harris     Slave Play
*Jeremy Kareken, David Murrell and Gordon Farrell     The Lifespan of a Fact
Donja R. Love     Sugar in Our Wounds
Ming Peiffer     Usual Girls
Charly Evon Simpson     Behind the Sheet

SPECIAL ACHIEVEMENT AWARDS
The Executive Committee voted and decided upon the presentation of Special Achievement Awards to:
The Puppetry Team That Created and Operates King Kongrecognizing the artistry and technical achievement that brings a 2,000-pound gorilla to life:
 * Puppet designer and builder Sonny Tilders and the Creature Technology Company
 * Scenic designer Peter England, who collaborated on the aesthetics of the puppet 
* Aerial and movement director Gavin Robins 
* The members of the King’s Company, who move Kong on stage: Mike Baerga, Rhaamell Burke-Missouri, Jōvan Dansberry, Casey Garvin, Gabriel Hyman, Marty Lawson, Roberto Olvera, Khadija Tariyan, Lauren Yalango-Grant, David Yijae, Christopher Hampton Grant, Jena VanEslander, Scott Webber, Warren Yang, James Retter Duncan, Jonathan MacMillan, and Leigh-Ann Vizer.
 * Kong’s Voodoo Operators, who control his facial expressions: Jon Hoche, Danny Miller, and Jacob Williams.

The York Theatre Company
James Morgan, Producing Artistic Director
Evans Haile, Executive Director
in recognition of 50 years of producing new musicals, as well as classics from the past

Tuesday, May 7, 2019

Broadway Theater Review: Hadestown

Amber Gray and the Broadway cast of Hadestown credit Matthew Murphy
Commentary here:
http://www.audreyrusso.com/Lauren_Yarger_0519_intro.mp3

Hadestown
Book, Music and Lyrics by Anaïs Mitchell, developed with Rachel Chavkin
Choreographed by David Neumann
Directed by Rachel Chavkin
Walter Kerr Theatre

Following two intertwining love stories — that of young dreamers Orpheus and Eurydice, and that of King Hades and his wife Persephone — Hadestown invites audiences on a hell-raising journey to the underworld and back. Anaïs Mitchell’s (music, lyrics & book) beguiling melodies and Rachel Chavkin’s (director) poetic imagination pit industry against nature, doubt against faith, and fear against love. Performed by a vibrant ensemble of actors, dancers, and singers, Hadestown delivers a deeply resonant and defiantly hopeful theatrical experience.

The cast is led by Reeve Carney as Orpheus, Eva Noblezada as Eurydice, Amber Gray as Persephone, Patrick Page as Hades, and André De Shields as Hermes. The cast also features Jewelle Blackman, Yvette Gonzalez-Nacer, and Kay Trinidad as the Fates. The Workers Chorus is played by Afra Hines, Timothy Hughes, John Krause, Kimberly Marable, and Ahmad Simmons. The full cast also includes swings Malcolm Armwood, T. Oliver Reid, Jessie Shelton, and Khaila Wilcoxon.

The creative team for Broadway features Rachel Hauck (scenic design), Michael Krass (costume design), Bradley King (lighting design), Nevin Steinberg and Jessica Paz (sound design), David Neumann (choreography), Liam Robinson (music direction and vocal arrangements), Michael Chorney and Todd Sickafoose (arrangements and orchestrations), and Ken Cerniglia (dramaturgy). Production stage manager is Beverly Jenkins and casting is by Stewart/Whitley.

Broadway Theater Review: Tootsie




Tootsie
Music and Lyrics by David Yazbek
Book by Robert Horn
Choreographed by Denis Jones
Directed by Scott Ellis

TOOTSIE tells the story of a talented but difficult actor who struggles to find work until one show-stopping act of desperation lands him the role of a lifetime – as the star of a new Broadway musical.

The company is led by Tony Award nominee Santino Fontana as Michael Dorsey/Dorothy Michaels, Lilli Cooper as Julie Nichols, Tony Award nominee Sarah Stiles as Sandy Lester, John Behlmann as Max Van Horn, Andy Grotelueschen as Jeff Slater, Julie Halston as Rita Marshall, Tony Award winner MICHAEL Mcgrath as Stan Fields, and Tony Award nominee Reg Rogers as Ron Carlisle.

The design team for TOOTSIE includes scenic designer David Rockwell, costume designer William Ivey Long, lighting designer Donald Holder, sound designer Brian Ronan, hair and wig design by Paul Huntley, and make-up design by Angelina Avallone.

Broadway Theater Review: Ink

Bertie Carvel, Bill Buell, JOhnny Lee Miller, Robert Stanton, Eden Marryschool. Photo: Joan Marcus
By James Graham
Directed by Robert Goold
Friedman Theatre


Manhattan Theatre Club’s American premiere of INK, written by Olivier Award winner James Graham (Labour of Love, Privacy, Finding Neverland) and directed by two-time Olivier Award winner, Tony and BAFTA Award nominee and Almeida Theatre Artistic Director Rupert Goold(King Charles III).

Two-time Olivier Award winner Bertie Carvel (Matilda) reprises his Olivier Award-winning performance as Rupert Murdoch and Olivier Award winner Jonny Lee Miller (“Elementary,” Frankenstein) plays the editor of The Sun, Larry Lamb.

It’s 1969 London.  The brash young Rupert Murdoch purchases a struggling paper, The Sun, and sets out to make it a must-read smash which will destroy - and ultimately horrify - the competition. He brings on rogue editor Larry Lamb who in turn recruits an unlikely team of underdog reporters. Together, they will go to any lengths for success and the race for the most ink is on! Inspired by real events and a recent hit in London’s West End, James Graham’s electrifying new play comes to Broadway in the exhilarating Almeida Theatre production, directed by Rupert Goold. In its London run, The Guardian called it “riveting,” and Time Out hailed it as “an incredibly brilliant stunner.”

