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Showing posts sorted by date for query bountiful. Sort by relevance Show all posts

Monday, September 23, 2013

Quick Hit Broadway Theater Review: Romeo & Juliet with Orlando Bloom and Condola Rashad

Orlando Bloom and Condola Rashad.
Romeo and Juliet
By William Shakespeare
Starring Condola Rashad, Orlando Bloom and Jayne Houdyshell
Directed by David Leveaux

What's It All About?
If you have to ask, let me suggest you go read it, or get the Sparks Notes. In this version, the Capulets are black, the Montagues are white. Romeo (Orlando Bloom of "Pirates of the Caribbean" "Lord of the Rings" fame) makes his entrance on a motorcycle wearing red biker boots. You get the picture. Juliet (Condola Rashad (Ruined, Stick Fly and Trip to Bountiful) is the pure innocent, white clad object of his affection (Fabio Toblini creates the costumes). Their stars are crossed.

What are the Highlights?
Jayne Houdyshell as the nurse is fun. Some fire pillars (set design by Jesse Poleshuck) at the Capulets ball are very cool. Nancy Bannon provides some clever movement to original music by David Van Tieghem (who also designs the sound). Christian Camargo is the standout in this production, as a funny and sharp Mercutio. Chuck Cooper also gives a nice turn as Lord Capulet.

What are the Lowlights?
Let's start with no chemistry between Romeo and Juliet. Rashad has her best moments playing the famous balcony scene with some humor, but overall, her Juliet comes off so innocent and pure that she almost seems like a simpleton. Blame must rest with director David Levaux, because Rashad certainly has shown her ability to find deeper character in her other roles on New York stages. Brent Carver, another talented actor, is grossly miscast as Friar Laurence and most of the humor in that role is lost. Even Houdyshell doesn't seem to take a role, definitely suited for her comedic talents, and run with it. It's all sort of ho-hum and leaves us wondering why this particular version should have been the one to come to Broadway.

Technical irritations: the lighting (design by David Weiner) is problematic throughout, especially for the balcony scene (this is supposed to be night and Juliet isn't supposed to be able to see Romeo, but neither is designed) and Juliet is lost in the shadows at the moment Romeo supposedly spies her and falls in love. Also, Poleshuck uses a large bell that hangs ominously over the set (when it's not being raised or lowered to the stage for no apparent reason) as a constant reminder of -- what? Bells have no significance in Romeo and Juliet. Ask not for whom the bell tolls? The lighting also causes shadows of the rope to distract from the scene in the tomb..At any rate, Bloom almost collided with the thing while making a quick stage-left exit in the dark, but swerved just in time to avoid injury.

More information:
Romeo and Juliet is set to run through Jan. 12, 2014 at the Richard Rodgers Theatre226 West 46th St., NYC. Tickets: 800-745-3000.

Christians might also like to know:
-- Sexually suggestive moves

Wednesday, June 12, 2013

Vanya and Kinky Boots Take Top Tony Awards

The 2013 Tony Award winners (in red). For reviews, click the link under "2012-2013 Reviews" at right.
David Hyde Pierce, Sigourney Weaver, Kristine Nielsen, and Billy Magnussen. Photo: Carol Rosegg

Best Play

The Assembled Parties by Richard Greenberg
Lucky Guy by Nora Ephron
The Testament of Mary by Colm Toíbín
Vanya and Sonia and Masha and Spike by Christopher Durang

Best Musical

Bring It On: The Musical
A Christmas Story, The Musical
Kinky Boots
Matilda The Musical

Best Revival of a Play

Golden Boy
Orphans
The Trip to Bountiful
Who’s Afraid of Virginia Woolf?

Best Revival of a Musical

Annie
The Mystery of Edwin Drood
Pippin
Rodgers and Hammerstein’s Cinderella
Best Book of a Musical

A Christmas Story, The Musical by Joseph Robinette
Kinky Boots by Harvey Fierstein
Matilda The Musical by Dennis Kelly
Rodgers and Hammerstein’s Cinderella by Douglas Carter Beane

Best Original Score (Music and/or Lyrics) Written for the Theatre

A Christmas Story, The Musical
Music and Lyrics: Benj Pasek and Justin Paul
Hands on a Hardbody
Music: Trey Anastasio and Amanda Green; Lyrics: Amanda Green
Kinky Boots
Music & Lyrics: Cyndi Lauper
Matilda The Musical
Music & Lyrics: Tim Minchin

Best Performance by an Actor in a Leading Role in a Play

Tom Hanks, Lucky Guy
Nathan Lane, The Nance
Tracy Letts, Who’s Afraid of Virginia Woolf?
David Hyde Pierce, Vanya and Sonia and Masha and Spike
Tom Sturridge, Orphans

