Tuesday, February 16, 2010

Slow Part of Broadway Season: Pass Time with Panels, Workshops; Show Openings Coming

We're coming through the slow part of the Broadway season, a particularly snowy January/February where lots of productions traditionally shutter and not much opens.

Spring is coming, and one look at the opening schedule on Broadway makes me feel like I should just take out a sublet. There are a LOT of shows opening, especially in April. The economy might be tanking, but lots of shows are getting in under this year's Tony, Drama Desk and Outer Critic Circle Award deadlines and that's good news for the Great White Way and theater lovers.

Meanwhile, some shows open in March and there are some other great theater-related programs that will help pass the time. Check these out:


Theater Resources Unlimited (TRU), Audience Extras and Back Stage present the industry panel "Producing Opportunities beyond New York: Fringe Circuits, Colleges, Arts Centers and More" 7:30 pm Wednesday, Feb. 17 at The Players Theatre Mainstage, 115 MacDougal St. (below West 3rd Street), NYC.

Panelists will include Nancy Holson, producer/writer (The News in Revue, Bush Wars, Parenting 101); Joshua Kane, writer-performer Wild Baboo Productions LLC (toured internationally with one-man shows, has created and performed works for major museums, arts centers and festivals, including the Smithsonian Museum, the Jewish Museum, the Peabody Museum at Yale, the Ridgefield Museum of Contemporary Art); Dorothy Leeds, writer-performer (has booked her one-woman show Good Lessons from Bad Women, around the country); Dorothy Marcic, writer (her musical Respect has played in 17 cities with over 2200 performances); Ronald Rand, writer-performer (currently tours across America and the world in his solo play, Let it Be Art! as Harold Clurman, founder and publisher of "The Soul of the American Actor," author of "Acting Teachers of America"); Virginia Scott, director-writer (Fringe tours, books shows regionally and in New York City, including The US Comedy Arts Festival in Aspen, The Theatre at Monmouth in Maine, The Comedy Central Theatre and UCB LA in Los Angeles; and internationally at The Guilded Balloon in Edinburgh, The Centaur Theatre in Montreal, the Grahamstown International Festival in South Africa and festivals throughout Canada).

Doors open at 7 for networking and refreshments, panel starts promptly at 7:30 pm. FREE for TRU members; $12 for non-members. Please call at least a day in advance for reservations: 212-714-7628; or e-mail TRUnltd@aol.com. The panel will be co-moderated by Sherry Eaker, editor-at-large of Back Stage. Details of the upcoming TRU musicals series may be found at www.truonline.org/TRUMusicals.htm. For more information about TRU membership, visit http://www.truonline.org/ or call 212-714-7628.

The Primary Stages School of Theater (PSST) continues its highly successful specialty workshops as a way for students to quickly jumpstart new projects and refine important skills in a shortened amount of time. The spring workshop instructors include David Adjmi, Joanna Gleason, David Grimm, Itamar Moses and Leigh Silverman.

Spring 2010 Workshop Schedule
Writing

The Petri Dish: Or, How to Grow a New Play with David Adjmi
March 6 and 7 from noon to 3 pm.

Getting Started with David Grimm
This two-day intensive character-based workshop is for all playwrights focused on generating new material and discovering different ways of approaching the work. This is not a lecture, this is not theory -- writers learn by writing, so come prepared to write and share.
March 13 and 14 from noon to 3 pm.

Everything is Action with Itamar Moses
This workshop will explore the ways in which “action,” like a vibrating one-dimensional string, creates all of the illusions that summon a complete theatrical world.
April 10 and 11 from 2 to 5 pm.

Performance Technique

Acting the Song with Joanna Gleason
This is an acting class with music. If you fear singing, it's for you. If you sing and are stiff on stage, it's for you. The goal of the workshop is not to refine your smile as a chorus boy or girl - it's about acting. Period. Text, context, subtext. Each student needs to have memorized two ballads from musical theater or old standards. No jazz, no rock. Bring sheet music for those songs. The accompanist can adjust keys etc. No recording devices will be permitted. Students are encouraged to attend multiple sessions.
Section A: Saturday, March 20 from 11 am to 2 pm.
Section B: Saturday, April 24 from 11 am to 2 pm.

