 |
| Evie Dolan, Alex Brightman, and Brandon Niederauer . Photo by Matthew Murphy, |
School of Rock Teaches Lessons About How to Make a Great
Musical
By Lauren
Yarger
It
has music by Andrew Lloyd Webber, a book by Julian Fellowes (“Downton Abbey”)
and a high-powered rock star performance. If that isn’t enough, School of Rock, the stage adaptation of
the popular 2003 movie starring Jack Black, has a ton of tiny talents – amazing
pre-teen kids who sing and dance and play their own instruments to rock out the
house at Broadway’s Winter Garden Theatre.
It’s
really good. In fact, I saw it twice because the first two times I had seats,
star Alex Brightman was out and I had to go back. It was no hardship, believe
me. (Thank goodness it wasn’t China Doll.)
Webber
has composed a score (supervised by Ethan Popp) that doesn’t sound
anything like his past accomplishments (Evita,
Cats, Jesus Christ Superstar to name a few), but which totally captures the
spirit of this comedy and setting (lyrics are by Glenn Slater). Fellowes also
shows his ability to diversify, so no one in his adaptation of Mike White’s screenplay
sounds like Lord Grantham chatting with Mr. Carson….
The story follows ne’er-do-well Dewey
Finn (Brightman) who gets kicked out of his band right before the Battle of the
Bands competition. He has been crashing at the home of his best friend, Ned
Schneebly (Spencer Moses), but when Dewey can’t come up with the rent, Ned’s
shrill, bossy girlfriend, Patty (Mamie Parris) tells Ned to throw him out.
Desperate, Dewey pretends to be Ned
and shows up for a high paying substitute teaching gig at Horace Green, a posh,
private prep school overseen by uptight Rosalie Mullins (Sierra Boggess) who
has as much love for rules and order as Ned does for rock music. The two,
obviously, immediately clash.
When Dewey discovers that some of
his kids play instruments and sing, he urges them to trade classical for rock
and they become “The School of Rock” to compete in the Battle of the Bands. While
they rehearse and keep the band a secret from their parents and Rosalie, the “teacher’
and his students form a bond, especially since Dewey believes in them and
listens to their needs when their parents won’t. The kids express their pain
and longing for parental approval in “If Only You Would Listen.”
Dewey becomes a real friend to:
·
Shy Tomika (Bobbi Mackenzie, vocals) who can’t
make her gay fathers understand that she misses her old school and friends even
if they think the new prep school is best for her. When she finds her voice, it’s
with a heartfelt rendering of “Amazing Grace” that makes us wonder how such a
powerful voice is coming out of such a little girl.
·
Geeky Lawrence (Jared
Parker, keyboard) who doesn’t know how to fit in and be cool. He is a hoot as
the nerd sex god.
·
Fashion-loving Billy
(Luca Padovan) who doesn’t want to play football like his father and
grandfather before him, but who prefers to read Vogue and design the band’s
costumes.
·
Over-achiever Summer (Isabella Russo) who
manages her mother and is obsessed with getting gold stars and getting into the
right college.
·
Zack (Brandon Niederauer, electric guitar), who
could be the next Jimmy Hendrix, but whose work-obsessed father never seems to
have time to listen.
·
Freddy (Dante
Melucci, drums), whose father wants him to pick up a hammer rather than a drum
stick.
·
And the rest of the band: Katie (Evie Dolan, bass), James (Jersey
Sullivan), Sophie (Corinne Wilson), Madison (Shahadi Wright Joseph), Shonelle (Taylor
Caldwell), Marcy (Carly Gendell) and Mason (Ethan Khusidman).
Director Laurence Connor puts the
cast through fast paces on a simple, quick-change set designed by Anna Louizos,
who also designs costumes. Most of the outfits for Boggess are rather
ill-fitting -- perhaps a visualization of “uptight” ? -- but they definitely are
unflattering. Direction gets an assist
from excellent Lighting Designer Natasha Katz who helps focus the action.
JoAnn M. Hunter (with Associate
Choreographer Patrick O’Neill) uses a lot of high-energy jumping and stomping
to give the kids movement for the loud rock numbers “Stick it to the Man,” and “You’re
in the Band.”
Brightman gets a workout as he
rocks the school for almost two and a half hours (you get the feeling he
genuinely likes these kids while he’s doing it) and makes Headmistress Mullins
wonder what happened to the free-spirited girl she used to be. That ballad, “Where
Did the Rock Go,” is the type of soul-gripping melody that makes Andrew Lloyd
Webber one of my favorite composers.
Some things missing in this otherwise
very satisfying production:
·
Any spark of chemistry between Dewey and
Rosalie. They don’t seem a good match and Boggess doesn’t seem comfortable in
the role. We never quite believe her uptight schoolmarm or her secret obsession
with Stevie Nicks.
·
Sound (designed by Mick Potter) problems
occurred in both performances I saw. Can’t hear the lyrics in some of the
louder numbers and for part of a performance, Boggess’s microphone wasn’t
working.
Don’t let that stop you from seeing
this musical, though. I totally enjoyed it – twice – and would go see it again.
The understudies I saw in a number of roles rocked out just as well as the
stars, especially young Ava Della Pietra who captured the audience’s heart with
Katie’s bass face.
School of Rock plays at the Winter Garden Theatre, 1634 Broadway, NYC. Performances are Tuesday through Thursday at 7 pm; Friday and Saturday at 7:30 pm; Wednesday and Saturday at 2 pm; Sunday at 3 pm. Tickets are $59 - $145: (212) 239-6200;
schoolofrockthemusical.com..
Additional cast:
Emily Cramer, Natalie Charle Ellis, Alan H. Green, Michael Hartney, John Hemphill, Merritt David Janes, Gavin Kim, Jeffrey Samuel Kishinevskiy, Lulu Lloyd, Jaygee Macapugay, Cassie Okenka, Patrick O’Neill, Ava Della Pietra, Sofia Roma Rubino, Tally Sessions, Jesse Swimm, Jonathan Wagner, Hayden Wall, Jeremy Woodard
Christians might also like to know:
-- God's name taken in vain
-- Language
-- Homosexuality
-- Lyrics have Jesus throwing Dewey a beer
-- A prayer to the gods of rock
No comments:
Post a Comment