Best Performance by an Actress in a Leading Role in a Play

Laurie Metcalf, The Other Place
Amy Morton, Who’s Afraid of Virginia Woolf?
Kristine Nielsen, Vanya and Sonia and Masha and Spike
Holland Taylor, Ann
Cicely Tyson, The Trip to Bountiful
 
Best Performance by an Actor in a Leading Role in a Musical
 
Bertie Carvel, Matilda The Musical
Santino Fontana, Rodgers + Hammerstein’s Cinderella
Rob McClure, Chaplin
Billy Porter, Kinky Boots
Stark Sands, Kinky Boots

Best Performance by an Actress in a Leading Role in a Musical


Stephanie J. Block, The Mystery of Edwin Drood
Carolee Carmello, Scandalous
Valisia LeKae, Motown The Musical
Patina Miller, Pippin
Laura Osnes, Rodgers + Hammerstein’s Cinderella

Best Performance by an Actor in a Featured Role in a Play

Danny Burstein, Golden Boy
Richard Kind, The Big Knife
Billy Magnussen, Vanya and Sonia and Masha and Spike
Tony Shalhoub, Golden Boy
Courtney B. Vance, Lucky Guy

Best Performance by an Actress in a Featured Role in a Play

Carrie Coon, Who’s Afraid of Virginia Woolf?
Shalita Grant, Vanya and Sonia and Masha and Spike
Judith Ivey, The Heiress
Judith Light, The Assembled Parties
Condola Rashad, The Trip to Bountiful

Best Performance by an Actor in a Featured Role in a Musical

Charl Brown, Motown The Musical
Keith Carradine, Hands on a Hardbody
Will Chase, The Mystery of Edwin Drood
Gabriel Ebert, Matilda The Musical
Terrence Mann, Pippin

Best Performance by an Actress in a Featured Role in a Musical

Annaleigh Ashford, Kinky Boots
Victoria Clark, Rodgers + Hammerstein’s Cinderella
Andrea Martin, Pippin
Keala Settle, Hands on a Hardbody
Lauren Ward, Matilda The Musical

Best Scenic Design of a Play

John Lee Beatty, The Nance
Santo Loquasto, The Assembled Parties
David Rockwell, Lucky Guy
Michael Yeargan, Golden Boy

Best Scenic Design of a Musical

Rob Howell, Matilda The Musical
Anna Louizos, The Mystery of Edwin Drood
Scott Pask, Pippin
David Rockwell, Kinky Boots

Best Costume Design of a Play

Soutra Gilmour, Cyrano de Bergerac
Ann Roth, The Nance
Albert Wolsky, The Heiress
Catherine Zuber, Golden Boy


Best Costume Design of a Musical

Gregg Barnes, Kinky Boots
Rob Howell, Matilda The Musical
Dominique Lemieux, Pippin
William Ivey Long, Rodgers + Hammerstein’s Cinderella

Best Lighting Design of a Play

Jules Fisher & Peggy Eisenhauer, Lucky Guy
Donald Holder, Golden Boy
Jennifer Tipton, The Testament of Mary
Japhy Weideman, The Nance

Best Lighting Design of a Musical

Kenneth Posner, Kinky Boots
Kenneth Posner, Pippin
Kenneth Posner, Rodgers + Hammerstein’s Cinderella
Hugh Vanstone, Matilda The Musical

Best Sound Design of a Play

John Gromada, The Trip to Bountiful
Mel Mercier, The Testament of Mary
Leon Rothenberg, The Nance
Peter John Still and Marc Salzberg, Golden Boy

Best Sound Design of a Musical


Jonathan Deans & Garth Helm, Pippin
Peter Hylenski, Motown The Musical
John Shivers, Kinky Boots
Nevin Steinberg, Rodgers + Hammerstein’s Cinderella

Best Direction of a Play

Pam MacKinnon, Who’s Afraid of Virginia Woolf?
Nicholas Martin, Vanya and Sonia and Masha and Spike
Bartlett Sher, Golden Boy
George C. Wolfe, Lucky Guy

Best Direction of a Musical

Scott Ellis, The Mystery of Edwin Drood
Jerry Mitchell, Kinky Boots
Diane Paulus, Pippin
Matthew Warchus, Matilda The Musical

Best Choreography
Andy Blankenbuehler, Bring It On: The Musical
Peter Darling, Matilda The Musical
Jerry Mitchell, Kinky Boots
Chet Walker, Pippin

Best Orchestrations

Chris Nightingale, Matilda The Musical
Stephen Oremus, Kinky Boots
Ethan Popp & Bryan Crook, Motown The Musical
Danny Troob, Rodgers + Hammerstein’s Cinderella 


Special Tony Award® for Lifetime Achievement in the Theatre:
Bernard Gersten , Paul Libin and Ming Cho Lee

Regional Theatre Award
The Huntington Theatre Company, Boston

Isabelle Stevenson Award
Larry Kramer

Tony Honors for Excellence in the Theatre:
NYC Mayor Michael R. Bloomberg; Career Transition For Dancers; William Craver; Peter Lawrence; The Lost Colony ; The four actresses who created the title role of Matilda The Musical on Broadway - Sophia Gennusa, Oona Laurence, Bailey Ryon and Milly Shapiro.
 