Primary Previews with Tessa LaNeve
This three-night seminar offers an advance look at Primary Stages 26th season of exciting new plays by some of today's most prominent playwrights. Each night of the seminar is dedicated to reading and discussing one of the upcoming plays with Primary Stages Literary Manager, Tessa LaNeve. Participants will deconstruct the texts, conjure up their dream casts, discuss design and production elements, and place these three plays within the larger NYC landscape of American theater. The classes will be invited to special performances of each play for post-show talkbacks. Section A: Wednesdays, Feb. 24, March 3 and 10 from 7 to 9 pm.
Section B: Wednesdays, March 17, 24 and 31 from 7 to 9 pm.
Section C: Wednesdays, April 7, 14 and 21 from 5 to 7 pm.

Directing Intensive with Leigh Silverman
This intensive weekend will offer two full days geared towards gaining significant directing experience and confidence. There will be challenging class work and personalized feedback from 16 hours of hard work, group participation, focus and learning.
April 17 and 18 from 10 am to 6 pm.

Private Coaching with Andrew Leynse
Having problems with a monologue? Nervous about a big upcoming audition? Let’s schedule a private session for you to bolster your confidence! These private, one-on-one acting sessions are geared to meet your individual acting needs whether they be for film, television, stage, or audition preparation.

Information is available by contacting PSST Director LaNeve at 212- 840-9705 extension 212, via email at tessa@primarystages.org, or by visiting the Primary Stages website at http://www.primarystages.org/.

The Drama Desk has limited seating for nonmembers at its first Panel Discussion of the 2009-2010 theater season on Thursday, Feb. 25 from 5:30 to 7:30 pm in the BMI offices at 320 West 57th St. There is no admission charge for Drama Desk members and guests.

The panel discussion, entitled Women At Work: Directing and Writing for the Theater," will feature women with a multitude of creative credits in the theater, including Christina Anderson, author Inked Baby, Drip, GLO, Annie Baker, author, Circle Mirror Transformation, The Aliens, Body Awareness, Sheila Callahan, author, Lascivious Something (opening Spring 2010), Dead City, That Pretty Pretty; Or, the Rape Play, Karen Carpenter, director and former associate artistic director of The Old Globe, Love, Loss, and What I Wore, Pam McKinnon, director, Clybourne Park, Smudge, Peter and Jerry, Susan H. Schulman, director, Broadway's The Secret Garden, Little Women, The Sound of Music, Rinnie Groff, author, Compulsion (currently at Yale Rep), The Ruby Sunrise, Co-writer/Lyricist, Saved and Sheryl Kaller, director, Next Fall (now in previews on Broadway), Adrift in Macao, Jayson With a Y.

The panel will be moderated by Adrienne Onofri, a features writer for BroadwayWorld.com, who has done several series on women theater artists for the website. Reservation are required and may be made by emailing PJRJS@aol.com.

Looking ahead:
Broadway Shows Scheduled to Open:

The Miracle Worker
Circle in the Square Theatre
Opening: March 3
Cast: Abigail Breslin and Alison Pill
A revival of William Gibson's play about Helen Keller and her teacher.

A Behanding in Spokane (**Mature)
Gerald Schoenfeld Theatre
Opening: March 4
Cast: Christopher Walken, Zoe Kazan, Anthony Mackie and Sam Rockwell
World premiere of a new black comedy by Martin McDonagh centered on a man's search for his missing left hand.

Next Fall (**Mature)
Helen Hayes Theatre
Opening: March 11
Cast: Patrick Breen, Maddie Corman, Sean Dugan, Patrick Heusinger, Connie Ray and Cotter Smith
Transfer of Naked Angels' Off-Broadway run of Geoffrey Nauffts' drama about a five-year relationship between two gay partners and how religion factors into it.

Looped (**Mature)
Lyceum Theatre
Opening: March 14
Cast: Valerie Harper, Brian Hutchison and Michael Mulheren
Matthew Lombardo's new comedy about Tallulah Bankhead, who is in a sound studio to re-record (or "loop") one line of dialogue for be her last film.

All About Me (**Mature)
Henry Miller's Theatre
Opening: March 18
Cast: Barry Humphries, Michael Feinstein, Gregory Butler, Jodi Capeless and Jon-Paul Mateo

Dame Edna meets Michael Feinstein, written by Christopher Durang.

