Monday, August 13, 2012

Quick Hit Theater Review: New Girl in Town

The ensemble. Photo: Carol Rosegg.
New Girl in Town
Music and Lyrics By Bob Merrill
Book by George Abbott
Directed by Charlotte Moore
Musical Direction by John Bell
Choreography By Barry McNabb
Irish Repertory Theatre

What's it about?


It is a musical adaptation of Anna Christie, by Eugene O'Neill. Now, you might be asking, "Musical? O'Neill?" It is a little hard to put those two concepts together, but Abbott's book just touches the surface of the playwright's brooding 1922 Pulitzer-Prize-winning play. Anna (Margaret Loesser Robinson) returns to the New York waterfront and her barge captain father, Chris Christopherson (Cliff Bemis), who tries to hide his drunken state and girlfriend, Marthy (Danielle Ferland) to impress the daughter he hasn't seen in 15 years. Christopherson had sent 5-year-old Anna to live with relatives in rural Minnesota after her mother's death.  Anna has a few things to hide herself, like the fact she's not the nurse her father believes her to be. Instead, she has been working as a prostitute following years of abuse at the hands of her farm relatives and is hoping to start life fresh with him in the big city. Christopherson rescues a young sailor, Matt (Patrick Cummings), and he and Anna fall in love over her father's objections. When Marthy reveals Anna's secret, everyone's happiness is threatened.

What are the highlights?
Given the often less-than-happy tale, Merrill's score is really upbeat and catchy. "Did You Close Your eyes" is quite a moving and haunting duet. McNabb does the score justice with choreography that efficiently moves the 11-member ensemble around on the small stage. James Morgan's set changes with the help of lighting (Mary Jo Dondlinger) and video (Richard DiBella, design). Loved China Lee's flapper dress design. The band is housed stage right and Moore adds the nice touch of having the saxophone player (Jeremy Clayton) join the action. All of the performances and vocals are strong. It's a nice tale of redemption, people changing and of the life-changing force of forgiveness.

What are the lowlights?
Nothing to speak of, except that if you're a big Anna Christie fan, this musical version, which originally starred Gwen Verdon, probably won't be meaty enough for you.

Other information:
Performances of New Girl in Town run Off-Broadway through Sept. 9 at The Irish
Repertory Theatre, 132 West 22nd St., between 6th and 7th avenues; Wednesdays at 3 and 8 pm, Thursdays at 7 pm; Fridays at 8pm; Saturdays at 3 and 8 pm; and Sundays at 3 pm. Tickets are $55 and $65, and are available by calling 212-727-2737 or online at www.irishrep.org.

Christians might also like to know:
-- No notes besides the content mentioned.

No comments:

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Our reviews are professional reviews written without a religious bias. At the end of them, you can find a listing of language, content or theological issues that Christians might want to know about when deciding which shows to see.

** Mature indicates that the show has posted an advisory because of content. Usually this means I would recommend no one under the age of 16 attend.

Theater Critic Lauren Yarger

Theater Critic Lauren Yarger

My Bio

Lauren Yarger has written, directed and produced numerous shows and special events for both secular and Christian audiences. She co-wrote a Christian musical version of “A Christmas Carol” which played to sold-out audiences of over 3,000 in Vermont and was awarded the 2000 Vermont Bessie (theater and film awards) for “People’s Choice for Theatre.” She also has written two other dinner theaters, sketches for church services and devotions for Christian artists.

Yarger trained for three years in the Broadway League’s Producer Development Program, completed the Commercial Theater Institute's Producing Three-Day Training and produced a one-woman musical about Mary Magdalene that toured nationally and closed with an off-Broadway run.

She was a Fellow at the National Critics Institute at the O'Neill Theater Center in Waterford, CT. She writes reviews of Broadway and off-Broadway theater (the only ones you can find in the US with an added Christian perspective) at http://reflectionsinthelight.blogspot.com/.

She is editor of The Connecticut Arts Connection (http://ctarts.blogspot.com), an award-winning website featuring theater and arts news for the state. She is a contributing editor for BroadwayWorld.com and is a theater reviewer for the Manchester Journal-Inquirer. She previously served as Connecticut theater editor for CurtainUp.com and as Connecticut and New York reviewer for American Theater Web.

Yarger is a book reviewer for Publishers Weekly and freelances for other sites. She is a member of the National Book Critics Circle.

She is a freelance writer and playwright and member of The Drama Desk, The Outer Critics Circle, The American Theater Critics Association and The League of Professional Theatre Women. She served as a judge for the SDX Awards presented by the Society of Professional Journalists. She also is a member of the Connecticut Critics Circle and the CT Press Club.

A former newspaper editor and graduate of the University of Missouri’s School of Journalism, Yarger also worked in arts management for the Bushnell Center for the Performing Arts, the Hartford Symphony Orchestra and served for nine years as the Executive Director of Masterwork Productions, Inc. She lives with her husband in West Granby, CT. They have two adult children.

Copyright

All material is copyright 2008- 2017 by Lauren Yarger. Reviews and articles may not be reprinted without permission. Contact reflectionsinthelight@gmail.com

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Key to Content Notes:

God's name taken in vain -- means God or Jesus is used in dialogue without speaking directly to or about them.

Language -- means some curse words are used. "Minor" usually means the words are not too strong or that it only occurs once or twice throughout the show.

Strong Language -- means some of the more heavy duty curse words are used.

Nudity -- means a man or woman's backside, a man's lower front or a woman's front are revealed.

Scantily clad -- means actors' private areas are technically covered, but I can see a lot of them.

Sexual Language -- means the dialogue contains sexually explicit language but there's no action.

Sexual Activity -- means a man and woman are performing sexual acts.

Adultery -- Means a married man or woman is involved sexually with someone besides their spouse. If this is depicted with sexual acts on stage, the list would include "sexual activity" as well.

Sex Outside of Marriage -- means a man and woman are involved sexually without being married. If this is depicted sexually on stage, the list would include "sexual activity" as well.

Homosexuality -- means this is in the show, but not physically depicted.

Homosexual activity -- means two persons of the same sex are embracing/kissing. If they do more than that, the list would include "sexual activity" as well.

Cross Dresser -- Means someone is dressing as the opposite sex. If they do more than that on stage the listing would include the corresponding "sexual activity" and/or "homosexual activity" as well.

Cross Gender -- A man is playing a female part or a woman is playing a man's part.

Suggestive Dancing -- means dancing contains sexually suggestive moves.

Derogatory (category added Fall 2012) Language or circumstances where women are referred to or treated in a negative and demeaning manner.

Other content matters such as torture, suicide or rape will be noted, with details revealed only as necessary in the review itself.

The term "throughout" added to any of the above means it happens many times throughout the show.

Reviewing Policy

I receive free seats to Broadway and Off-Broadway shows made available to all voting members of the Outer Critics Circle and The Drama Desk, the two professional critics organizations with journalists covering NY theater. Journalistically, I provide an unbiased review and am under no obligation to make positive statements. Sometimes shows do not make tickets available to reviewers. If these are shows my readers want to know about (I review all Broadway shows and pertinent Off-Broadway shows), I will purchase a ticket. If a personal friend is involved in a production, I'll let you know, but it won't influence a review. If I feel there is a conflict, I won't review their portion of the production.

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