 

Saturday, June 8, 2013

My Predictions for the Tonys


Billy Porter and The Angels (L-R: Kyle Post, Kevin Smith Kirkwood, Joey Taranto, and Paul Canaan) in Kinky Boots. Photo: Matthew Murphy
By Lauren Yarger
The Tony's will be announced tomorrow night at a star-studded event at Radio City Music Hall (watch on CBS beginning at 8 pm).
Some categories are slam dunks (Andrea Martin, for example). Others are neck-and-neck. The toughest competition will be between Kinky Boots and Matilda (I think Kinky Boots will prevail).

Here are my predictions. Happy Tonys! Check back MOnday for a full list of the winners.

Best Play

Vanya and Sonia and Masha and Spike by Christopher Durang

Best Musical

Kinky Boots

Best Revival of a Play

Who’s Afraid of Virginia Woolf?

Best Revival of a Musical

Pippin

Best Book of a Musical

Kinky Boots by Harvey Fierstein

Best Original Score (Music and/or Lyrics) Written for the Theatre

Kinky Boots Music & Lyrics: Cyndi Lauper

Best Performance by an Actor in a Leading Role in a Play


Tom Hanks, Lucky Guy

Best Performance by an Actress in a Leading Role in a Play

Cicely Tyson, The Trip to Bountiful 

Best Performance by an Actor in a Leading Role in a Musical

Billy Porter, Kinky Boots

Best Performance by an Actress in a Leading Role in a Musical

Laura Osnes, Rodgers + Hammerstein’s Cinderella

Best Performance by an Actor in a Featured Role in a Play

Richard Kind, The Big Knife

Best Performance by an Actress in a Featured Role in a Play

Judith Light, The Assembled Parties

Best Performance by an Actor in a Featured Role in a Musical

Terrence Mann, Pippin

Best Performance by an Actress in a Featured Role in a Musical


Andrea Martin, Pippin

Best Scenic Design of a Play

John Lee Beatty, The Nance

Best Scenic Design of a Musical

Rob Howell, Matilda The Musical

Best Costume Design of a Play

Ann Roth, The Nance

Best Costume Design of a Musical

Dominique Lemieux, Pippin

Best Direction of a Play

Nicholas Martin, Vanya and Sonia and Masha and Spike

Best Direction of a Musical

Diane Paulus, Pippin

Best Choreography

Chet Walker, Pippin

Monday, May 20, 2013

And the 2013 Drama Desk Awards Go To.....

WINNERS IN EACH CATEGORY ARE NOTED IN BOLD. Check the links at right for reviews.
Outstanding Play

Annie Baker, The Flick

Christopher Durang, Vanya and Sonia and Masha and Spike

Joe Gilford, Finks

Richard Greenberg, The Assembled Parties

Amy Herzog, Belleville

Deanna Jent, Falling

Richard Nelson, Sorry
Outstanding Musical

A Christmas Story: The Musical

Giant

Hands on a Hardbody

Here Lies Love

Matilda

Natasha, Pierre & The Great Comet of 1812

The Other Josh Cohen
Outstanding Revival of a Play

Edward Albee's Who's Afraid of Virginia Woolf?
Golden Boy
Good
Person of Szechwan

The Piano Lesson

The Trip to Bountiful

Uncle Vanya
Outstanding Revival of a Musical or Revue

Passion

Pippin

Rodgers + Hammerstein's Cinderella

The Golden Land

The Mystery of Edwin Drood
Working: A Musical
Outstanding Actor in a Play

Reed Birney, Uncle Vanya

Daniel Everidge, Falling

Tom Hanks, Lucky Guy

Shuler Hensley, The Whale

Nathan Lane, The Nance

Tracy Letts, Edward Albee's Who's Afraid of Virginia Woolf?
Outstanding Actress in a Play

Maria Dizzia, Belleville

Amy Morton, Edward Albee's Who's Afraid of Virginia Woolf?

