Monday, July 23, 2012

Weather Postpones Into The Woods Preview Tonight

Glenn Close is the voice of the giant in the park production.
The first preview of Into the Woods at Central Park's Delacorte Theater has been postponed tonight due to weather. The first preview will now take place tomorrow at 8 pm.

Stephen Sondheim and James Lapine’s beloved musical is the second show of The Public’s 50th Anniversary season at the Delacorte Theater in Central Park and will run for five weeks through Saturday, Aug. 25.

Timothy Sheader directs with co-direction by Liam Steel.

The production will featureAmy Adams (Baker’s Wife); Jack Broderick (Narrator); Glenn Close (The Voice of the Giant); Gideon Glick (Jack);Cooper Grodin (Rapunzel’s Prince); Ellen Harvey (Cinderella’s Stepmother);Ivan Hernandez (Cinderella’s Prince, Wolf); Tina Johnson (Red Ridinghood’s Granny);Josh Lamon (Steward); Bethany Moore (Florinda); Jessie Mueller(Cinderella); Donna Murphy (The Witch); Denis O’Hare (The Baker);Jennifer Rias (Lucinda); Laura Shoop (Cinderella’s Mother); Tess Soltau (Rapunzel); Sarah Stiles (Little Red Ridinghood);Kristine Zbornik (Jack’s Mother); and Chip Zien (Mysterious Man). The non-Equity ensemble featuresVictoria Cook, Johnny Newcomb, Noah Radcliffe, and Eric R. Williams.

TICKET INFORMATION

Tickets to Shakespeare in the Park are FREE and are distributed, two per person, at the Delacorte Theater in Central Park the day of the show. The Public Theater will again offer free tickets through a Virtual Ticketing lottery at www.shakespeareinthepark.org on the day of the show. All performances are at 8 pm.

In addition to the ticket line at the Delacorte Theater and Virtual Ticketing online, a limited number of vouchers for specific performances will be distributed, while supplies last, at locations throughout NewYork’s five boroughs. Each person in line is allowed two vouchers and each voucher is good for one ticket for that evening’s performance. Vouchers must be exchanged for tickets at the Delacorte Theater Box Office that day from 4 to 7:30 pm.  Vouchers will be distributed, while supplies last, on Wednesday, July 25 in Manhattan at El Museo del Barrio (1230 5th Avenue); Friday, July 27 in Queens at The Jamaica Center for Arts and Learning (16104 Jamaica Avenue);Saturday, July 28 in The Bronx at Lehman Stages at Lehman College (250 Bedford Park Boulevard West);Monday, July 30 in Brooklyn at Mark Morris dance Group in collaboration with 651 Arts Center (3 Lafayette Street);Tuesday, July 31 in Staten Island at the Snug Harbor Cultural Center (100 Richmond Terrace).

The Delacorte Theater in Central Park is accessible by entering at 81st Street and Central Park West or at 79th Street and Fifth Avenue.

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Our reviews are professional reviews written without a religious bias. At the end of them, you can find a listing of language, content or theological issues that Christians might want to know about when deciding which shows to see.

** Mature indicates that the show has posted an advisory because of content. Usually this means I would recommend no one under the age of 16 attend.

Theater Critic Lauren Yarger

Theater Critic Lauren Yarger

My Bio

Lauren Yarger has written, directed and produced numerous shows and special events for both secular and Christian audiences. She co-wrote a Christian musical version of “A Christmas Carol” which played to sold-out audiences of over 3,000 in Vermont and was awarded the 2000 Vermont Bessie (theater and film awards) for “People’s Choice for Theatre.” She also has written two other dinner theaters, sketches for church services and devotions for Christian artists.

Yarger trained for three years in the Broadway League’s Producer Development Program, completed the Commercial Theater Institute's Producing Three-Day Training and produced a one-woman musical about Mary Magdalene that toured nationally and closed with an off-Broadway run.

She was a Fellow at the National Critics Institute at the O'Neill Theater Center in Waterford, CT. She writes reviews of Broadway and off-Broadway theater (the only ones you can find in the US with an added Christian perspective) at http://reflectionsinthelight.blogspot.com/.

She is editor of The Connecticut Arts Connection (http://ctarts.blogspot.com), an award-winning website featuring theater and arts news for the state. She is a contributing editor for BroadwayWorld.com and is a theater reviewer for the Manchester Journal-Inquirer. She previously served as Connecticut theater editor for CurtainUp.com and as Connecticut and New York reviewer for American Theater Web.

Yarger is a book reviewer for Publishers Weekly and freelances for other sites. She is a member of the National Book Critics Circle.

She is a freelance writer and playwright and member of The Drama Desk, The Outer Critics Circle, The American Theater Critics Association and The League of Professional Theatre Women. She served as a judge for the SDX Awards presented by the Society of Professional Journalists. She also is a member of the Connecticut Critics Circle and the CT Press Club.

A former newspaper editor and graduate of the University of Missouri’s School of Journalism, Yarger also worked in arts management for the Bushnell Center for the Performing Arts, the Hartford Symphony Orchestra and served for nine years as the Executive Director of Masterwork Productions, Inc. She lives with her husband in West Granby, CT. They have two adult children.

Copyright

All material is copyright 2008- 2017 by Lauren Yarger. Reviews and articles may not be reprinted without permission. Contact reflectionsinthelight@gmail.com

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Key to Content Notes:

God's name taken in vain -- means God or Jesus is used in dialogue without speaking directly to or about them.

Language -- means some curse words are used. "Minor" usually means the words are not too strong or that it only occurs once or twice throughout the show.

Strong Language -- means some of the more heavy duty curse words are used.

Nudity -- means a man or woman's backside, a man's lower front or a woman's front are revealed.

Scantily clad -- means actors' private areas are technically covered, but I can see a lot of them.

Sexual Language -- means the dialogue contains sexually explicit language but there's no action.

Sexual Activity -- means a man and woman are performing sexual acts.

Adultery -- Means a married man or woman is involved sexually with someone besides their spouse. If this is depicted with sexual acts on stage, the list would include "sexual activity" as well.

Sex Outside of Marriage -- means a man and woman are involved sexually without being married. If this is depicted sexually on stage, the list would include "sexual activity" as well.

Homosexuality -- means this is in the show, but not physically depicted.

Homosexual activity -- means two persons of the same sex are embracing/kissing. If they do more than that, the list would include "sexual activity" as well.

Cross Dresser -- Means someone is dressing as the opposite sex. If they do more than that on stage the listing would include the corresponding "sexual activity" and/or "homosexual activity" as well.

Cross Gender -- A man is playing a female part or a woman is playing a man's part.

Suggestive Dancing -- means dancing contains sexually suggestive moves.

Derogatory (category added Fall 2012) Language or circumstances where women are referred to or treated in a negative and demeaning manner.

Other content matters such as torture, suicide or rape will be noted, with details revealed only as necessary in the review itself.

The term "throughout" added to any of the above means it happens many times throughout the show.

Reviewing Policy

I receive free seats to Broadway and Off-Broadway shows made available to all voting members of the Outer Critics Circle and The Drama Desk, the two professional critics organizations with journalists covering NY theater. Journalistically, I provide an unbiased review and am under no obligation to make positive statements. Sometimes shows do not make tickets available to reviewers. If these are shows my readers want to know about (I review all Broadway shows and pertinent Off-Broadway shows), I will purchase a ticket. If a personal friend is involved in a production, I'll let you know, but it won't influence a review. If I feel there is a conflict, I won't review their portion of the production.

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