Joining Olivier Award winners Bertie Carvel and Jonny Lee Miller are David Wilson Barnes (The Lieutenant of Inishmore), Bill Buell (The History Boys), Andrew Durand (Head Over Heels), Eden Marryshow (Broadway Debut),Colin McPhillamy (The Ferryman), Erin Neufer (Broadway Debut), Kevin Pariseau (Legally Blonde), Rana Roy(Broadway Debut), Michael Siberry (Junk), Robert Stanton (Saint Joan), and Tara Summers (The Hard Problem). 

I

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Our reviews are professional reviews written without a religious bias. At the end of them, you can find a listing of language, content or theological issues that Christians might want to know about when deciding which shows to see.

** Mature indicates that the show has posted an advisory because of content. Usually this means I would recommend no one under the age of 16 attend.

Theater Critic Lauren Yarger

Theater Critic Lauren Yarger

My Bio

Lauren Yarger has written, directed and produced numerous shows and special events for both secular and Christian audiences. She co-wrote a Christian musical version of “A Christmas Carol” which played to sold-out audiences of over 3,000 in Vermont and was awarded the Vermont Bessie (theater and film awards) for “People’s Choice for Theatre.” She also has written two other dinner theaters, sketches for church services and devotions for Christian artists. Her play concept, "From Reel to Real: The Jennifer O'Neill Story" was presented as part of the League of professional Theatre Women's Julia's reading Room Series in New York. Shifting from reviewing to producing, Yarger owns Gracewell Productions, which produced the Table Reading Series at the Palace Theater in Waterbury, CT. She trained for three years in the Broadway League’s Producer Development Program, completed the Commercial Theater Institute's Producing Intensive and other training and produced a one-woman musical about Mary Magdalene that toured nationally and closed with an off-Broadway run. She was a Fellow at the National Critics Institute at the O'Neill Theater Center in Waterford, CT. She wrote reviews of Broadway and Off-Broadway theater (the only ones you can find in the US with an added Christian perspective) at http://reflectionsinthelight.blogspot.com/.

She is editor of The Connecticut Arts Connection (http://ctarts.blogspot.com), an award-winning website featuring theater and arts news for the state. She was a contributing editor for BroadwayWorld.com. She previously served as theater reviewer for the Manchester Journal-Inquirer, Connecticut theater editor for CurtainUp.com and as Connecticut and New York reviewer for American Theater Web.

She is a Co-Founder of the Connecticut Chapter of the League of Professional Theatre Women. She is a former vice president and voting member of The Drama Desk.

She is a freelance writer and playwright (member Dramatists Guild of America). She is a member if the The Outer Critics Circle (producer of the annual awards ceremony) and a member of The League of Professional Theatre Women, serving as Co-Founder of the Connecticut Chapter. Yarger was a book reviewer for Publishers Weekly A former newspaper editor and graduate of the University of Missouri’s School of Journalism, Yarger also worked in arts management for the Bushnell Center for the Performing Arts, the Hartford Symphony Orchestra and served for nine years as the Executive Director of Masterwork Productions, Inc. She lives with her husband in West Granby, CT. They have two adult children.

Copyright

All material is copyright 2008- 2024 by Lauren Yarger. Reviews and articles may not be reprinted without permission. Contact reflectionsinthelight@gmail.com

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Key to Content Notes:

God's name taken in vain -- means God or Jesus is used in dialogue without speaking directly to or about them.

Language -- means some curse words are used. "Minor" usually means the words are not too strong or that it only occurs once or twice throughout the show.

Strong Language -- means some of the more heavy duty curse words are used.

Nudity -- means a man or woman's backside, a man's lower front or a woman's front are revealed.

Scantily clad -- means actors' private areas are technically covered, but I can see a lot of them.

Sexual Language -- means the dialogue contains sexually explicit language but there's no action.

Sexual Activity -- means a man and woman are performing sexual acts.

Adultery -- Means a married man or woman is involved sexually with someone besides their spouse. If this is depicted with sexual acts on stage, the list would include "sexual activity" as well.

Sex Outside of Marriage -- means a man and woman are involved sexually without being married. If this is depicted sexually on stage, the list would include "sexual activity" as well.

Homosexuality -- means this is in the show, but not physically depicted.

Homosexual activity -- means two persons of the same sex are embracing/kissing. If they do more than that, the list would include "sexual activity" as well.

Cross Dresser -- Means someone is dressing as the opposite sex. If they do more than that on stage the listing would include the corresponding "sexual activity" and/or "homosexual activity" as well.

Cross Gender -- A man is playing a female part or a woman is playing a man's part.

Suggestive Dancing -- means dancing contains sexually suggestive moves.

Derogatory (category added Fall 2012) Language or circumstances where women or people of a certain race are referred to or treated in a negative and demeaning manner.

Other content matters such as torture, suicide, or rape will be noted, with details revealed only as necessary in the review itself.

The term "throughout" added to any of the above means it happens many times throughout the show.

Reviewing Policy

I receive free seats to Broadway and Off-Broadway shows made available to all voting members of the Outer Critics Circle. Journalistically, I provide an unbiased review and am under no obligation to make positive statements. Sometimes shows do not make tickets available to reviewers. If these are shows my readers want to know about I will purchase a ticket. If a personal friend is involved in a production, I'll let you know, but it won't influence a review. If I feel there is a conflict, I won't review their portion of the production.

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