Julia Murney, Falling

Vanessa Redgrave, The Revisionist

Miriam Silverman, Finks

Cicely Tyson, The Trip to Bountiful
Outstanding Actor in a Musical

Eric Anderson, Soul Doctor

Brian d'Arcy James, Giant

Jim Norton, The Mystery of Edwin Drood

Billy Porter, Kinky Boots

Steve Rosen, The Other Josh Cohen

Ryan Silverman, Passion

Anthony Warlow, Annie
Outstanding Actress in a Musical

Kate Baldwin, Giant

Stephanie J. Block, The Mystery of Edwin Drood

Carolee Carmello, Scandalous

Lindsay Mendez, Dogfight

Donna Murphy, Into the Woods

Laura Osnes, Rodgers and Hammerstein's Cinderella

Jenny Powers, Donnybrook!
Outstanding Featured Actor in a Play

Chuck Cooper, The Piano Lesson

Peter Friedman, The Great God Pan

Richard Kind, The Big Knife

Aaron Clifton Moten, The Flick

Brían F. O'Byrne, If There Is I Haven't Found It Yet

Tony Shalhoub, Golden Boy
Outstanding Featured Actress in a Play

Tasha Lawrence, The Whale

Judith Light, The Assembled Parties

Kellie Overbey, Sleeping Rough

Maryann Plunkett, Sorry

Condola Rashad, The Trip to Bountiful

Laila Robins, Sorry
Outstanding Featured Actor in a Musical

Stephen Bogardus, Passion

John Bolton, A Christmas Story: The Musical

Keith Carradine, Hands on a Hardbody

Bertie Carvel, Matilda

John Dossett, Giant

Andy Karl, The Mystery of Edwin Drood
Outstanding Featured Actress in a Musical

Annaleigh Ashford, Kinky Boots

Melissa Errico, Passion

Andrea Martin, Pippin

Jessie Mueller, The Mystery of Edwin Drood

Christiane Noll, Chaplin: The Musical

Keala Settle, Hands on a Hardbody

Kate Wetherhead, The Other Josh Cohen
Outstanding Director of a Play

Lear Debessonet, Good Person of Szechwan

Sam Gold,Uncle Vanya

Ed Sylvanus Iskandar, Restoration Comedy

Pam MacKinnon, Edward Albee's Who's Afraid of Virginia Woolf?

Lynne Meadow, The Assembled Parties

Ruben Santiago-Hudson,The Piano Lesson
Outstanding Director of a Musical

Andy Blankenbuehler, Bring It On: The Musical

Rachel Chavkin, Natasha, Pierre & The Great Comet of 1812

John Doyle, Passion

Diane Paulus, Pippin

Emma Rice, The Wild Bride

Alex Timbers, Here Lies Love

Matthew Warchus, Matilda
Outstanding Choreography

Andy Blankenbuehler, Bring It On: The Musical

Warren Carlyle, A Christmas Story: The Musical

Peter Darling, Matilda

Josh Rhodes, Rodgers + Hammerstein's Cinderella

Sergio Trujillo, Hands on a Hardbody

Chet Walker and Gypsy Snider, Pippin
Outstanding Music

Trey Anastasio and Amanda Green, Hands on a Hardbody

David Byrne and Fatboy Slim, Here Lies Love

Michael John LaChiusa, Giant

Dave Malloy, Natasha, Pierre & The Great Comet of 1812

Benj Pasek and Justin Paul, A Christmas Story: The Musical

David Rossmer and Steve Rosen, The Other Josh Cohen
Outstanding Lyrics

Amanda Green, Hands on a Hardbody

Amanda Green and Lin-Manuel Miranda, Bring It On: The Musical
Michael
John LaChiusa,Giant

Dave Malloy, Natasha, Pierre & The Great Comet of 1812

Tim Minchin, Matilda

David Rossmer and Steve Rosen, The Other Josh Cohen
Outstanding Book of a Musical

Dennis Kelly, Matilda

Sybille Pearson, Giant

Joseph Robinette, A Christmas Story: The Musical

David Rossmer and Steve Rosen, The Other Josh Cohen

Jeff Whitty, Bring It On: The Musical

Doug Wright, Hands on a Hardbody
Outstanding Orchestrations

Trey Anastasio and Don Hart, Hands on a Hardbody

Larry Blank, A Christmas Story: The Musical

Bruce Coughlin, Giant

Larry Hochman, Chaplin: The Musical

Steve Margoshes, Soul Doctor

Danny Troob, Rodgers and Hammerstein's Cinderella
Outstanding Music in a Play

César Alvarez with The Lisps, Good Person of Szechwan

Jiří Kadeřábek, Mahir Cetiz, and Ana Milosavljevic, Act Before You Speak: The Tragical History of Hamlet, Prince of Denmark

Glen Kelly, The Nance

Eugene Ma, The Man Who Laughs

Steve Martin, As You Like It

Jane Wang, Strange Tales of Liaozhai
Outstanding Revue

Forbidden Broadway: Alive & Kicking!