Come Fly Away
Marquis Theatre
Opening: March 25
Cast: John Selya, Keith Roberts, Karine Plantadit, Holley Farmer

Twila Tharp chorepgraphs and directs this dance piece about four lovelorn couples featuring the vocals of Frank Sinatra.

Red
Golden Theatre
Opening: April 1
Cast: Alfred Molina and Eddie Redmayne

The Donmar Warehouse production of John Logan's play about abstract impressionist painter Mark Rothko.

Lend Me a Tenor
Music Box Theatre
Opening: April 4
Cast: Anthony LaPaglia, Tony Shalhoub, Justin Bartha, Jan Maxwell, Mary Catherine Garrison, Jennifer Laura Thompson

Stanley Tucci directs the revival of the 1930s comedy about a world-famous star who goes missing before his debut with Cleveland's local opera.

The Addams Family
Lunt-Fontanne Theatre
Opening: April 8
Cast: Nathan Lane, Bebe Neuwirth, Carolee Carmello, Kevin Chamberlin, Jackie Hoffman, Zachary James, Terrence Mann, Adam Riegler, Wesley Taylor and Krysta Rodriguez

The creepy family comes to the stage.

Million Dollar Quartet
Nederlander Theatre
Opening: April 11
Cast: Hunter Foster, Elizabeth Stanley, Eddie Clendening, Lance Guest, Levi Kreis and Rob Lyons

Transfer of the Chicago musical by Colin Escott and Floyd Mutrux about Johnny Cash, Jerry Lee Lewis, Carl Perkins and Elvis Presley all coming together one night for a jam session.

La Cage Aux Folles
Longacre Theatre
Opening April 18
Cast: Douglas Hodge, Kelsey Grammer

Transfer of the London Menier Chocolate Factory musical by Jerry Herman and Harvey Fierstein's about a gay couple and a visit from their son's finacee's family.

American Idiot
St. James Theatre
Opening: April 20
Cast: John Gallagher Jr., Stark Sands, Michael Esper, Rebecca Naomi Jones, Christina Sajous, Mary Faber, Tony Vincent

New rock musical featuring songs from Green Day's album of the same name and "21st Century Breakdown."

Sondheim on Sondheim
Studio 54
Opening: April 22
Cast: Barbara Cook, Vanessa Williams, Norm Lewis, Euan Morton, Leslie Kritzer, Tom Wopat

A new revue and portrait of Sondheim.

Promises, Promises
Broadway Theatre
Opening: April 25
Cast: Kristin Chenoweth, Sean Hayes, Brooks Ashmanskas, Katie Finneran and Tony Goldwyn

A revival of the musical based on Neil Simon's The Apartment with music by Burt Bacharach and Hal David.

Fences
Cort Theatre
Opening: April 25
Cast: Denzel Washington, Viola Davis, Chris Chalk, Stephen McKinley Henderson, Russell Hornsby and Mykelti Williamson

August Wilson's story about a former Negro League baseball player who struggles with his life as a garbage man gets revived with some star power.

Enron
Broadhurst Theatre
Opening: April 27
Cast: Norbert Leo Butz, Stephen Kunken

Transfer of London's Jerwood Theatre production of Lucy Prebble's financial scandal drama.

Collected Stories
Samuel J. Friedman Theatre
Opening: April 28
Cast: Linda Lavin, Sarah Paulson

Donald Margulies' new play about two female writers gets its premiere at Manhattan Theatre Club.

Lips Together, Teeth Apart (**Mature)
American Airlines Theatre
Opening: April 29
Cast: Megan Mullally, Lili Taylor, Patton Oswalt

Roundabout Theatre Company revives Terrence McNally's play about two straight couples vacationing amongst the gay community at a Fire Island beach house on July 4.

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Gracewell Prodiuctions

Gracewell Prodiuctions
Producing Inspiring Works in the Arts
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Our reviews are professional reviews written without a religious bias. At the end of them, you can find a listing of language, content or theological issues that Christians might want to know about when deciding which shows to see.

** Mature indicates that the show has posted an advisory because of content. Usually this means I would recommend no one under the age of 16 attend.

