Steven Boyer in a scene from Robert Askins' HAND TO GOD on Broadway. (Photo by Joan Marcus) |
By Robert Askins
Directed by Moritz von Stuelpnagel
The Booth Theatre
What's It All About?
What's It All About?
The Broadway transfer of Robert Askins' very dark (and I do mean very) play about a church puppet ministry in Texas and a demon-possessed puppet named Tyrone that takes over his handler, Jason (Steven Boyer, who reprises the role for which he has been honored with Obie, Lucille Lortel and the Clarence Derwent Awards.) Jason is forced to take part in the ministry by his mother, Margery (Geneva Carr, in her Broadway debut), who directs it to keep herself busy after the death of her husband.
The sleazy pastor, Greg (a miscast Marc Kudish) tries to hit on her, but when she gives into temptation, it's for a repulsive S&M relationship with puppet ministry teen Timothy (Michael Oberholtzer, also making his Broadway debut). All this wreaks havoc with sensitive Jason, who is influenced more and more by Tyrone, who gives him tips for how to win the affections of the other member of the puppet team, Jessica (Sarah Stiles).
Tyrone leads Jason to horrible violence -- and to a lengthy session of puppet porn as he and Jessica's puppet engage in every possible type of sexual activity while the teens talk.
What are the highlights?
Boyer's performance is very good. His puppetry skills and body language are amazing. He is a nominee for the 2015 Drama League Distinguished Performance and will host those awards, along with Tyrone, on May 15.
What Are the Lowlights?
Really repulsive show. It doesn't find the uncontested humor of something like Book of Mormon, that crosses some lines of reverence, but overwhelmingly uses the religion's own questionable points for laughs (we all need to poke fun at ourselves). This just portrays Christians as idiots. It's message, spoken directly to us by Tyrone, that evil and the devil are man-made things, that Jesus dying on the cross is just something made up and that we should all just let ourselves off the hook for having natural desires that should just be allowed to thrive.
When I saw this Off-Broadway, I thought it was not very funny and misguided, but not particularly hostile in its intent, despite the fact that it's just another play by a playwright who obviously has walked away from faith and wants to vent. This Broadway version, however, focuses on the dark and evil -- the scene after Tyrone possesses Jason designed by Beowulf Boritt includes pentagrams, upside-down crosses, "Hail Satan," the number 666 and a picture of Jesus with his private parts (looking uncircumcised) exposed -- all greeted by wild laughter from the audience. I felt uncomfortable and it takes a lot to do that with me. That puppet sex scene is like watching porn.
Kudish is as uncomfortable trying to figure out what to do with his stereotypical role as the character is trying to figure out how to ask Margery out. Carr shouts all her lines in one tone.
If you really want to see a show that bashes God and Christians, wait until I have a chance to review An Act of God starring Jim Parsons, which opens May 28. Somehow, I am guessing it will be funnier.
More information:
The design team for Hand to God includes costumes by Sydney Maresca, lighting by Jason Lyons, sound by Jill BC Du Boff, puppet design by Marte Johanne Ekhougen, and fight direction by Robert Westley.
The design team for Hand to God includes costumes by Sydney Maresca, lighting by Jason Lyons, sound by Jill BC Du Boff, puppet design by Marte Johanne Ekhougen, and fight direction by Robert Westley.
It plays at the Booth Theatre, 222 West 45th St., NYC; www.HandToGodBroadway.com.
Christians might like to know:
In addition to the concerns listed above..
-- Sexual dialogue
-- Bondage
-- Ripping of bible
-- Cursing against God
-- Lord's name taken in vain
-- Language
-- Graphic violence with blood
.
Christians might like to know:
In addition to the concerns listed above..
-- Sexual dialogue
-- Bondage
-- Ripping of bible
-- Cursing against God
-- Lord's name taken in vain
-- Language
-- Graphic violence with blood
.
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