Old Hats

Old Jews Telling Jokes
Outstanding Set Design

Rob Howell, Matilda

Mimi Lien, The Whale

Santo Loquasto, The Assembled Parties

Anna Louizos, The Mystery of Edwin Drood

Michael Yeargan, Golden Boy

David Zinn, The Flick
Outstanding Costume Design

Amy Clark and Martin Pakledinaz, Chaplin: The Musical

Dominique Lemieux, Pippin

William Ivey Long, Rodgers and Hammerstein's Cinderella

Chris March, Chris March's The Butt-Cracker Suite! A Trailer Park Ballet

Loren Shaw, Restoration Comedy

Paloma Young, Natasha, Pierre & The Great Comet of 1812
Outstanding Lighting Design

Ken Billington, Chaplin: The Musical

Jane Cox,Passion

Kenneth Posner, Pippin

Justin Townsend, Here Lies Love

Daniel Winters, The Man Who Laughs

Scott Zielinski, A Civil War Christmas
Outstanding Projection Design

Jon Driscoll, Chaplin: The Musical

Wendall K. Harrington, Old Hats

Peter Nigrini, Here Lies Love

Darrel Maloney, Checkers

Pedro Pires, Cirque du Soleil: Totem

Aaron Rhyne, Wild With Happy
Outstanding Sound Design in a Musical
 - a three-way tie
Steve Canyon Kennedy, Hands on a Hardbody

Scott Lehrer and Drew Levy, Chaplin: The Musical

Tony Meola, The Mystery of Edwin Drood

Brian Ronan, Bring It On: The Musical

Brian Ronan, Giant

Dan Moses Schreier, Passion
Outstanding Sound Design in a Play

Ien DeNio, The Pilo Family Circus

Steve Fontaine, Last Man Club

Christian Frederickson, Through the Yellow Hour

Lindsay Jones, Wild With Happy

Mel Mercier, The Testament of Mary

Fergus O'Hare, Macbeth
Outstanding Solo Performance

Joel de la Fuente, Hold These Truths

Kathryn Hunter, Kafka's Monkey

Bette Midler, I'll Eat You Last: A Chat with Sue Mengers

Julian Sands, A Celebration of Harold Pinter

Holland Taylor, Ann

Michael Urie, Buyer & Cellar
 
Unique Theatrical Experience

Bello Mania

Chris March's The Butt-Cracker Suite! A Trailer Park Ballet

Cirque Du Soleil: Totem

That Play: A Solo Macbeth

The Fazzino Ride
The Man Who Laughs
Outstanding Ensemble Performance
 This year the nominators chose to bestow a special ensemble award to the cast of Working: A Musical. "Marie-France Arcilla, Joe Cassidy, Donna Lynne Champlin, Jay Armstrong Johnson, Nehal Joshi, and Kenita R. Miller created a memorable ensemble of marvelously gifted singer-actors working together in pure artistic harmony." Individual cast members receiving this award are ineligible for acting awards in the competitive categories.
Special Awards
 Each year, the Drama Desk votes special awards to recognize excellence and significant contributions to the theater. For 2012-2013, these awards are:

  • The New York Musical Theatre Festival (NYMF), Isaac Robert Hurwitz, Executive Director and Producer: for a decade of creating and nurturing new musical theater, ensuring the future of this essential art form.

  • Wakka Wakka (Gabrielle Brechner, Kirjan Waage, and Gwendolyn Warnock): for sophisticated puppet theater, as represented by this season's SAGA, that explores with wit, imagination, and insight serious issues of our times.

  • Jayne Houdyshell: for her artistry as an exceptionally versatile and distinctive Broadway and Off-Broadway performer.

  • Samuel D. Hunter: His empathic and indelible The Whale affirms his arrival as a distinguished dramatist who depicts the human condition.

  • Maruti Evans, the Sam Norkin Off-Broadway Award: for his ingenious lighting designs, reflecting an exquisite and bold theatrical aesthetic. This season's The Pilo Family Circus and Tiny Dynamite confirm his incandescent creativity.

Wednesday, May 15, 2013

Theater Review: The Trip to Bountiful

Cicely Tyson, Cuba Gooding, Jr. Photo: Joan Marcus
A Slice of Life in Texas That Reaches Out and Makes an Audience in New York Sing a Hymn -- Now That's Theater!
By Lauren Yarger
The creative team who brought us the world of Horton Foote’s The Orphans’ Home Cycle (the winner of Drama desk, Outer Critics and NY Critics' Circle Awards for its 2009 run at Signature Theatre) and Dividing the Estate take us on another delightful voyage, this one The Trip to Bountiful, with an exceptional cast along for the ride.

Cicely Tyson shines (look for a Tony win here) as Carrie Watts, a elderly woman living in cramped Houston apartment with her son Ludie (Cuba Gooding, Jr.) and controlling daughter-in-law, Jessie Mae (Vanessa Williams), who wants to return to her roots in her hometown of Bountiful, TX one last time. She has worried Ludie with repeated attempts to go off on her own, but Jessie Mae seems more concerned about making sure Carrie doesn’t take off with the pension check that helps the family make ends meet and funds her her daughter-in-law's frequent trips to the beauty shop.

