Thursday, May 13, 2010

Theater Review: The Temperamentals

Thomas Jay Ryan, Michael Urie
(Photo: David Rogers David Rogers)
A Look at the Start of the Gay Movement
By Lauren Yarger
Back in the early 1950s, Communist Harry Hay (Thomas John Ryan) wrote a manifesto arguing that gays, code word "temperamentals," should be recognized as a sexual minority. He and his lover, fashion designer Rudi Gernreich (Michael Urie), try hard to sign up members for their Mattachine Society, which eventually becomes obsolete following the McCarthy Senate hearings on anti-American activity and the 1969 Stonewall riots in New York’s Greenwich Village.

Now, if you stretch that paragraph into two hours, you have Jon Marans’ play The Temperamentals, playing Off-Broadway. The play presents interesting information about a little-know movement and some insight into men living double lives – Harry is married with children – in order to keep up appearances in a culture that wasn’t accepting of openly homosexual behavior. In this, however, it seems a rehash of every other gay-themed play about two guys who can’t be together because something, usually either society or religion, won’t let them.

The performances directed by Jonathan Silverstein are good. Ryan and Urie are backed by Arnie Burton, Matthew Schneck and Sam Breslin Wright playing multiple roles.

“I intend never to be mistaken for a heterosexual again,” Harry claims and decides to start wearing women’s shawls and other garments to the delight of Rudi who also is getting pressure at work to find a wife to maintain appearances.

When one of the group’s members is arrested for lewd behavior, Harry urges him to fight in court so that his status as a sexual minority can be established. He wins the case, but the press shows no interest and Harry’s hopes for publicity about their “underground railroad” are dashed. The group sings “God save us queens” to the tune of “God Save the Queen.”

It just wasn’t interesting enough to me, nor were the characters likable enough, to justify a two-hour play, but I myself am in a minority, it seems. The Drama Desk has given the play a special ensemble award and the Outer Critics Circle has nominated it as Best Outstanding Play and for its John Gassner Award, presented for an American play, preferably by a new playwright.

The Temperamentals runs through May 30 at New World Stages, 340 West 50th St., NYC. Discounted tickets are available for friends of Masterwork Productions here.

Christians might also like to know:
• Homosexual themes
• Homosexual activity
• Language
Posted by at

No comments:

Post a Comment

Subscribe to: Post Comments (Atom)

Gracewell Prodiuctions

Gracewell Prodiuctions
Producing Inspiring Works in the Arts
Custom Search
Our reviews are professional reviews written without a religious bias. At the end of them, you can find a listing of language, content or theological issues that Christians might want to know about when deciding which shows to see.

** Mature indicates that the show has posted an advisory because of content. Usually this means I would recommend no one under the age of 16 attend.

Theater Critic Lauren Yarger

Theater Critic Lauren Yarger

My Bio

Lauren Yarger has written, directed and produced numerous shows and special events for both secular and Christian audiences. She co-wrote a Christian musical version of “A Christmas Carol” which played to sold-out audiences of over 3,000 in Vermont and was awarded the Vermont Bessie (theater and film awards) for “People’s Choice for Theatre.” She also has written two other dinner theaters, sketches for church services and devotions for Christian artists. Her play concept, "From Reel to Real: The Jennifer O'Neill Story" was presented as part of the League of professional Theatre Women's Julia's reading Room Series in New York. Shifting from reviewing to producing, Yarger owns Gracewell Productions, which produced the Table Reading Series at the Palace Theater in Waterbury, CT. She trained for three years in the Broadway League’s Producer Development Program, completed the Commercial Theater Institute's Producing Intensive and other training and produced a one-woman musical about Mary Magdalene that toured nationally and closed with an off-Broadway run. She was a Fellow at the National Critics Institute at the O'Neill Theater Center in Waterford, CT. She wrote reviews of Broadway and Off-Broadway theater (the only ones you can find in the US with an added Christian perspective) at http://reflectionsinthelight.blogspot.com/.

She is editor of The Connecticut Arts Connection (http://ctarts.blogspot.com), an award-winning website featuring theater and arts news for the state. She was a contributing editor for BroadwayWorld.com. She previously served as theater reviewer for the Manchester Journal-Inquirer, Connecticut theater editor for CurtainUp.com and as Connecticut and New York reviewer for American Theater Web.

She is a Co-Founder of the Connecticut Chapter of the League of Professional Theatre Women. She is a former vice president and voting member of The Drama Desk.

She is a freelance writer and playwright (member Dramatists Guild of America). She is a member if the The Outer Critics Circle (producer of the annual awards ceremony) and a member of The League of Professional Theatre Women, serving as Co-Founder of the Connecticut Chapter. Yarger was a book reviewer for Publishers Weekly A former newspaper editor and graduate of the University of Missouri’s School of Journalism, Yarger also worked in arts management for the Bushnell Center for the Performing Arts, the Hartford Symphony Orchestra and served for nine years as the Executive Director of Masterwork Productions, Inc. She lives with her husband in West Granby, CT. They have two adult children.

Copyright

All material is copyright 2008- 2024 by Lauren Yarger. Reviews and articles may not be reprinted without permission. Contact reflectionsinthelight@gmail.com

Search

Key to Content Notes:

God's name taken in vain -- means God or Jesus is used in dialogue without speaking directly to or about them.

Language -- means some curse words are used. "Minor" usually means the words are not too strong or that it only occurs once or twice throughout the show.

Strong Language -- means some of the more heavy duty curse words are used.

Nudity -- means a man or woman's backside, a man's lower front or a woman's front are revealed.

Scantily clad -- means actors' private areas are technically covered, but I can see a lot of them.

Sexual Language -- means the dialogue contains sexually explicit language but there's no action.

Sexual Activity -- means a man and woman are performing sexual acts.

Adultery -- Means a married man or woman is involved sexually with someone besides their spouse. If this is depicted with sexual acts on stage, the list would include "sexual activity" as well.

Sex Outside of Marriage -- means a man and woman are involved sexually without being married. If this is depicted sexually on stage, the list would include "sexual activity" as well.

Homosexuality -- means this is in the show, but not physically depicted.

Homosexual activity -- means two persons of the same sex are embracing/kissing. If they do more than that, the list would include "sexual activity" as well.

Cross Dresser -- Means someone is dressing as the opposite sex. If they do more than that on stage the listing would include the corresponding "sexual activity" and/or "homosexual activity" as well.

Cross Gender -- A man is playing a female part or a woman is playing a man's part.

Suggestive Dancing -- means dancing contains sexually suggestive moves.

Derogatory (category added Fall 2012) Language or circumstances where women or people of a certain race are referred to or treated in a negative and demeaning manner.

Other content matters such as torture, suicide, or rape will be noted, with details revealed only as necessary in the review itself.

The term "throughout" added to any of the above means it happens many times throughout the show.

Reviewing Policy

I receive free seats to Broadway and Off-Broadway shows made available to all voting members of the Outer Critics Circle. Journalistically, I provide an unbiased review and am under no obligation to make positive statements. Sometimes shows do not make tickets available to reviewers. If these are shows my readers want to know about I will purchase a ticket. If a personal friend is involved in a production, I'll let you know, but it won't influence a review. If I feel there is a conflict, I won't review their portion of the production.

All Posts on this Blog