Memphis. Photo: Joan Marcus
Two Ties Announced: Catherine Zeta-Jones and Montego Glover tie for Outstanding Actress in Musical; A View from the Bridge and Fences share Outstanding Revival of a Play
Memphis captured Drama Desk trophies for Outstanding New Musical, Outstanding Music (David Bryan) and Outstanding Orchestrations (Daryl Waters and David Bryan) while Oustanding Play Red also won for Outstanding Director (Michael Grandage) and Outstanding Lighting Design (Neil Austin).
In addition to sharing the Outstanding Revival of a Play award, Fences also garnered the Outstanding Actress in a Play award for Viola Davis and Outstanding Music in a Play award for Branford Marsalis. La Cage Aux Folles won for Outstanding Revival of a Musical, for Outstanding Actor in a Musical (Douglas Hodge) and for Outstanding Costume Design (Matthew Wright).
Jan Maxwell (The Royal Family) was voted Outstanding Actress in a Play. The Outstanding Featured Actress in a Musical award went to Katie Finneran (revival of Promises, Promises) and the Outstanding Featured Actor in a Musical trophy was presented to Christopher Fitzgerald (the revival of Finian’s Rainbow). Santino Fontana (Brighton Beach Memoirs) won the Outstanding Featured Actor in a Play Award
Michael Mayer (American Idiot) was named Outstanding Director of a Musical and Twyla Tharp (Come Fly Away) was voted Outstanding Choreographer. Sondheim on Sondheim won the Drama Desk Award as Outstanding Musical Revue and John Kander and Fred Ebb (The Scottsboro Boys) were voted Drama Desk Awards for Outstanding Lyrics. The Outstanding Book of a Musical went to Alex Timbers (Off Broadway’s Bloody Bloody Andrew Jackson).
Michael Mayer (American Idiot) was named Outstanding Director of a Musical and Twyla Tharp (Come Fly Away) was voted Outstanding Choreographer. Sondheim on Sondheim won the Drama Desk Award as Outstanding Musical Revue and John Kander and Fred Ebb (The Scottsboro Boys) were voted Drama Desk Awards for Outstanding Lyrics. The Outstanding Book of a Musical went to Alex Timbers (Off Broadway’s Bloody Bloody Andrew Jackson).
The Outstanding Set Design Drama Desk was won by Phelim McDermott, Julian Crouch & Basil Twist for The Addams Family. The Outstanding Sound Design in a Musical went to Acme Sound Partners (Ragtime), and Fitz Patton (When The Rain Stops Falling) captured the Drama Desk Award for Outstanding Sound Design in a Play.
Jim Brochu won the Outstanding Solo Performance Drama Desk Award for his portrayal of Zero Mostel in Zero Hour. The Unique Theatrical Experience Drama Desk award was voted to Love, Loss and What I Wore. Matthew Wright (La Cage Aux Folles) won the Drama Desk Award for Outstanding Costumes. Acme Sound Partners (Ragtime) was voted the award for Outstanding Sound Design in a Musical and Fitz Patton (When The Rain Stops Falling) won for Outstanding Sound Design in a Play.
The following awards were voted by the nominating committee and were presented at the 55th awards ceremony, hosted by Patti LuPone Sunday, May 23:
Outstanding Ensemble Awards for acting were presented to the cast members of two shows -- The Temperamentals and The Orphan’s Home Cycle. Therefore, individual cast members for these shows were not eligible for acting awards in the competitive categories.
Each year the Drama Desk votes special awards to recognize excellence and significant contributions to the theater. These awards were presented this evening to:
• To the cast, creative team and producers of Horton Foote’s epic The Orphan’s Home Cycle: saluting the breadth of vision, which inspired the exceptional direction, performances, sets, lighting, costumes, music and sound that made it the theatrical event for this season.
• To Jerry Herman for enchanting and dazzling audiences with his exuberant music for more than half a century.
• To Godlight Theatre Company for consistent originality and excellence in dramatizing modern literature, and especially for the vibrant theatricality of its innovative productions.
• To Ma-Yi Theater Company for more than two decades of excellence and for nurturing Asian-American voices in stylistically varied and engaging theater.
• To the cast, creative team and producers of Horton Foote’s epic The Orphan’s Home Cycle: saluting the breadth of vision, which inspired the exceptional direction, performances, sets, lighting, costumes, music and sound that made it the theatrical event for this season.
• To Jerry Herman for enchanting and dazzling audiences with his exuberant music for more than half a century.
• To Godlight Theatre Company for consistent originality and excellence in dramatizing modern literature, and especially for the vibrant theatricality of its innovative productions.
• To Ma-Yi Theater Company for more than two decades of excellence and for nurturing Asian-American voices in stylistically varied and engaging theater.
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