Carrie consoles herself with reading her bible and singing hymns, though Jessie Mae complains that the frequent bursts into song make her nervous. One day, Carrie manages to leave with her secreted check and buys a bus ticket. At the station, she is befriended by Thelma (Condola Rashad), a young girl on her way to stay with family while her husband serves overseas. The two bond and when Carrie leaves her purse with everything in it, including that important pension check, on the bus that just departed, Thelma and station attendant in Houston (Devon Abner) help her out.

Meanwhile, the local sheriff (Tom Wopat) realizes that Carrie is the woman Ludie reported missing and lets him know where she is. He kindly takes her to her old home in Bountiful, now decrepit (the scene is stunningly designed by Jeff Cowie), and there the family reunites.

Once again, Director Michael Wilson lovingly allows Foote’s characters to command the stage and finds an undercurrent of family harmony and love under the surface of what appears to be dysfunction and cacophony. Instead of being depressed and gloomy in her stifling circumstances and frustrated at not being able to return home, Carrie delights in her faith. Tyson’s joy as she sings “Blessed Assurance” is so contagious, that the audience joins in. It’s truly a beautiful theater moment and apparently happens at each performance, according to reports.

Rashad turns a minor part into a major memory as she brings the sensitive, loving Thelma to life. When Carrie tells the girl that she would want a daughter just like her, we feel the same. At the same time, it’s a sad statement about the daughter-in-law she does have, who doesn’t appreciate the treasure she has in this wonderful woman. (I just wanted to go up on stage, hug her and sit with her as she rocked in her chair reading her bible and singing hymns. We all should be blessed to have such a woman in our lives.)

At first glance, Williams seems too glamorous and beautiful to be this working class woman in Texas. Soon that beauty takes on new meaning -- her trips to the beauty parlor and obsession with movie magazines are evidence of a life that might have been for such a beauty. The casting gives Jessie Mae a new dimension. Gooding is understated as the man caught between the two women in his life, racked with guilt for feeling like he hasn’t provided adequately for either.

Only two criticisms entered my thoughts during this otherwise absorbing, delightful evening at the theater. First, it isn’t clear why Carrie decides not to stay in Bountiful. It should be a devastating decision, born out of realization of a past long gone and of hope lost, but instead, she seems almost happy to return to the domain of Jessie Mae, who hands her a written list of “dos” and “don’ts.” Is it because deep down, they really love each other? Possibly. Is it because just seeing the old homestead somehow returns the dignity she sought? That's possible too, but this take doesn't answer the question, so we’re not sure how it happened. We're left feeling like we followed a map to Bountiful that suddenly takes us to an unexpected destination with no explanation for how we arrived there.

Second criticism: the theater is freezing. Isn’t it supposed to be hot in Texas? Later I wondered whether the cold temperature was needed for a wonderful fog effect that creates low-hanging clouds over Bountiful. Perhaps, but be sure to bring a sweater -- and some tissues. Lots of people were wiping away tears at he end.

The Trip to Bountiful runs through Sept. 1 at the Stephen Sondheim Theatre, 124 West 43rd St., NYC. Tickets and info: http://thetriptobountifulbroadway.com/#sthash.g06sszwK.dpbs.

Christians might also like to know:
No content notes. enjoy!

Monday, May 13, 2013

Outer Critics Circle Awards Announced

And the winners are. . .  (in red)
 
OUTSTANDING NEW BROADWAY PLAY
Grace
Lucky Guy
The Nance
The Testament of Mary
* Vanya and Sonia and Masha and Spike

OUTSTANDING NEW BROADWAY MUSICAL
Chaplin: The Musical
A Christmas Story
Hands on a Hardbody
*Kinky Boots
Matilda the Musical

OUTSTANDING NEW OFF-BROADWAY PLAY
Bad Jews
Cock
* My Name is Asher Lev
Really Really
The Whale

OUTSTANDING NEW OFF-BROADWAY MUSICAL
February House
Dogfight
Giant
* Here Lies Love
Murder Ballad

OUTSTANDING BOOK OF A MUSICAL (Broadway or Off-Broadway)
Cinderella
Chaplin: The Musical
Dogfight
Kinky Boots
* Matilda the Musical

OUTSTANDING NEW SCORE (Broadway or Off-Broadway)
Chaplin: The Musical
Dogfight
Hands on a Hardbody
Here Lies Love
* Kinky Boots

OUTSTANDING REVIVAL OF A PLAY (Broadway or Off-Broadway)
Golden Boy
Orphans
The Piano Lesson
The Trip to Bountiful
* Who’s Afraid of Virginia Woolf?

