Monday, July 13, 2015

Broadway will Dim Lights for Roger Rees

The Broadway community mourns the loss of Tony Award® - winning actor and Tony Award - nominated director, Roger Rees, who passed away on Friday at age 71. The marquees of Broadway theatres in New York will be dimmed in his memory on Wednesday, July 15th, at exactly 7:45pm for one minute.

Charlotte St. Martin, President of the Broadway League, said, “We are so fortunate that Roger Rees has graced our stages through the years and inspired us with his brilliant talent. In addition to his acting and directing accomplishments, his generous heart and warm, giving spirit will be greatly missed by his family, friends and fans.”

Roger Rees began his career with the Royal Shakespeare Company. He played Malcolm in the Trevor Nunn 1976 stage and 1978 television production of Macbeth. Most famously, Rees created the title role in the original production of The Life and Adventures of Nicholas Nickleby, David Edgar’s stage adaptation of the Dickens novel, winning both an Olivier Award and a Tony Award® for Best Actor in a Play in 1982. He also starred in the original production of The Real Thing by Tom Stoppard in London in 1984.

Continuing his work in the theatre through the 1990’s, both as an actor and a director, Rees was awarded an Obie Award for his 1992 performance in the Off-Broadway play The End of the Day. In 1995 he was nominated for a Tony Award for Best Actor in a Play for his role in Indiscretions.

He succeeded Nathan Lane in the role of Gomez in the Broadway musical adaptation of The Addams Family. His last West End appearance was in the acclaimed production of Waiting for Godot opposite Ian McKellen.

Rees achieved acclaim as a noted stage director including Peter and the Starcatcher which he developed, first at Williamstown Theatre Festival, then La Jolla Playhouse, and in New York at New York Theatre Workshop and on Broadway for which he received a Tony Award nomination for Best Director (the play won five Tony Awards).

Rees’ last Broadway appearance was the starring role of Anton Schell in The Visit, opposite Chita Rivera, which opened April 23, 2015. Additional Broadway credits included The Winslow Boy, pictured above, Uncle Vanya, The Rehearsal and London Assurance.
In November 2004, Rees was named Artistic Director of the Williamstown Theatre Festival, only the fourth person to hold the post in its half century history.

On  television, he appeared intermittently on the long-running series “Cheers” as the English tycoon Robin Colcord. Later television appearances include “My So-Called Life,” “The West Wing,” and “Warehouse 13.”

His film career began in 1983 when Bob Fosse cast him to star in Star 80. Rees played the Sheriff of Rottingham in Mel Brooks’ film, Robin Hood: Men in Tights. Later film appearances include Frida and The Prestige.

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Our reviews are professional reviews written without a religious bias. At the end of them, you can find a listing of language, content or theological issues that Christians might want to know about when deciding which shows to see.

** Mature indicates that the show has posted an advisory because of content. Usually this means I would recommend no one under the age of 16 attend.

Theater Critic Lauren Yarger

Theater Critic Lauren Yarger

My Bio

Lauren Yarger has written, directed and produced numerous shows and special events for both secular and Christian audiences. She co-wrote a Christian musical version of “A Christmas Carol” which played to sold-out audiences of over 3,000 in Vermont and was awarded the 2000 Vermont Bessie (theater and film awards) for “People’s Choice for Theatre.” She also has written two other dinner theaters, sketches for church services and devotions for Christian artists.

Yarger trained for three years in the Broadway League’s Producer Development Program, completed the Commercial Theater Institute's Producing Three-Day Training and produced a one-woman musical about Mary Magdalene that toured nationally and closed with an off-Broadway run.

She was a Fellow at the National Critics Institute at the O'Neill Theater Center in Waterford, CT. She writes reviews of Broadway and off-Broadway theater (the only ones you can find in the US with an added Christian perspective) at http://reflectionsinthelight.blogspot.com/.

She is editor of The Connecticut Arts Connection (http://ctarts.blogspot.com), an award-winning website featuring theater and arts news for the state. She is a contributing editor for BroadwayWorld.com and is a theater reviewer for the Manchester Journal-Inquirer. She previously served as Connecticut theater editor for CurtainUp.com and as Connecticut and New York reviewer for American Theater Web.

Yarger is a book reviewer for Publishers Weekly and freelances for other sites. She is a member of the National Book Critics Circle.

She is a freelance writer and playwright and member of The Drama Desk, The Outer Critics Circle, The American Theater Critics Association and The League of Professional Theatre Women. She served as a judge for the SDX Awards presented by the Society of Professional Journalists. She also is a member of the Connecticut Critics Circle and the CT Press Club.

A former newspaper editor and graduate of the University of Missouri’s School of Journalism, Yarger also worked in arts management for the Bushnell Center for the Performing Arts, the Hartford Symphony Orchestra and served for nine years as the Executive Director of Masterwork Productions, Inc. She lives with her husband in West Granby, CT. They have two adult children.

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All material is copyright 2008- 2017 by Lauren Yarger. Reviews and articles may not be reprinted without permission. Contact reflectionsinthelight@gmail.com

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Key to Content Notes:

God's name taken in vain -- means God or Jesus is used in dialogue without speaking directly to or about them.

Language -- means some curse words are used. "Minor" usually means the words are not too strong or that it only occurs once or twice throughout the show.

Strong Language -- means some of the more heavy duty curse words are used.

Nudity -- means a man or woman's backside, a man's lower front or a woman's front are revealed.

Scantily clad -- means actors' private areas are technically covered, but I can see a lot of them.

Sexual Language -- means the dialogue contains sexually explicit language but there's no action.

Sexual Activity -- means a man and woman are performing sexual acts.

Adultery -- Means a married man or woman is involved sexually with someone besides their spouse. If this is depicted with sexual acts on stage, the list would include "sexual activity" as well.

Sex Outside of Marriage -- means a man and woman are involved sexually without being married. If this is depicted sexually on stage, the list would include "sexual activity" as well.

Homosexuality -- means this is in the show, but not physically depicted.

Homosexual activity -- means two persons of the same sex are embracing/kissing. If they do more than that, the list would include "sexual activity" as well.

Cross Dresser -- Means someone is dressing as the opposite sex. If they do more than that on stage the listing would include the corresponding "sexual activity" and/or "homosexual activity" as well.

Cross Gender -- A man is playing a female part or a woman is playing a man's part.

Suggestive Dancing -- means dancing contains sexually suggestive moves.

Derogatory (category added Fall 2012) Language or circumstances where women are referred to or treated in a negative and demeaning manner.

Other content matters such as torture, suicide or rape will be noted, with details revealed only as necessary in the review itself.

The term "throughout" added to any of the above means it happens many times throughout the show.

Reviewing Policy

I receive free seats to Broadway and Off-Broadway shows made available to all voting members of the Outer Critics Circle and The Drama Desk, the two professional critics organizations with journalists covering NY theater. Journalistically, I provide an unbiased review and am under no obligation to make positive statements. Sometimes shows do not make tickets available to reviewers. If these are shows my readers want to know about (I review all Broadway shows and pertinent Off-Broadway shows), I will purchase a ticket. If a personal friend is involved in a production, I'll let you know, but it won't influence a review. If I feel there is a conflict, I won't review their portion of the production.

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