Broadway Theater Gets a Big Top with Cirque du Soleil Musical
By Lauren Yarger
Looking for that perfect show to do with the kids over summer or winter break? The first Cirque du Soleil show, written specifically for Broadway, just might be the answer.
Looking for that perfect show to do with the kids over summer or winter break? The first Cirque du Soleil show, written specifically for Broadway, just might be the answer.
Paramour officially opens
the 2016-2017 Broadway season at high-flying Spider-man’s home, the now newly
named Lyric Theatre, for which the show’s creators design it, with a tale of a
love triangle during Hollywood’s golden age. Ruby Lewis stars as Indigo, an
actress caught between her egotistical director Jeremy Kushnier and true love Joey
(Ryan Vona) – and that is more of the plot than I usually can convey from other
Cirque du Soleil shows which leave the audience gasping at the physical feats being
performed but usually scratching their heads in puzzlement over what the story was
about.
Like most Cirque shows, there is
music (composed here by the team of Bob and Bill) and a bunch of circus and
acrobatic acts interwoven between the tunes and the plot.
The
cursory love story (will Ruby choose her career or true love?) moves along,
sometimes in an overblown fashion, because of lots of set design by Jean Rabasse. An
exception is a terrific trapeze act where their story is acted out. This plot
is way better, by the way, than Cirque’s last attempt to play a New York
theater a few seasons ago with the really terrible Banana Shpeel up at the
Beacon in Harlem.
There are lots of other movement too from tap dancing (choreography by Daphné
Mauger) and elaborate aerial acrobatics (Acrobatic
Performance Design by Boris Verkhovsky, Flying Machine Design and Choreography
by Raffaello D'Andrea/Verity Studios and others). A cast of 38 actors, dancers, aerialists, acrobats, and circus arts
performers with acts including aerial strap artists, Chinese pole, contortion,
juggling, Russian beam, teeterboard, tumbling, trampoline and trapeze dazzle both skill-wise and because of
the colorful, glittery costumes designed by Philippe Guillotel
The most breath-taking act is a high-flying strap act
featuring twin brothers – all to the backdrop of the filming of Cleopatra. This
is definitely the Big Top taking Broadway by storm. It brought its audience -- whooping,
whistling and talking – with it, but it is great to see kids experiencing a
show on Broadway.
If Broadway (and its ticket prices) isn't for you, you still
can enjoy Cirque du Soleil in a couple of its Off-Broadway homes this summer. Toruk—The First Flight, inspired by the
movie “Avatar” plays Sept. 7-11 at Barclays Center in Brooklyn and form Sept.
15-18 at the Prudential Center in Newark.
Kurios – Cabinet of Curiosities
is a period fantasy about a world where everything is possible. It begins a run
under the bog top on Randall’s Island Sept. 29.
Paramour runs through Feb. 19, 2017 at the Lyric Theatre, 213 West 42nd St., NYC. Performances are Monday, Wednesday, Thursday at 7:30 pm; Friday at 8 pm; Saturday at 3 and 8 pm; Sunday at 3 and 7 pm. Tickets are $55- $145: www.ParamourOnBroadway.com (877) 250-2929.
Credits: Creative Guidance and Direction by Jean-Francoise Bouchard; Direction and Concept by Philippe Decouflé; Associate Creative Direction by Pascale Henrot; Associate Creative Director, Scene Direction and Story by Wes Hyler; Associate Creative Direction, Scene Direction and Story by Scott Zeigler; Set Design by Jean Rabasse ; Costume Design by Philippe Guillotel ; Choreography by Daphné Mauger ; Lighting Design by Patrice Besombes ; Props Design by Anne‐Séguin Poirier ; Projection Design by Olivier Simola, Sound Design by John Shivers and Christophe Waksmann, Associate Creative Direction, Acrobatic Design and Choreography by Shana Caroll; Composition by Bob and Bill (Guy Dubuc and Marc Lessard); Lyrics and Composition by Andreas Carlsson; Acrobatic Performance Design by Boris Verkhovsky, Flying Machine Design and Choreography by Raffaello D'Andrea/Verity Studios, Boris Verkhovsky, Rigging and Acrobatic Equipment Design by Pierre Masse, Makeup Design by Nathalie Gagné , Hair Design by Josh Marquette; Music Direction and Conducting by Seth Stachowski.
Paramour runs through Feb. 19, 2017 at the Lyric Theatre, 213 West 42nd St., NYC. Performances are Monday, Wednesday, Thursday at 7:30 pm; Friday at 8 pm; Saturday at 3 and 8 pm; Sunday at 3 and 7 pm. Tickets are $55- $145: www.ParamourOnBroadway.com (877) 250-2929.
Credits: Creative Guidance and Direction by Jean-Francoise Bouchard; Direction and Concept by Philippe Decouflé; Associate Creative Direction by Pascale Henrot; Associate Creative Director, Scene Direction and Story by Wes Hyler; Associate Creative Direction, Scene Direction and Story by Scott Zeigler; Set Design by Jean Rabasse ; Costume Design by Philippe Guillotel ; Choreography by Daphné Mauger ; Lighting Design by Patrice Besombes ; Props Design by Anne‐Séguin Poirier ; Projection Design by Olivier Simola, Sound Design by John Shivers and Christophe Waksmann, Associate Creative Direction, Acrobatic Design and Choreography by Shana Caroll; Composition by Bob and Bill (Guy Dubuc and Marc Lessard); Lyrics and Composition by Andreas Carlsson; Acrobatic Performance Design by Boris Verkhovsky, Flying Machine Design and Choreography by Raffaello D'Andrea/Verity Studios, Boris Verkhovsky, Rigging and Acrobatic Equipment Design by Pierre Masse, Makeup Design by Nathalie Gagné , Hair Design by Josh Marquette; Music Direction and Conducting by Seth Stachowski.
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