OUTSTANDING REVIVAL OF A MUSICAL (Broadway or Off-Broadway)
Annie
Cinderella
The Mystery of Edwin Drood
Passion
* Pippin

OUTSTANDING DIRECTOR OF A PLAY
Pam MacKinnon Who’s Afraid of Virginia Woolf?
Nicholas Martin Vanya and Sonia and Masha and Spike
* Jack O’Brien The Nance
Bartlett Sher Golden Boy
Michael Wilson The Trip to Bountiful

OUTSTANDING DIRECTOR OF A MUSICAL
Warren Carlyle Chaplin: The Musical
Scott Ellis The Mystery of Edwin Drood
Jerry Mitchell Kinky Boots
* Diane Paulus Pippin
Alex Timbers Here Lies Love

OUTSTANDING CHOREOGRAPHER
Warren Carlyle Chaplin: The Musical
Peter Darling Matilda the Musical
Jerry Mitchell Kinky Boots
Josh Rhodes Cinderella
* Chet Walker Pippin

OUTSTANDING SET DESIGN (Play or Musical)
John Lee Beatty The Nance
* Rob Howell Matilda the Musical
David Korins Here Lies Love
Scott Pask Pippin
Michael Yeargan Golden Boy

OUTSTANDING COSTUME DESIGN (Play or Musical)
Amy Clark & Martin Pakledinaz Chaplin: The Musical
Gregg Barnes Kinky Boots
Dominique Lemieux Pippin
* William Ivey Long Cinderella
William Ivey Long The Mystery of Edwin Drood

OUTSTANDING LIGHTING DESIGN (Play or Musical)
Ken Billington Chaplin: The Musical
Paul Gallo Dogfight
Donald Holder Golden Boy
Kenneth Posner Cinderella
* Kenneth Posner Pippin

OUTSTANDING ACTOR IN A PLAY
Tom Hanks Lucky Guy
Shuler Hensley The Whale
* Nathan Lane The Nance
Tracy Letts Who’s Afraid of Virginia Woolf?
David Hyde Pierce Vanya and Sonia and Masha and Spike

OUTSTANDING ACTRESS IN A PLAY
Tracee Chimo Bad Jews
Amy Morton Who’s Afraid of Virginia Woolf?
Vanessa Redgrave The Revisionist
Joely Richardson Ivanov
* Cicely Tyson The Trip to Bountiful

OUTSTANDING ACTOR IN A MUSICAL
Bertie Carvel Matilda the Musical
Santino Fontana Cinderella
Rob McClure Chaplin: The Musical
* Billy Porter Kinky Boots
Matthew James Thomas Pippin

OUTSTANDING ACTRESS IN A MUSICAL
Lilla Crawford Annie
Valisia LeKae Motown: The Musical
Lindsay Mendez Dogfight
* Patina Miller Pippin
Laura Osnes Cinderella

OUTSTANDING FEATURED ACTOR IN A PLAY
Danny Burstein Golden Boy
Richard Kind The Big Knife
Jonny Orsini The Nance
Tony Shalhoub Golden Boy
* Tom Sturridge Orphans

OUTSTANDING FEATURED ACTRESS IN A PLAY
Cady Huffman The Nance
Judith Ivey The Heiress
Judith Light The Assembled Parties
* Kristine Nielsen Vanya and Sonia and Masha and Spike
Vanessa Williams The Trip to Bountiful

OUTSTANDING FEATURED ACTOR IN A MUSICAL
Will Chase The Mystery of Edwin Drood
Dan Lauria A Christmas Story
Raymond Luke Motown: The Musical
* Terrence Mann Pippin
Daniel Stewart Sherman Kinky Boots
 
OUTSTANDING FEATURED ACTRESS IN A MUSICAL
Annaleigh Ashford Kinky Boots
Victoria Clark Cinderella
Charlotte d’Amboise Pippin
* Andrea Martin Pippin
Keala Settle Hands on a Hardbody

OUTSTANDING SOLO PERFORMANCE
Bette Midler I’ll Eat You Last
Martin Moran All the Rage
Fiona Shaw The Testament of Mary
* Holland Taylor Ann
Michael Urie Buyer & Cellar

JOHN GASSNER AWARD (Presented for an American play, preferably by a new playwright)
Ayad Akhtar Disgraced
Paul Downs Colaizzo Really Really
Joshua Harmon Bad Jews
Samuel D. Hunter The Whale
* Aaron Posner My Name is Asher Lev

SPECIAL ACHIEVEMENT AWARD
Irish Repertory Theatre, Charlotte Moore, Artistic Director and Ciarán O’Reilly, Producing Director in recognition of 25 years of producing outstanding theatre 

Gracewell Prodiuctions

Gracewell Prodiuctions
Producing Inspiring Works in the Arts
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Our reviews are professional reviews written without a religious bias. At the end of them, you can find a listing of language, content or theological issues that Christians might want to know about when deciding which shows to see.

