By William Shakespeare
Directed by Lear deBessonet
Choreography by Chase Brock
Public Theater
Public Theater
Through Aug. 13
By Lauren Yarger
What's It All About?
Seriously, if you don't know the story, I refer you to a volume of classic works by William Shakespeare or Spark notes. After seeing this particular play countless times (some theater I cover presents it at least once a season), I will beg off describing the silly plots about Gods playing tricks on each other in Athens, unsuspecting mortals getting caught in the crossfire and of amateur thespians set on performing at a royal wedding. Note: in case you doubt that I have seen this play enough times to be tired of it, the first Helena I ever saw was Diana Rigg in 1968
What Are the Highlights?
This version, directed by Lear deBessonet, founder of The Public Theater’s Public Works program, offers a couple of pleasant treats: Annaleigh Ashford (as Helena) and Kristine Neilsen as Puck. These are two of the theaters finest comedic actresses and they don't disappoint here. Ashford runs away with the show, playing Helena with a physical and vocal humor that has us laughing out loud all the way through the three hour run time. She's razor sharp on all counts. Look for award nominations here. Nielsen is a sophisticated, yet discombobulated Puck, sharing "private" moments and expressions of confusion with the audience. It's a comedy more subtle than Ashford's and they each have a place in deBessonaet's direction.
Also turning in notable performances, in a very strong ensemble cast, are Danny Burstein as Nick Bottom, Richard Poe as Oberon and Phylicia Rashad as Titania.
David Rockwell masterfully brings Central Park onto the stage:
What Are the Lowlights?
David Rockwell masterfully brings Central Park onto the stage:
Kyle Beltran, Kristine Nielsen, and Shalita Grant. Photo: Joan Marcus |
What Are the Lowlights?
I didn't care for the heavy, jazzy original music by Justin Levine (who also supervises and orchestrates) sung by Fairy Singer Marcelle Davies-Lashley and played by a band up in a tree house. It doesn't blend with the light feel of the show.
The costumes also standout for not fitting -- with the whimsical, airy atmosphere of the play, that is. Perhaps Costume Designer Clint Ramos was trying to make a point of some kind, but I have to admit that the atrocious colors and styles were lost on me. They propel us into modern times, stealing away some of the enchantment of being transported to ancient Greece. Nielsen is outfitted in unattractive masculine pajamas and the fairies look more like ghosts than ethereal creatures (see below).
The costumes also standout for not fitting -- with the whimsical, airy atmosphere of the play, that is. Perhaps Costume Designer Clint Ramos was trying to make a point of some kind, but I have to admit that the atrocious colors and styles were lost on me. They propel us into modern times, stealing away some of the enchantment of being transported to ancient Greece. Nielsen is outfitted in unattractive masculine pajamas and the fairies look more like ghosts than ethereal creatures (see below).
More Information:
A Midsummer Night's Dream plays at Central Park's Delacorte Theater (enter at 81st Street and Central Park West) through Aug. 13. Tickets are free (check out the webpage for details). publictheater.org
Additional casting:
De’Adre Aziza (Hippolyta); Kyle Beltran (Lysander); Min Borack (Fifth Fairy); Vinie Burrows (First Fairy, Peaseblossom); Danny Burstein (Nick Bottom); Justin Cunningham (Philostrate); Marcelle Davies-Lashley (Fairy Singer); Austin Durant (Snug); Shalita Grant (Hermia); Keith Hart (Third Fairy); Alex Hernandez (Demetrius); Jeff Hiller (Francis Flute); Robert Joy (Peter Quince); Patricia Lewis (Fourth Fairy); David Manis(Egeus, Cobweb); Pamela McPherson-Cornelius (Second Fairy); Patrena Murray (Snout); Bhavesh Patel(Theseus); Joe Tapper (Robin Starveling); Judith Wagner (Mote); Warren Wyss (Mustardseed); Benjamin Ye (Changeling Boy).
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