Peter Friedman. Photo: Joan Marcus |
The Treasurer
By Max Posner
Directed by David Cromer
Playwrights Horizons
Through Nov. 5
By Lauren Yarger
It's every kid's nightmare: who is going to take care of the parents when they get elderly? But for the son (Peter Friedman) in the world premiere of Max Posner's new play The Treasurer at Playwrights Horizons, there is an even more chilling question: How do you keep up a good front for your siblings when you have been tasked with making sure your mother is taken care of within the means she has available when you don't really love her?
This sad, but realistic premise plays out under taut direction by David Cromer (The Band’s Visit, Our Town, Adding Machine), who wrings out the emotions of the story and particularly, those of the "son." the character's only identity, besides that of "the treasurer" caring for the bank accounts of his mother, Ida (Deanna Dunagan). He has to deal with her and absentee brothers, Allen and Jeremy (played by Marinda Anderson and Pun Bandhu, who also take on other roles) as Ida needs more and more interaction. She doesn't grasp the severity of her financial situation or her diminishing entail capability and places unrealistic demands on her children who must come up with the funds to place her n acceptable senior living, While we're moved as the son finds himself between a rock and hard place, we discover that he is more emotionally drained than anyone having come to the conclusion that he will go to hell for not loving his mother.
Most of the conversations between mother and son and siblings (and one other between Ida and a meaningful wrong number) take place via telephone (with quick scene changes designed by Laura Jellinek, but Cromer's genius has a chance to shine in a scene where mother and son get together for a meal. The pain of the relationship is palpable.
Posner packs a punch in 90 minutes in this play, which was commissioned by Playwrights, 416 West 42nd St., NYC, where it has been extended through Nov. 5.
It's every kid's nightmare: who is going to take care of the parents when they get elderly? But for the son (Peter Friedman) in the world premiere of Max Posner's new play The Treasurer at Playwrights Horizons, there is an even more chilling question: How do you keep up a good front for your siblings when you have been tasked with making sure your mother is taken care of within the means she has available when you don't really love her?
This sad, but realistic premise plays out under taut direction by David Cromer (The Band’s Visit, Our Town, Adding Machine), who wrings out the emotions of the story and particularly, those of the "son." the character's only identity, besides that of "the treasurer" caring for the bank accounts of his mother, Ida (Deanna Dunagan). He has to deal with her and absentee brothers, Allen and Jeremy (played by Marinda Anderson and Pun Bandhu, who also take on other roles) as Ida needs more and more interaction. She doesn't grasp the severity of her financial situation or her diminishing entail capability and places unrealistic demands on her children who must come up with the funds to place her n acceptable senior living, While we're moved as the son finds himself between a rock and hard place, we discover that he is more emotionally drained than anyone having come to the conclusion that he will go to hell for not loving his mother.
Most of the conversations between mother and son and siblings (and one other between Ida and a meaningful wrong number) take place via telephone (with quick scene changes designed by Laura Jellinek, but Cromer's genius has a chance to shine in a scene where mother and son get together for a meal. The pain of the relationship is palpable.
Posner packs a punch in 90 minutes in this play, which was commissioned by Playwrights, 416 West 42nd St., NYC, where it has been extended through Nov. 5.
Additional credits:
Costume design by David Hyman, Lighting Design by Bradley King, Sound Design byMikhail Fiksel, Projection Design by Lucy Mackinnon and Wig Design by Leah J. Loukas.
Performances are Tuesdays through Fridays at 8 pm; Saturdays at 2:30 and 8 pm; Sundays at 2:30 and 7:30 pm. Tickets are $49-$89: phnyc.org; 212- 279-4200
FAMILY-FRIENDLY FACTORS:
-- Language
-- God's name taken in vain
Costume design by David Hyman, Lighting Design by Bradley King, Sound Design byMikhail Fiksel, Projection Design by Lucy Mackinnon and Wig Design by Leah J. Loukas.
Performances are Tuesdays through Fridays at 8 pm; Saturdays at 2:30 and 8 pm; Sundays at 2:30 and 7:30 pm. Tickets are $49-$89: phnyc.org; 212- 279-4200
FAMILY-FRIENDLY FACTORS:
-- Language
-- God's name taken in vain
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