** Mature indicates that the show has posted an advisory because of content. Usually this means I would recommend no one under the age of 16 attend.

Theater Critic Lauren Yarger

Theater Critic Lauren Yarger

My Bio

Lauren Yarger has written, directed and produced numerous shows and special events for both secular and Christian audiences. She co-wrote a Christian musical version of “A Christmas Carol” which played to sold-out audiences of over 3,000 in Vermont and was awarded the Vermont Bessie (theater and film awards) for “People’s Choice for Theatre.” She also has written two other dinner theaters, sketches for church services and devotions for Christian artists. Her play concept, "From Reel to Real: The Jennifer O'Neill Story" was presented as part of the League of professional Theatre Women's Julia's reading Room Series in New York. Shifting from reviewing to producing, Yarger owns Gracewell Productions, which produced the Table Reading Series at the Palace Theater in Waterbury, CT. She trained for three years in the Broadway League’s Producer Development Program, completed the Commercial Theater Institute's Producing Intensive and other training and produced a one-woman musical about Mary Magdalene that toured nationally and closed with an off-Broadway run. She was a Fellow at the National Critics Institute at the O'Neill Theater Center in Waterford, CT. She wrote reviews of Broadway and Off-Broadway theater (the only ones you can find in the US with an added Christian perspective) at http://reflectionsinthelight.blogspot.com/.

She is editor of The Connecticut Arts Connection (http://ctarts.blogspot.com), an award-winning website featuring theater and arts news for the state. She was a contributing editor for BroadwayWorld.com. She previously served as theater reviewer for the Manchester Journal-Inquirer, Connecticut theater editor for CurtainUp.com and as Connecticut and New York reviewer for American Theater Web.

She is a Co-Founder of the Connecticut Chapter of the League of Professional Theatre Women. She is a former vice president and voting member of The Drama Desk.

She is a freelance writer and playwright (member Dramatists Guild of America). She is a member if the The Outer Critics Circle (producer of the annual awards ceremony) and a member of The League of Professional Theatre Women, serving as Co-Founder of the Connecticut Chapter. Yarger was a book reviewer for Publishers Weekly A former newspaper editor and graduate of the University of Missouri’s School of Journalism, Yarger also worked in arts management for the Bushnell Center for the Performing Arts, the Hartford Symphony Orchestra and served for nine years as the Executive Director of Masterwork Productions, Inc. She lives with her husband in West Granby, CT. They have two adult children.

Copyright

All material is copyright 2008- 2024 by Lauren Yarger. Reviews and articles may not be reprinted without permission. Contact reflectionsinthelight@gmail.com

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Key to Content Notes:

God's name taken in vain -- means God or Jesus is used in dialogue without speaking directly to or about them.

Language -- means some curse words are used. "Minor" usually means the words are not too strong or that it only occurs once or twice throughout the show.

Strong Language -- means some of the more heavy duty curse words are used.

Nudity -- means a man or woman's backside, a man's lower front or a woman's front are revealed.

Scantily clad -- means actors' private areas are technically covered, but I can see a lot of them.

Sexual Language -- means the dialogue contains sexually explicit language but there's no action.

Sexual Activity -- means a man and woman are performing sexual acts.

Adultery -- Means a married man or woman is involved sexually with someone besides their spouse. If this is depicted with sexual acts on stage, the list would include "sexual activity" as well.

Sex Outside of Marriage -- means a man and woman are involved sexually without being married. If this is depicted sexually on stage, the list would include "sexual activity" as well.

Homosexuality -- means this is in the show, but not physically depicted.

Homosexual activity -- means two persons of the same sex are embracing/kissing. If they do more than that, the list would include "sexual activity" as well.

Cross Dresser -- Means someone is dressing as the opposite sex. If they do more than that on stage the listing would include the corresponding "sexual activity" and/or "homosexual activity" as well.

Cross Gender -- A man is playing a female part or a woman is playing a man's part.

Suggestive Dancing -- means dancing contains sexually suggestive moves.

Derogatory (category added Fall 2012) Language or circumstances where women or people of a certain race are referred to or treated in a negative and demeaning manner.

Other content matters such as torture, suicide, or rape will be noted, with details revealed only as necessary in the review itself.

The term "throughout" added to any of the above means it happens many times throughout the show.

Reviewing Policy

I receive free seats to Broadway and Off-Broadway shows made available to all voting members of the Outer Critics Circle. Journalistically, I provide an unbiased review and am under no obligation to make positive statements. Sometimes shows do not make tickets available to reviewers. If these are shows my readers want to know about I will purchase a ticket. If a personal friend is involved in a production, I'll let you know, but it won't influence a review. If I feel there is a conflict, I won't review their portion of the production.

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