Off-Broadway Review: Tuesdays with Morrie with Len Cariou

 

Chris Domig and Len Cariou. Photo: Jeremy Varner

Tuesdays with Morrie
By Jeffrey Hatcher and Mitch Albom, based on the book by Mitch Albom

Directed by Erwin Maas
Presented by Sea Dog Theater
St. George’s Episcopal Church, 209 East 16 St. NYC

Through April 20

By Lauren Yarger
Len Cariou gives a truly moving performance in a story of friendship and forgiveness in an Off-Broadway adaptation of Mitch Albom's bestselling book Tuesdays with Morrie.

Cariou is Morrie Schwartz, a sociology professor at Brandeis University who strikes up a friendship with his student,  Mitch Albom, (Cris Domig). The two meet at office hours, mostly on Tuesdays and soon find they are chatting about much more than the various classes Mitch takes during his college years. They talk about life and whether Mitch will follow his dream of being a jazz pianist. It is a friendship that has the student calling Morrie "Coach" and promising to stay in touch with his mentor after graduation.

But he doesn't. Time speeds ahead with Mitch becoming a sports writer accumulating all that someone earning big bucks at the top of his profession can enjoy. He seems to be cruising with the addition of a wife who is a professional singer, but his life comes to a screeching halt when he hears that Morrie is dying of ALS, the debilitating disease that claimed Lou Gehrig's life.

Mitch begins flying from Detroit to Boston every Tuesday to visit with Morrie, who encourages Mitch to ask any questions he would like. The first visit is awkward for Mitch . He feels guilty. Why didn't he keep up with this friend after he promised he would. Morrie's attempts to reach out had gone unanswered. But Morrie holds no grudge. He is genuinely thrilled to see his old friend and the men take up where they left off 16 years ago. What follows is a masterclass on the meaning of life. 

The more he prepares to die, Morrie, rells us, the more he knows about how to live.

Domig effectively portrays the conflicted Mitch who wonders whether he is a good person or whether he knows how to really love.

"It was taught from experience." he tells us "There was no required reading, but many topics were covered: love, work, aging, family, community, forgiveness ... and death. The class met

on Tuesdays and had only one student. I was that student." 

Cariou himself gives a masterclass in acting. Direction by Erwin Maas is minimal with Cariou hugging the grand piano dominating Guy de Lancey's set, or sitting in a wheel chair as the disease takes hold of Morrie's body. We have no doubt of the man's spirit, conveyed by Cariou through dialogue, body movement (or lack of it) and facial expressions. Morrie helps Mitch forgive himself and discover that his life has meaning. He gives him hope through his own death-- not a bad trick for the professor who used to be agnostic.

It's moving and like the book (which Albom adapted with Jeffrey Hatcher), leaves us wishing we all had a Morrie in our lives. The old church setting lends to some echoing and sound and music effects can be stark and overwhelming at times. And the seats are exceptionally uncomfortable -- bring a pillow. But the experience is worth the trip and Tuesdays with Morrie has just been extended through April 20.  seadogtheater.org

Additional credits:

Lighting, Set, and Costume Designer: Guy de Lancey; Sound Designer: Eamon Goodman; 

Recorded Vocal Performance: Sally Shaw; Original Music Composition: Chris Domig; 
Sound Mixer: Chris White

Family-Friendly Factors:

No notes

Artist Portrait Series: Len Cariou + Heather Summerhayes Cariou from Sea Dog Theater on Vimeo.