Theater Critic Lauren Yarger

Theater Critic Lauren Yarger

My Bio

Lauren Yarger has written, directed and produced numerous shows and special events for both secular and Christian audiences. She co-wrote a Christian musical version of “A Christmas Carol” which played to sold-out audiences of over 3,000 in Vermont and was awarded the Vermont Bessie (theater and film awards) for “People’s Choice for Theatre.” She also has written two other dinner theaters, sketches for church services and devotions for Christian artists. Her play concept, "From Reel to Real: The Jennifer O'Neill Story" was presented as part of the League of professional Theatre Women's Julia's reading Room Series in New York. Shifting from reviewing to producing, Yarger owns Gracewell Productions, which produced the Table Reading Series at the Palace Theater in Waterbury, CT. She trained for three years in the Broadway League’s Producer Development Program, completed the Commercial Theater Institute's Producing Intensive and other training and produced a one-woman musical about Mary Magdalene that toured nationally and closed with an off-Broadway run. She was a Fellow at the National Critics Institute at the O'Neill Theater Center in Waterford, CT. She wrote reviews of Broadway and Off-Broadway theater (the only ones you can find in the US with an added Christian perspective) at http://reflectionsinthelight.blogspot.com/.

She is editor of The Connecticut Arts Connection (http://ctarts.blogspot.com), an award-winning website featuring theater and arts news for the state. She was a contributing editor for BroadwayWorld.com. She previously served as theater reviewer for the Manchester Journal-Inquirer, Connecticut theater editor for CurtainUp.com and as Connecticut and New York reviewer for American Theater Web.

She is a Co-Founder of the Connecticut Chapter of the League of Professional Theatre Women. She is a former vice president and voting member of The Drama Desk.

She is a freelance writer and playwright (member Dramatists Guild of America). She is a member if the The Outer Critics Circle (producer of the annual awards ceremony) and a member of The League of Professional Theatre Women, serving as Co-Founder of the Connecticut Chapter. Yarger was a book reviewer for Publishers Weekly A former newspaper editor and graduate of the University of Missouri’s School of Journalism, Yarger also worked in arts management for the Bushnell Center for the Performing Arts, the Hartford Symphony Orchestra and served for nine years as the Executive Director of Masterwork Productions, Inc. She lives with her husband in West Granby, CT. They have two adult children.

Copyright

All material is copyright 2008- 2024 by Lauren Yarger. Reviews and articles may not be reprinted without permission. Contact reflectionsinthelight@gmail.com

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Key to Content Notes:

God's name taken in vain -- means God or Jesus is used in dialogue without speaking directly to or about them.

Language -- means some curse words are used. "Minor" usually means the words are not too strong or that it only occurs once or twice throughout the show.

Strong Language -- means some of the more heavy duty curse words are used.

Nudity -- means a man or woman's backside, a man's lower front or a woman's front are revealed.

Scantily clad -- means actors' private areas are technically covered, but I can see a lot of them.

Sexual Language -- means the dialogue contains sexually explicit language but there's no action.

Sexual Activity -- means a man and woman are performing sexual acts.

Adultery -- Means a married man or woman is involved sexually with someone besides their spouse. If this is depicted with sexual acts on stage, the list would include "sexual activity" as well.

Sex Outside of Marriage -- means a man and woman are involved sexually without being married. If this is depicted sexually on stage, the list would include "sexual activity" as well.

Homosexuality -- means this is in the show, but not physically depicted.

Homosexual activity -- means two persons of the same sex are embracing/kissing. If they do more than that, the list would include "sexual activity" as well.

Cross Dresser -- Means someone is dressing as the opposite sex. If they do more than that on stage the listing would include the corresponding "sexual activity" and/or "homosexual activity" as well.

Cross Gender -- A man is playing a female part or a woman is playing a man's part.

Suggestive Dancing -- means dancing contains sexually suggestive moves.

Derogatory (category added Fall 2012) Language or circumstances where women or people of a certain race are referred to or treated in a negative and demeaning manner.

Other content matters such as torture, suicide, or rape will be noted, with details revealed only as necessary in the review itself.

The term "throughout" added to any of the above means it happens many times throughout the show.

Reviewing Policy

I receive free seats to Broadway and Off-Broadway shows made available to all voting members of the Outer Critics Circle. Journalistically, I provide an unbiased review and am under no obligation to make positive statements. Sometimes shows do not make tickets available to reviewers. If these are shows my readers want to know about I will purchase a ticket. If a personal friend is involved in a production, I'll let you know, but it won't influence a review. If I feel there is a conflict, I won't review their portion of the production.

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